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Nestled among the cactus thickets and dry washes of the Arizona desert lies an intriguing landscape of architectural experiments. Sometimes encompassing a paloverde tree or suspended many feet above the desert floor, these small dwellings, conceived by architecture students as alternatives to tents and dormitory rooms, embrace¿and in their own way, celebrate¿the natural, rugged terrain surrounding Frank Lloyd Wright¿s Taliesin West. The earliest shelters were created by adventurous apprentices at the Taliesin Fellowship, a school for architects established by Frank Lloyd Wright in the mid-1930s. After Wright¿s death, a more conventional school¿the Frank Lloyd Wright School of Architecture¿was established, and the practice of designing and building a personal dwelling became a unique feature of the school¿s curriculum. Wright insisted that there would be no armchair architects at his school; apprentices would learn through hard work and first-hand experience. The response to this directive has been astonishingly creative. In addition to honing their design and drafting skills, students comb the desert for dwelling sites; consider the effects of extreme temperature change and winter rain; gather construction materials from surrounding hills and dry riverbeds; and thoroughly explore what Wright termed organic architecture. Collected in Under Arizona Skies are photographs and architectural plans of the most exemplary student shelters built at Taliesin West, as well as personal accounts written by Victor E. Sidy, Dean of the Frank Lloyd Wright School of Architecture, and Bruce Brooks Pfeiffer, Director of the Frank Lloyd Wright Archives.
On April 11, 1943, in the desert hills of Phoenix, Arizona, Frank Lloyd Wright’s Pauson House burned to the ground. The fire had erupted just one year after the building’s completion. But the complete obliteration of this remarkable structure was avoided by way of an astounding archive of letters between Wright (American, 1867–1959) and his client, artist Rose Pauson.In Building the Pauson House, more than fifty previously unpublished letters written between 1938 and 1943—alongside rare site photographs and Wright’s architectural drawings—chronicle the design and construction of one of Wright’s most creative houses. While his commitment to integrating architecture into the natural environment was tested by the undeveloped site, these letters provide a rare glimpse into another important challenge for the architect: pleasing the client. In note after note, Pauson’s and Wright’s headstrong personalities shine through, with jabfilled exchanges regarding bills and design changes exposing frustrations on both sides. In one letter, Wright quipped, “For the time and trouble I have taken in writing this to you, I could have turned in to my publisher material for which I would receive twice the sum in dispute.” But despite their differences, Pauson and Wright remained true to their underlying appreciation of each other, and it is Wright’s words that remind us of his main inspiration: “If the house doesn’t fit you from the soles of your feet to the top of your head it wouldn’t be one of our houses.”Edited and introduced by Allan Wright Green, the great-nephew of Rose Pauson, and with a Foreword by Bruce Brooks Pfeiffer of the Frank Lloyd Wright Foundation, these collected letters offer a remarkable view of the personality and working methods of one of the world’s greatest architects.
Between 1898 and 1909, Frank Lloyd Wright’s residential studio in the idyllic Chicago suburb of Oak Park served as a nontraditional work setting as he matured into a leader in his field and formulized his iconic design ideology. Here, architectural historian Lisa D. Schrenk breaks the myth of Wright as the lone genius and reveals new insights into his early career. With a rich narrative voice and meticulous detail, Schrenk tracks the practice’s evolution: addressing how the studio fit into the Chicago-area design scene; identifying other architects working there and their contributions; and exploring how the suburban setting and the nearby presence of Wright’s family influenced office life. Built as an addition to his 1889 shingle-style home, Wright’s studio was a core site for the ideological development of the prairie house, one of the first truly American forms of residential architecture. Schrenk documents the educational atmosphere of Wright’s office in the context of his developing design ideology, revealing three phases as he transitioned from colleague to leader. This heavily illustrated book includes a detailed discussion of the physical changes Wright made to the building and how they informed his architectural thinking and educational practices. Schrenk also addresses the later transformations of the building, including into an art center in the 1930s, its restoration in the 1970s and 80s, and its current use as a historic house museum. Based on significant original and archival research, including interviews with Wright’s family and others involved in the studio and 180 images, The Oak Park Studio of Frank Lloyd Wright offers the first comprehensive look at the early independent office of one of the world’s most influential architects.
For coloring book enthusiasts and architecture students — 44 finely detailed renderings of Wright home and studio, Unity Temple, Guggenheim Museum, Robie House, Imperial Hotel, more.
An “immensely valuable” dual biography of the iconic American architect and the city that transformed his career in the early twentieth century (Francis Morrone, New Criterion). Frank Lloyd Wright took his first major trip to New York in 1909, fleeing a failed marriage and artistic stagnation. He returned a decade later, his personal life and architectural career again in crisis. Booming 1920s New York served as a refuge, but it also challenged him and resurrected his career. The city connected Wright with important clients and commissions that would harness his creative energy and define his role in modern architecture, even as the stock market crash took its toll on his benefactors. Anthony Alofsin has broken new ground by mining the Wright archives held by Columbia University and the Museum of Modern Art. His foundational research provides a crucial and innovative understanding of Wright’s life, his career, and the conditions that enabled his success. The result is at once a stunning biography and a glittering portrait of early twentieth-century Manhattan.
Collects newspaper columns written by Wright and his assistants on their work and their ideas.
Published in conjunction with a major exhibition at The Museum of Modern Art, this catalogue reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives, the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has "unpacked"-interpreting and contextualizing it, tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. The publication aims to open up Wright's work to questions, interrogations, and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
A special highlight is the chapter on Wright's collection of Asian art, which was reputed at one time to be among the largest and finest in the United States, and today consists of screens, woodblock prints, sculpture, ceramics, rugs, and textiles.
Frank Lloyd Wright: From Within Outward features a lifetime of achievement by this titan of American architecture through newly commissioned contemporary photography, archival photography, and wonderfully detailed drawings of more than 200 projects, including such masterworks as the S. C. Johnson & Sons Administration Building in Wisconsin, the Guggenheim Museum in New York, and Taliesin West, Wright’s desert home in Arizona, as well as less-known projects designed for Baghdad, Iraq, and beyond. The book is richly accompanied by authoritative text from some of the most important Frank Lloyd Wright scholars and writers at work today, and presents a timely reevaluation of the work and life of Frank Lloyd Wright within the context of social spaces, in the spirit of the exhibition.