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Founded the Catholic Church Extension Society of the U.S. in Chicago, 1905.
Most of the literature concerning the momentous challenges facing Irish American Catholics in the first two decades of the twentieth century pay but scant attention to the role played in addressing them by the American Church. Among the myriad political, social, cultural and economic issues confronting Irish American Catholics none stand out as prominently as the unabated burden of combatting scurrilous attacks upon them by nativist forces, the task of proving themselves as loyal American citizens, and navigating the perilous waves in advancing the course of directing Irish American nationalism and the cause of Ireland's freedom. Patriotism is a Catholic Virtue ferrets out the impact the institutional Church played in affecting the course of action Irish American Catholics took regarding these three crucial missions. Whereas the task of confronting the assaults of nativism, seemingly the natural task for the institutional Church, this study provides extensive evidence of the relentless defense of Catholic virtue conducted by diocesan newspapers. Similarly, the mission of promoting Catholics as loyal American citizens was largely left in the hands of the American hierarchy, its clergy, newspapers and Catholic societies and affiliates. Lastly, this book provides evidence that the Church may well have played the decisive role in guiding its Irish American faithful along paths that, while conservatively promoting Irish nationalism, did not jeopardize an "American First" policy for Catholics. All of this was accomplished in the crucible of an emerging worldwide war.
Seasons of Grace is a history of the Catholic Church and community in southern lower Michigan from the 1830s through the 1950s. Seasons of Grace is a history of the Catholic Church and community in southern lower Michigan from the 1830s through the 1950s. More than a chronicle of clerical successions and institutional expansion, the book also examines those social and cultural influences that affected the development of the Catholic community. To document the course of institutional growth in the diocese, Tentler devotes a portion of the book to tracing the evolution of administrative structures at the Chancery and the founding of parishes, parochial schools, and social welfare organizations. Substantial attention is also given to the social history of the Catholic community, reflected in changes in religious practice, parish life and governance, and the role of women in church organizations and in devotional activities. Tentler also discusses the issue of Catholics in state and local politics and Catholic practice with regard to abortion, contraception, and intermarriage.
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The early 1960s were a heady time for Catholic laypeople. Pope Pius XII’s assurance “You do not belong to the Church. You are the Church” emboldened the laity to challenge Church authority in ways previously considered unthinkable. Empowering the People of God offers a fresh look at the Catholic laity and its relationship with the hierarchy in the period immediately preceding the Second Vatican Council and in the turbulent era that followed. This collection of essays explores a diverse assortment of manifestations of Catholic action, ranging from genteel reform to radical activism, and an equally wide variety of locales, apostolates, and movements.
McGowan traces the evolution of the Catholic community from an isolated religious and Irish ethnic subculture in the late nineteenth century into an integrated segment of English Canadian society by the early twentieth century. English-speaking Catholics moved into all neighbourhoods of the city and socialized with and married non-Catholics. They even embraced their own brand of imperialism: by 1914 thousands of them had enlisted to fight for God and the British Empire. McGowan's detailed and lively portrait will be of great interest to students and scholars of religious history, Irish studies, ethnic history, and Canadian history.
The effect of jazz upon American culture and the American character has been all-pervasive. This superlative history is the first and the most renowned systematic outline of the evolution of this unique American musical phenomenon. Stearns begins with the joining of the African Negro's musical heritage with European forms and the birth of jazz in New Orleans then follows its course through the era of swing and bop to the beginnings of rock in the 50s, vividly depicting the great innovators, and covering such technical elements as the music's form and structure.