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Relations between Israel and the Gulf states are not anything new. In the immediate aftermath of the 1993 Oslo Accords, both Qatar and Oman established low-level yet open diplomatic ties with Israel. In 2010, Ha'aretz reported that the former Israeli foreign minister, Tzipi Livni, was on friendly terms with Shaykh Abdullah Ibn Zayed, her counterpart from the UAE, despite the absence of formal diplomatic ties between the two states. The shared suspicion towards the regional designs of Iran that undoubtedly underpinned these ties even extended, it was alleged, to a secret dialogue between Israel and Saudi Arabia, led by the late Meir Dagan, the former head of Mossad. Cooperation between Israel and Saudi Arabia in thwarting Iran's regional ambitions also casts light on Washington's lack of strategic leadership, which had previously been the totem around which Israel and the Gulf states had based regional security strategies. Jones and Guzansky contend that, at the very least, ties between Israel and many of its Gulf counterparts are now more vibrant than hitherto realized. They constitute a tacit security regime which, while based on hard power interests, does not preclude competition in other areas. Ultimately, these relations are helping shape a new regional order in the Middle East.
A clear and comprehensive account of the history of French philosophy in the twentieth century.
Drawing on a variety of psychoanalytic approaches, ten critics engage in exciting discussions of the ways the "inner life" is depicted in the Renaissance and the ways it is shown to interact with the "external" social and economic spheres. Spurred by the rise of capitalism and the nuclear family, Renaissance anxieties over changes in identity emerged in the period's unconscious--or, as Freud would have it, in its literature. Hence, much of Renaissance literature represents themes that have been prominent in the discourse of psychoanalysis: mistaken identity, incest, voyeurism, mourning, and the uncanny. The essays in this volume range from Spenser and Milton to Machiavelli and Ariosto, and focus on the fluidity of gender, the economics of sexual and sibling rivalry, the power of the visual, and the cultural echoes of the uncanny. The discussion of each topic highlights language as the medium of desire, transgression, or oppression. The section "Faking It: Sex, Class, and Gender Mobility" contains essays by Marjorie Garber (Middleton), Natasha Korda (Castiglione), and Valeria Finucci (Ariosto). The contributors to "Ogling: The Circulation of Power" include Harry Berger (Spenser), Lynn Enterline (Petrarch), and Regina Schwartz (Milton). "Loving and Loathing: The Economics of Subjection" includes Juliana Schiesari (Machia-velli) and William Kerrigan (Shakespeare). "Dreaming On: Uncanny Encounters" contains essays by Elizabeth J. Bellamy (Tasso) and David Lee Miller (Jonson).
This Library of America volume offers what no reader has ever been able to find—an authoritative edition of all the tales and sketches of Nathaniel Hawthorne in a single comprehensive volume. Everything is included from his three books of stories, Twice-told Tales (1837, revised 1851), Mosses from an Old Manse (1846, 1854), and The Snow-Image, and Other Twice-told Tales (1851), and from his two books of stories for children based on classical myths, A Wonder Book for Girls and Boys (1852) and Tanglewood Tales (1853)—along with sixteen stories not found in any of these volumes. The stories are arranged, as they never have been in any other edition, in the order of their periodical publication. Readers of Hawthorne will thereby get a unique sense of how he became one of the most powerful and experimental writers of American fiction. Here are many familiar but always surprising works like “Young Goodman Brown,” “Wakefield,” “The Birth-mark,” “The Artist of the Beautiful,” “Rappaccini’s Daughter,” and “Ethan Brand.” And here, too, are many others that deserve to be better known, like: • “Roger Malvin’s Burial,” a suspenseful story of guilt and parricide; • “The May-Pole of Merry Mount,” where the chances for human love are perilously suspended between the silken license of the revelers and the iron rectitude of the Puritans; • the masterly tale “My Kinsman, Major Molineux,” full of the pains and terrors of national and familial separations, the severing of the ties of blood and culture that united the colonies to England; • and the exquisite little story “The Wives of the Dead,” about the ambiguities of love and loss, in which, as so often in Hawthorne, the reader at the end is left in a kind of awe at the multiple possibilities of meaning. To read these stories is to understand anew why Hawthorne is a great artist and an astonishingly contemporary one. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.