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The true story of an African American woman from Marion, Indiana who, as part of the WPA Sewing-Room Projects, designed and pieced a postage stamp quilt which she presented to President Franklin D. Roosevelt in 1936.
"Designs, patterns, techniques, equipment, conservation and care, textiles, dyes, history, quilt organizations, and more"--Jacket.
In 2002, Gee’s Bend burst into international prominence through the success of Tinwood’s Quilts of Gee’s Bend exhibition and book, which revealed an important and previously invisible art tradition from the African American South. Critics and popular audiences alike marveled at these quilts that combined the best of contemporary design with a deeply rooted ethnic heritage and compelling human stories about the women. Gee's Bend: The Architecture of the Quilt is a major book and museum exhibition that will premiere at the Museum of Fine Arts, Houston (MFAH), in June 2006 before traveling to seven American museums through 2008. The book's 330 color illustrations and insightful text bring home the exciting experience to readers while displaying all the cultural heritage and craftsmanship that have gone into these remarkable quilts.
Showcases a number of themes through which the common story of Georgia, its people, and its quilting legacy can be told in a comprehensive record of the diversity of quilting materials, methods, and patterns used in the state. Simultaneous.
An ambitious history of flags, stamps, and currency—and the role they played in US imperialism. In Imperial Material, Alvita Akiboh reveals how US national identity has been created, challenged, and transformed through embodiments of empire found in US territories, from the US dollar bill to the fifty-star flag. These symbolic objects encode the relationships between territories—including the Philippines, the Hawaiian Islands, Puerto Rico, and Guam—and the empire with which they have been entangled. Akiboh shows how such items became objects of local power, their original intent transmogrified. For even if imperial territories were not always front and center for federal lawmakers and administrators, their inhabitants remained continuously aware of the imperial United States, whose presence announced itself on every bit of currency, every stamp, and the local flag.
Valentine, involved in a project to seek out, document, and help preserve West Virginia quilts, presents a fabulously beautiful collection of quilts created prior to 1940. Coverage of each work includes a map showing the county in which it was created, its maker, the date it was finished, its pattern, and a lively description of the quilt's composition, including patterns, fabrics, and techniques employed and its relationship to other quilts of the same era. Annotation copyrighted by Book News Inc., Portland, OR
A compilation of articles from Uncoverings, the journal of the American Quilt Study Group, this beautifully illustrated book provides an in-depth study of American quiltmaking. Indexed.
Fraklin Roosevelt was elected President of the United States in 1932 and re-elected three times. This book tells of his life.
In Emancipation's Daughters, Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout Emancipation's Daughters, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy.