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A new generation is creating a monster.... When Doctor Victor Frankenstein died, he left behind a legacy of horror...as well as two unacknowledged, beautiful twin daughters. Now these girls are seventeen, and they've come to Frankenstein's castle to claim it as their inheritance.Giselle and Ingrid are twins, but they couldn't be more different. Giselle is a glamorous social climber who plans on turning Frankenstein's castle into a center of high society. Ingrid, meanwhile, is quiet and studious, drawn to the mysterious notebooks her father left behind...and the experiments he went mad trying to perfect.As Giselle prepares for lavish parties and Ingrid finds herself falling for the sullen, wounded naval officer next door, a sinister force begins to take hold in the castle. Nobody's safe as Frankenstein's legacy leads to a twisted, macabre journey of romance and horror.
Collects Dark Reign: The List - Punisher, Punisher #11-16, Franken-Castle #17-21, Dark Wolverine #88-89. The Punisher is dead, so who, or what, is the giant patchwork monster skulking through the tunnels under New York? Those forgotten by society have a new protector - Franken-Castle.
Dr. Frankenstein is a scientist, an inventor, a creator. With the help of Igor, Dr. Frankenstein finds a way to create a human. A bolt of lightning brings the creature to life! Unfortunately, the monster's size and asparagus-induced green color scare him and people he encounters. In his search for companionship, the creature meets a little girl, a blind mind, and Francesca, another creation of Dr. Frankenstein. This funny adaptation of Frankenstein will delight children as they follow the adventures of Dr. Frankenstein and his science project. Illustrations created by Alex Bjelica.
When Aunt Frankenstein arrives at the castle of her nephew, who created the monster, to restore that place to order and clear the family's blackened name, she encounters both Dracula and the werewolf and attempts to solve their problems too.
Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.
This clear, well illustrated text takes the reader through the basics of film analysis, drawing on a wide range of film for discussion. Questions of genre and the contexts and meanings of film are considered.
This is a schoolteacher’s tale of why she accepted a position with the Department of Defense Dependents' Schools after retiring from the state of North Carolina and why she especially desired to teach in West Germany.
Mary Wollstonecraft Shelley's classic novel Frankenstein: or, The Modern Prometheus, first published in 1818, started a phenomeon that has survived the years and permeated many aspects of popular culture. It has spawned numerous films, television programs, books, comics, stage presentations, and the like, and continues to do so today. Like the Frankenstein Monster, this work is made up of many individual parts, some of which are quite different in their specific themes, but all of which relate to Frankenstein in some way. They consider the untold true story of Frankenstein, Glenn Strange's portrayals of the Monster, the portrayals of lesser-known actors who played the character, Peter Cushing and his role as Baron (and Dr.) Frankenstein, the classic film Young Frankenstein co-written by Mel Brooks and Gene Wilder (who also starred in it), the battles between do-gooders and the Monster and other horror figures, Frankenstein in cartoons--and much more. Each of the 15 essays, all written by the author, is prefaced with explanatory notes that place the essay in its historical perspective, comment on its origin and content, and where appropriate, supplement the text with new, additional, or otherwise relevant information. Richly illustrated.