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A translation of Baucher's celebrated New Method of Horsemanship and the lesser-known Dialogues on Equitation, with a scholarly study of the controversies surrounding them.
As commandant of the cavalry school Alexis-Francois L'Hotte (1825-1904) was obliged to use the methods of the Comte d'Aure, but with his own horses practised the teachings of Baucher. He became one of France's greatest riders.
Originally written and published in 1949, Academic Equitation was considered by dressage experts to be the most important contribution to classical training in the twentieth century. This book was intended as a preparation for international dressage competitions but is far more than this. It discusses the subjects of academic equitation, the riding master and the choice of horse before introducing the reader to the author's systematic program, covering the very early training right up to the most advanced movements. The appendix deals with lungeing, work in hand, long reins and pillar work. General Decarpentry was not only a distinguished scholar of artistic equitation but also equally versed in putting the theories into practice. He deals with the education of the young horse and the complications and details of advanced schooling with the hand of a master. Although he claims that nothing in the book is his—his training system is based on the methods of D'Aure, Baucher and L'Hotte—the General's wisdom and deep knowledge are manifest throughout. It was the General's great wish that traditional teachings on the art of equitation should not be lost to those who wished to study equitation. In this most important work he has succeeded in presenting these teachings in such a way that allows both layman and expert to obtain a deeper insight into this fascinating subject.
DigiCat Publishing presents to you this special edition of "New Method of Horsemanship" (Including the Breaking and Training of Horses, with Instructions for Obtaining a Good Seat) by François Baucher. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
A “superb” account of the enduring connection between humans and horses—“Full of the sort of details that get edited out of more traditional histories” (The Economist). Fifty-six million years ago, the earliest equid walked the earth—and beginning with the first-known horse-keepers of the Copper Age, the horse has played an integral part in human history. It has sustained us as a source of food, an industrial and agricultural machine, a comrade in arms, a symbol of wealth, power, and the wild. Combining fascinating anthropological detail and incisive personal anecdote, equestrian expert Susanna Forrest draws from an immense range of archival documents as well as literature and art to illustrate how our evolution has coincided with that of horses. In paintings and poems (such as Byron’s famous “Mazeppa”), in theater and classical music (including works by Liszt and Tchaikovsky), representations of the horse have changed over centuries, portraying the crucial impact that we’ve had on each other. Forrest combines this history with her own experience in the field, and travels the world to offer a comprehensive look at the horse in our lives today: from Mongolia where she observes the endangered takhi, to a show-horse performance at the Palace of Versailles; from a polo club in Beijing to Arlington, Virginia, where veterans with PTSD are rehabilitated through interaction with horses. “For the horse-addicted, a book can get no better than this . . . original, cerebral and from the heart.” —The Times (London)
Humans have had a profound influence on the horse since its domestication in the late Neolithic period. Used for transport, labour, food and recreation, horses have become important in many facets of our society. Daniel Mills and Sue McDonnell have produced an exceptional account of our current knowledge of the development and management of the behaviour of the horse, from its wild roots. The Domestic Horse, first published in 2005, brings together, for the first time, an unrivalled collection of international scientific authors to write on the latest findings concerning the behaviour and welfare of this beautiful animal. Illustrated throughout, The Domestic Horse will appeal to animal scientists, those working with horses in a professional capacity and the owner/enthusiast. It also provides sound complementary reading for animal/equine science courses and veterinary students.
Horses and horsemen played central roles in modern European warfare from the Renaissance to the Great War of 1914-1918, not only determining victory in battle, but also affecting the rise and fall of kingdoms and nations. When Shakespeare's Richard III cried, "A horse, a horse, my kingdom for a horse!" he attested to the importance of the warhorse in history and embedded the image of the warhorse in the cultural memory of the West. In Riding to Arms: A History of Horsemanship and Mounted Warfare, Charles Caramello examines the evolution of horsemanship—the training of horses and riders—and its relationship to the evolution of mounted warfare over four centuries. He explains how theories of horsemanship, navigating between art and utility, eventually settled on formal manège equitation merged with outdoor hunting equitation as the ideal combination for modern cavalry. He also addresses how the evolution of firepower and the advent of mechanized warfare eventually led to the end of horse cavalry. Riding to Arms tracks the history of horsemanship and cavalry through scores of primary texts ranging from Federico Grisone's Rules of Riding (1550) to Lt.-Colonel E.G. French's Good-Bye to Boot and Saddle (1951). It offers not only a history of horsemen, horse soldiers, and horses, but also a survey of the seminal texts that shaped that history.