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Collected in one volume for the first time! All of Frank Belamys legendary and elusive Robin Hood strips from the Swift. The artwork has been digitaly scanned and restored and the reproduction presents Bellamys art to stunning effect.
In her first adventure for British Intelligence Modesty Blaise with her loyal lieutenant, Willie Garvin, must foil a multi-million pound diamond heist. They travel from London to the South of France, across the Mediterranean to Cairo before battling, against impossible odds, a private army of professional killers.
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic. -- "Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo Castelli
Women who murder . . . why are they so much more fascinating than their male counterparts? For evidence, dip into any of the sixteen strange-but-true tales collected in this anthology by Cleveland’s leading historical crime writer. You’ll meet: • Ill-fated Catherine Manz, the “Bad Cinderella” who poisoned her step-sister in revenge for years of mistreatment, then made her getaway wearing her victim’s most fetching outfit, a red dress and an enormous feathered hat . . . • Velma West, the big-city girl who scandalized rural Lake County in the 1920s with her “unnatural passions”—and ended her marriage-made-in-hell with a swift hammer’s blow to the skull of her dull husband, Eddie . . . • Eva Kaber, “Lakewood’s Lady Borgia,” who, along with her mother and daughter, conspired to dispose of an inconvenient husband with arsenic and knife-wielding hired killers . . . • Martha Wise, Medina’s not-so-merry widow, who poisoned a dozen relatives—including her husband, mother, and brother—because she enjoyed going to funerals . . . And a cast of other, equally fascinating women who behaved very, very badly. This is wickedly entertaining reading!
Explore the deserts, mountains and souks of the Middle East, with best-selling author and artist David Bellamy. The book is divided into chapters according to region: South Arabia and the Swahili Coast; Egypt; Jordan; Lebanon, Dubai, and Oman. Like Arctic Light, the book will provide an intriguing and entertaining insight into the region as a whole - its history, culture, customs, geography and way of life - all written from the perspective of an artist and filled with personal anecdotes and spiced with humour. The illustrations cover a wide variety of subject matter, including desert and mountain scenery, souqs, ancient ruins, temples and monuments, various characters, dhows, feluccas and coastal scenes, mosques and Islamic architecture, Bedouin life and much more.
It’s chocks away once again as Dan Dare, Pilot of the Future, returns! First published in classic British comic Eagle, this is perhaps the most seminal adventure of one of Britain’s best-loved characters, presented in a gorgeous library edition. Following their abduction by brilliant Scottish scientist Galileo McHoo during Safari in Space, Dan and co have used his incredible spacecraft, the Galactic Galleon, to reach the mysterious Terra Nova — last known destination of Dan’s test pilot father! But when the gang stumbles into a war between the strange inhabitants of this world, will they survive to learn the truth? Packed with beautiful artwork from legendary Dare creator Frank Hampson, and his successor, acclaimed artist Frank Bellamy.
Often referred to as the "artist's artist," Brian Bolland has spent the last quarter century producing some of the most memorable and inspiring illustrations the comic industry has ever seen. This handsome volume is a retrospective of this astonishing artist's career and a look at the man himself.
Collected in one volume for the first time since it's initial publication in 1956, all of Frank Bellamy's legendary and elusive King Arthur strips from the Swift. The artwork has been digitally scanned and restored and the reproduction presents Bellamy's stunning art to best effect. Frank Bellamy was one of the greatest if not the greatest comic strip artists of his time. Following his amazing pen and ink work on King Arthur he went on to illustrate Robin Hood, Heros the Spartan, Marco Polo, Garth and many other superb strips. This brings together all 80 pages (the complete story) of King Arthur and His Knights, uncut as it first appeared over 50 years ago. Also included is his complete 40 page story strip of Swiss Family Robinson. The book will appeal to both fans of Bellamy's art, collectors of classic British comic strips, adults and children of all ages.