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This historical adventure filled with menace and mayhem by a New York Times–bestselling author “keep[s] the story twisting unpredictably. . . . [A] page-turner” (Publishers Weekly, starred review). At the dawn of the eighteenth century, Matthew Corbett, professional problem solver, has left New York for Charles Town on an assignment from his agency—and vanished. As his friend Hudson Greathouse sets out to track him down, he has no idea that Matthew is across the sea in London’s notorious Newgate Prison, accused of murdering a Prussian count and targeted by a masked vigilante. Now Hudson, accompanied by Matthew’s beloved Berry Grigsby, must sail to England in hopes of saving him in time . . . Featuring Daniel Defoe as a fellow inmate at Newgate, this whirlwind tale of mystery and adventure comes from Robert McCammon, the multiple award-winning author of five previous novels featuring Matthew Corbett, as well as such classics as Swan Song and Boy’s Life. “Rousing . . . Matthew quickly becomes embroiled in mysteries involving fellow inmate Daniel Defoe; a gin-running street gang, the Black-Eyed Broodies; a kidnapped Italian opera singer; and a masked avenger.” —Publishers Weekly, starred review Praise for the Matthew Corbett Novels “Matthew is a very well designed character, very much a man of his time but also ahead of his time, as though he has stepped out of a modern-day crime lab into the early eighteenth century.” —Booklist “This popular series takes us to a long forgotten time with characters who never fail to entertain.” —The Florida Times-Union
This transformational book works as a catalyst speaking to the heart and soul of the everyday woman who may have been living with unforgiveness, anger, resentment from past relationships. Removing the Mask helps women get to the core of what's really holding them back, by helping them UNCOVER issues that stunt them in walking with authentic confidence toward their God-given purpose. This book is for the woman who says to herself "enough is enough."
Truly nutty ideas never die. They just lie in wait to come back when you least expect it. Exactly twenty years ago, those two wacky books of nasal disguises, Nose Masks I and Nose Masks II, appeared and America seemed to inhale them. There were nose mask parties, celebrities wearing nose masks, nose masks in parades. Today, like the Beetle, the yo-yo, and aviator shades, they're back. Return of the Nose Masks is wackiness for a whole new generation of grown-ups, children, and grown-ups with an inner child. Created by the original nose mask auteur, Rick Meyerowitz, here are 150 original costumes for the nose. Printed in four-color and perforated, there is the Fat Cat, Cooool Cat, and Cocktail Cat. Lawrence and Lenore of Arabia. The Velvet Frog. Nefertootsie and the Tut Mask. The three freedoms--Freedom to Sing, Freedom to Dance, Freedom to Shop. Holiday nose masks, underwater nose masks, career noses masks, modern art nose masks. There are little square nose masks and big vertical nose masks. Mustache nose masks, nose ring nose masks, and the Big Tongue page. Even the Buddha, for that mood of spiritual longing. The nose masks come with instructions for any-size nose on any-age face. The fit is snug, and the look is just right. Ships in time for Halloween.
“A colorful, action-packed tale filled with sinister doings and plenty of good old-fashioned heroics . . . An entertaining ride” set in colonial times (Criminal Element). In the winter of 1703, Matthew Corbett’s Manhattan neighborhood is shaken by explosions—and Matthew discovers his old nemesis, Professor Fell, will do anything he can to capture Matthew’s attention and obtain his services as a professional problem solver. As a result, Matthew travels from New York to Pendulum Island in the distant Bermudas, taking on various opponents in his quest to come face-to-face with the murderous and manipulative criminal mastermind . . . Filled with twists, turns, and an almost tangible sense of place, and featuring “a gang of villains that would make even Batman run for cover,” The Providence Rider is historical thriller writing at its finest, from a New York Times–bestselling, multiple award–winning author (Criminal Element). “A colorful and well-researched depiction of colonial America, enlivened by a rogues’ gallery of well-drawn characters . . . A rollicking good yarn.” —Publishers Weekly “This popular series takes us to a long forgotten time with characters who never fail to entertain.” —The Florida Times-Union
WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.
‘This is one of the most important topics today that seemingly no one is talking about: how men can take care of their emotional health in a 21st century that demands it. Crucial reading for any young or struggling man.’ - Mark Manson, #1 New York Times bestselling author of The Subtle Art of Not Giving a F*ck At 30 years old, Lewis Howes was outwardly thriving but unfulfilled inside. He was a successful athlete and businessman, achieving goals beyond his wildest dreams, but he felt empty, angry, frustrated, and always chasing something that was never enough. His whole identity had been built on misguided beliefs about what "masculinity" was. Howes began a personal journey to find inner peace and to uncover the many masks that men – young and old – wear. In The Mask of Masculinity, Howes exposes: · The ultimate emptiness of the Material Mask, the man who chases wealth above all things; · The cowering vulnerability that hides behind the Joker and Stoic Masks of men who never show real emotion; and · The destructiveness of the Invincible and Aggressive Masks worn by men who take insane risks or can never back down from a fight. He teaches men how to break through the walls that hold them back and shows women how they can better understand the men in their lives. It's not easy, but if you want to love, be loved and live a great life, then it's an odyssey of self-discovery that all modern men must make. This book is a must-read for every man – and for every woman who loves a man.
Six young friends, tortured by the Spears and forced to work as slaves in the harsh fields of Grassland, vow to escape to find the freedom that was stolen from them long ago, and their opportunity arises when Outsiders come and wage war against the Spears.
“Relentlessly paced . . . As usual, McCammon dazzles the reader with gritty historical detail, vivid local color, and a cast of memorable grotesques.” —Publishers Weekly The year is 1703. The woman Matthew Corbett loves is rapidly deteriorating. A drug forced on her by criminal mastermind Professor Fell has destroyed her sanity. And the one thing that could save her—a book of potions—was stolen during an assault on the English village where she has been living under another name, an attack directed by a deranged man known as Cardinal Black. Matthew is a professional problem solver employed by an agency in New York, but this case is personal. To save Berry Grigsby, Matthew will journey to London with one of Fell’s henchmen and attend an auction to which Black has summoned unsavory characters from near and far—all vying to possess the powerful volume. But before Matthew can obtain the book and heal Berry, he must survive Cardinal Black . . . The “most intense yet” in the unique series that began with Speaks the Nightbird, Cardinal Black is a brutal and brilliant historical thriller from this New York Times–bestselling and Bram Stoker Award–winning author (The Florida Times-Union). Praise for the Matthew Corbett Novels “Excellent . . . full of tension and suspense.” —Stephen King on Speaks the Nightbird “Told with matchless insight into the human soul . . . deeply satisfying.” —Sandra Brown on Speaks the Nightbird “The Corbett novels are rich, atmospheric stories, the kind of historical mystery that makes the reader feel as though he really has stepped back in time. Matthew is a very well designed character, very much a man of his time but also ahead of his time, as though he has stepped out of a modern-day crime lab into the early eighteenth century.” —Booklist
“Macabre surprises abound” in this historical thriller by a New York Times–bestselling author, centered on the search for an escaped slave accused of murder (Publishers Weekly). Accompanied by his new friend Magnus Muldoon, professional problem solver Matthew Corbett is in the Carolina colony, where three enslaved people have managed to flee their captors—one of them accused of killing the daughter of a plantation owner. Their quest to close the case will take Matthew and Magnus to the place known as “the River of Souls” as they encounter alligators and Native American warriors—and a terrifying being known as the Soul Cryer . . . “Entertaining . . . [McCammon] nicely evokes America’s colonial past and deftly straddles the boundary between the explicable and the supernatural.” —Publishers Weekly Praise for the Matthew Corbett Novels “The Corbett novels are rich, atmospheric stories, the kind of historical mystery that makes the reader feel as though he really has stepped back in time.” —Booklist “[An] extraordinary series.” —Horrornews