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Frederick Hart's sculpture is at once traditional in its adherence to the importance of the human figure, and radical in its sensuality and innovative use of materials. This publication is a comprehensive look into the life and talent of a classical sculptor, whose passion for the spiritual and figurative aspects of his craft is represented in both his public commissions and private work. Daughters of Odessa, one of Hart's masterworks, is traced from its first inspiration to the final bronze. The Creation Sculptures, which grace the west facade of Washington National Cathedral, are explored in an in-depth analysis of his epic interpretation of Creation. Hart's public monuments including Three Soldiers at the Vietnam Veterans Memorial are brought to life through the artist's own writings. Additionally, new works are comprehensively explored, building from the previous book, Frederick Hart, Sculptor (1994), now in its fifth printing. 12 colour & 83 b/w illustrations
This glorious tribute to a contemporary master of humanist art covers his Vietnam Veterans Memorial Three Soldiers, National Cathedral Creation doors, and acrylic works.
Before his death in 1999, Frederick Hart was hailed as America's greatest living sculptor. His powerful and inspirational figurative creations for such venues as the National Cathedral and the Vietnam Veterans Memorial changed the face of American art. Inspired by the great classical sculptors Michelangelo and Rodin, Hart single-handedly revived the classical form in monumental pieces, the complexity, size and beauty of which are rightly compared to works of the Old Masters.This magnificent book is published as Hart's catalogue raisonne?a detailed showcase of his relatively short lifetime of extraordinary production?timed to coincide with the largest Hart retrospective and exhibit ever mounted, at the University of Louisville, from September to November 2007.Essays by Donald Kuspit and Frederick Turner accompany hundreds of impressive color plates. Also included is an extensive chronology, bibliography and index of Hart's works.Butler Books is proud to announce that Frederick Hart: The Complete Works was awarded the Silver Medal for Excellence in the national Fine Arts category of the 2008 Independent Publisher Book Awards.
Complete guidance & procedural analysis regarding both the mechanics of completing UCC related forms & the substative law connected with those forms. It is an invaluable resource for the practitioner, containing forms consistent with the requirements & terminology of the Code, as well as commentary, primary source materials & case annotations. Basic forms are featured by Article, & are varied by alternative & optional clauses. Commentary is structured around the forms, & explains when, how & why the form should be used as well as the substantive results of their use. 8 Volumes; Looseleaf; updated with supplements & revisions.
If your pants drive you potty and getting dressed is a disaster, then this is the book for you! Learning how to get dressed has never been so fun - with wonderfully wacky illustrations and a hilarious, rhyming text from award-winning author Caryl Hart. From the creative team that brought you Don't Dip Your Chips In Your Drink, Kate! winner of the Sheffield Community Libraries Prize and highly commended for the Sheffield Children's Book Award. "One of my read-aloud highlights of the season . . . A fabulous rhyming text." - Bookseller
This volume covers over four centuries of Italian painting, sculpture, and architecture. Revising author David G. Wilkins blends new scholarly discoveries with original author Hartt's emphasis on stylistic developments between the 12th and 16th centuries. offer a dynamic insight into the way Renaissance men and women experienced their art. Since the release of the fourth edition, many more works have been restored, including Michelangelo's Last Judgment in the Sistine Chapel and Raphael's Stanze frescoes in the Vatican. Fresh views of renowned works are included with art commissioned or produced by women. Extended captions identify Renaissance patrons and provide details about historical context, emphasizing how art was created and why, while in-depth visual analysis clarifies the aesthetic developments that emerged in key artistic centers such as Florence, Rome, Venice, and Siena. New iconographic diagrams and computerized reconstructions add dimension to the meanings behind classical, secular, and sacred motifs.
A Distinguished and Bestselling Historian and Army Veteran Revisits the Culture War that Raged around the Selection of Maya Lin's Design for the Vietnam Memorial A Rift in the Earth tells the remarkable story of the ferocious “art war” that raged between 1979 and 1984 over what kind of memorial should be built to honor the men and women who died in the Vietnam War. The story intertwines art, politics, historical memory, patriotism, racism, and a fascinating set of characters, from those who fought in the conflict and those who resisted it to politicians at the highest level. At its center are two enduring figures: Maya Lin, a young, Asian-American architecture student at Yale whose abstract design won the international competition but triggered a fierce backlash among powerful figures; and Frederick Hart, an innovative sculptor of humble origins on the cusp of stardom. James Reston, Jr., a veteran who lost a close friend in the war and has written incisively about the conflict's bitter aftermath, explores how the debate reignited passions around Vietnam long after the war’s end and raised questions about how best to honor those who fought and sacrificed in an ill-advised war. Richly illustrated with photographs from the era and design entries from the memorial competition, A Rift in the Earth is timed to appear alongside Ken Burns's eagerly anticipated PBS documentary, The Vietnam War. “The memorial appears as a rift in the earth, a long polished black stone wall, emerging from and receding into the earth."—Maya Lin "I see the wall as a kind of ocean, a sea of sacrifice. . . . I place these figures upon the shore of that sea." —Frederick Hart
High Price is the harrowing and inspiring memoir of neuroscientist Carl Hart, a man who grew up in one of Miami’s toughest neighborhoods and, determined to make a difference as an adult, tirelessly applies his scientific training to help save real lives. Young Carl didn't see the value of school, studying just enough to keep him on the basketball team. Today, he is a cutting-edge neuroscientist—Columbia University’s first tenured African American professor in the sciences—whose landmark, controversial research is redefining our understanding of addiction. In this provocative and eye-opening memoir, Dr. Carl Hart recalls his journey of self-discovery, how he escaped a life of crime and drugs and avoided becoming one of the crack addicts he now studies. Interweaving past and present, Hart goes beyond the hype as he examines the relationship between drugs and pleasure, choice, and motivation, both in the brain and in society. His findings shed new light on common ideas about race, poverty, and drugs, and explain why current policies are failing.
"Fred Williams is one of Australia's greatest painters. He created a highly original and distinctive way of seeing the Australian landscape and was passionate about the painting process itself. This is the first major retrospective of Williams' work in over 25 years. It highlights Williams' strength as a painter including important large oil paintings and luminous gouaches to reveal his distinctive approach, often combining a feeling for place with a strong abstract emphasis. Williams' inspiration often emerged from the unique qualities of landscapes around Australia, from Upwey in Victoria to the Bass Strait in Tasmania and the Pilbara region of Western Australia. Although Williams is most often associated with dry environments, some of the surprises in the exhibition are the works that reveal his fascination with water--ponds, rivers, waterfalls and seascapes. The show uncovers other unexpected elements, such as portraits of his family and friends, and delicate studies in gouache of plants and animals."--Publisher's website.
Since its dedication in 1982, the Vietnam Veterans Memorial has become an American cultural icon symbolizing the war in Vietnam--the defining experience of the Baby Boom generation. The black granite wall of names is one of the most familiar media images associated with the war, and after three decades the memorial remains one of the nation's most visited monuments. While the memorial has enjoyed broad acceptance by the American public, its origins were both humble and contentious. A grassroots effort launched by veterans with no funds, the project was completed in three and a half years. But an emotional debate about aesthetics and the interpretation of heroism, patriotism and history nearly doomed the project. Written from an insider's perspective, this book tells the complete story of the memorial's creation amid Washington politics, a nationwide design competition and the heated controversy over the winning design and its creator.