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Has Freddie found gloves that give him super strength? Freddie loves to help Mr. Vaslov with jobs around the Starwood Park apartment buildings. One day Freddie finds a pair of small gloves that would fit him in Mr. Vaslov's toolshed. Could the gloves be a new invention?
One day Freddie Ramos comes home from school and finds a strange box just for him. What's inside? ZAPATO POWER-shoes that change Freddie's life by giving him super speed! But what will Freddie do with his fast new skills? Weird things are happening at the Starwood Park Apartments where he lives, and his friends at school need his help. Is Freddie Ramos ready to be a hero? In this imaginative story by Jacqueline Jules, an ordinary boy in a city neighborhood learns how to use his new-found powers for good. Illustrations by Miguel Benitez lend just a touch of comic-book style to this chapter book adventure.
Freddie has shoes that give him super speed. It's hard to be a superhero and a regular kid at the same time, especially when your shoes give you even more power! Freddie needs an on/off switch for his super speed, so Mr. Vaslov, who created the shoes, decides to invent a remote control, but he gets more than he planned. When his young neighbor's ball goes missing, Freddie uses his new powers to find it...and Mr. Vaslov!
Freddie Ramos loves his new Zapato Power—super hearing! He can listen in on conversations and find hero jobs. But soon Freddie realizes the temptation to eavesdrop on everyone is too great. Can Freddie find a way to use his super hearing without snooping?
When a freak spring blizzard buries Starwood Park, Freddie works with Mr. Vaslov to clear the sidewalks using a new invention—Zapato Power snowshoes! But not even the snow can stop a thief from causing trouble in the neighborhood. Can Freddie solve the case, even if it means helping Erika, the Starwood Park bully?
On a visit to New York City to see Uncle Jorge, Freddie brings his special sneakers which give him super speed but are becoming too small for his growing feet.
2017 Westchester Fiction Award Elena Martinez has hidden her eidetic memory all her life—or so she thinks. When powerful tech giant Aether Corporation selects her for a top-secret project, she can't say no. All she has to do is participate in a trip to the future to bring back data, and she'll be set for life. Elena joins a team of four other teens with special skills, including Adam, a science prodigy with his own reason for being there. But when the time travelers arrive thirty years in the future, something goes wrong and they break the only rule they were given: do not look into their own fates. Now they have twenty-four hours to get back to the present and find a way to stop a seemingly inevitable future from unfolding. With time running out and deadly secrets uncovered, Elena must use her eidetic memory, street smarts, and a growing trust in Adam to save her new friends and herself.
Eleanor Estes's The Hundred Dresses won a Newbery Honor in 1945 and has never been out of print since. At the heart of the story is Wanda Petronski, a Polish girl in a Connecticut school who is ridiculed by her classmates for wearing the same faded blue dress every day. Wanda claims she has one hundred dresses at home, but everyone knows she doesn't and bullies her mercilessly. The class feels terrible when Wanda is pulled out of the school, but by that time it's too late for apologies. Maddie, one of Wanda's classmates, ultimately decides that she is "never going to stand by and say nothing again." This powerful, timeless story has been reissued with a new letter from the author's daughter Helena Estes, and with the Caldecott artist Louis Slobodkin's original artwork in beautifully restored color.
Translocas focuses on drag and transgender performance and activism in Puerto Rico and its diaspora. Arguing for its political potential, Lawrence La Fountain-Stokes explores the social and cultural disruptions caused by Latin American and Latinx “locas” (effeminate men, drag queens, transgender performers, and unruly women) and the various forms of violence to which queer individuals in Puerto Rico and the U.S. are subjected. This interdisciplinary, auto-ethnographic, queer-of-color performance studies book explores the lives and work of contemporary performers and activists including Sylvia Rivera, Nina Flowers, Freddie Mercado, Javier Cardona, Jorge Merced, Erika Lopez, Holly Woodlawn, Monica Beverly Hillz, Lady Catiria, and Barbra Herr; television programs such as RuPaul’s Drag Race; films such as Paris Is Burning, The Salt Mines, and Mala Mala; and literary works by authors such as Mayra Santos-Febres and Manuel Ramos Otero. Lawrence La Fountain-Stokes, a drag performer himself, demonstrates how each destabilizes (and sometimes reifies) dominant notions of gender and sexuality through drag and their embodied transgender expression. These performances provide a means to explore and critique issues of race, class, poverty, national identity, and migratory displacement while they posit a relationship between audiences and performers that has a ritual-like, communal dimension. The book also analyzes the murders of Jorge Steven López Mercado and Kevin Fret in Puerto Rico, and invites readers to challenge, question, and expand their knowledge about queer life, drag, trans performance, and Puerto Rican identity in the Caribbean and the diaspora. The author also pays careful attention to transgender experience, highlighting how trans activists and performers mold their bodies, promote social change, and create community in a context that oscillates between glamour and abjection.
Joseph had a little overcoat, but it was full of holes—just like this book! When Joseph's coat got too old and shabby, he made it into a jacket. But what did he make it into after that? And after that? As children turn the pages of this book, they can use the die-cut holes to guess what Joseph will be making next from his amazing overcoat, while they laugh at the bold, cheerful artwork and learn that you can always make something, even out of nothing.