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Marking the forty-fifth anniversary of the desegregation of Savannah, this book celebrates the civil rights photographs of Frederick C. Baldwin. First exhibited at the Telfair in 1983 under the title, " . . . We Ain't What We Used to Be": Photographs by Frederick C. Baldwin, these historically and aesthetically important images have recently been exhibited again, accompanied by an enhanced and expanded catalogue. Baldwin's images chronicle crucial events in the civil rights movement from voter registration drives to meetings in the longshoreman's hall to public marches and demonstrations, culminating in a visit to Savannah by Martin Luther King Jr. Baldwin depicted the local Ballot Bus; the exhaustive efforts to convince potential voters to register and the resulting long lines of African Americans at the courthouse; protest marches and prayer meetings; and finally, the transcendent moment of King's visit to Savannah. Today, Baldwin's photographs serve as potent reminders of the struggle for equality in Savannah and as evidence of the powerful role of photography in documenting and validating that struggle. The book also contains numerous interviews with and comments of Savannahians who were active in the events of the period.
On August 28, 1963, a remarkable event took place--more than 250,000 people gathered in our nation's capital to participate in the March on Washington for Jobs and Freedom. The march began at the Washington Monument and ended with a rally at the Lincoln Memorial, where Martin Luther King Jr. delivered his historic "I Have a Dream" speech, advocating racial harmony. Many words have been written about that day, but few so delicate and powerful as those presented here by award-winning author and illustrator Shane W. Evans. When combined with his simple yet compelling illustrations, the thrill of the day is brought to life for even the youngest reader to experience. We March is one of Kirkus Reviews' Best Children's Books of 2012
On March 7, 1965, a peaceful voting rights demonstration in Selma, Alabama, was met with an unprovoked attack of shocking violence that riveted the attention of the nation. In the days and weeks following "Bloody Sunday," the demonstrators would not be deterred, and thousands of others joined their cause, culminating in the successful march from Selma to Montgomery. The protest marches led directly to the passage of the Voting Rights Act of 1965, a major piece of legislation, which, ninety-five years after the passage of the Fifteenth Amendment, made the practice of the right to vote available to all Americans, irrespective of race. From Selma to Montgomery chronicles the marches, placing them in the context of the long Civil Rights Movement, and considers the legacy of the Act, drawing parallels with contemporary issues of enfranchisement. In five concise chapters bolstered by primary documents including civil rights legislation, speeches, and news coverage, Combs introduces the Civil Rights Movement to undergraduates through the courageous actions of the freedom marchers.
Special edition of the Federal Register, containing a codification of documents of general applicability and future effect ... with ancillaries.
This book and associated collection of visual data and sociological observations examine how the Hong Kong Special Administrative Region (SAR) has been visually re-imagined, transformed, and utilized by its subalterns in the post-Handover period to reproduce their aspirations and demands for greater democracy and social justice while simultaneously contesting the hegemonic pressure exerted by China under the “One Country, Two Systems” ideology. It provides a rich visual description and narrative of how Hong Kong’s many repressed social and political actors have struggled to make their voices heard under its competitive authoritarian political system. The book addresses the growing scholarly interest in the visual analysis of global protests and social movements as salient sources of sociological data and on the creation of meaning. By innovatively tackling the visual culture and visuality of subaltern resistance in Hong Kong it contributes to our understanding of contentious SAR-China politics and the New Social Movement, and will be of great interest to Hong Kong, resistance, social movement, and visual studies scholars.