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Francis Bacon, long considered a minor figure in the founding of modern political thought, is now recognized as one of its foremost thinkers. Bacon not only championed a new type and method of scientific inquiry, he also developed a plan for how modern society could be re-ordered to accommodate and promote scientific progress. Bacon’s scientific writings cannot be wholly understood apart from his political writings, and many of his works combine the two topics so subtly that it is difficult to even place them in a definitive category; in this book, Kimberly Hurd Hale identifies the thread in Bacon’s body of work that links modern science and liberalism. Hale provides a detailed analysis of New Atlantis, examining Bacon’s place in the founding of modern political philosophy and the ways he relates to Plato, Machiavelli, and Hobbes. Hurd argues that Bacon’s demonstration of scientific rule in the New Atlantis is not meant as a blueprint for modern society; rather it shows us the dangers of a scientific society devoid of liberty. By examining what is troubling about the New Atlantis, this book explains what problems lead to the emergence of Atlantean societies, i.e. societies that are prosperous, ambitious, and doomed. It shows that Bacon’s portrait of Bensalem may provide the light necessary to guide those of us living in a world shaped by modern science through the dangerous seas.
"Presents close analysis of eight of Francis Bacon's texts in order to investigate the relation of his religious views to his instauration. Attempts to correct the persistent misconception of Bacon as a secular modern who dismissed religion in order to promote the human advancement of knowledge"--Provided by publisher.
Jerry Weinberger here seeks to establish Francis Bacon's rightful place among the founders--with Machiavelli and Hobbes--of the modern political tradition, claiming that Bacon's view of the sources of the modern age has great resonance for the problems of our contemporary scientific society.
An unabridged edition of both titles: The City of the Sun (with introduction) and The New Atlantis (with introductory note).
This richly annotated second edition of the now-classic pairing of Bacon’s masterpieces, New Atlantis and The Great Instauration features the addition of other works by Bacon, including “The Idols of the Mind,” Of Unity in Religion” and “Of the True Greatness of Kingdoms and Estates,” as well a Summary of the each work and Questions for the reader. S Includes works new to the second edition, including “The Idols of the Mind,” “Of Unity in Religion,” and “Of the True Greatness of Kingdoms and Estates” Updates the layout of the previous edition with a more generous interior design, making this work more student-friendly and easier to navigate in the classroom Each work is introduced and subsequently discussed, revealing the importance of Bacon’s work to his contemporaries as well as to modern readers Includes a comprehensive introduction and annotations throughout the text; as well as an appendix of Principal Dates in the Life of Sir Francis Bacon; a selected bibliography; and synopses and questions to accompany each work
In this book, Travis DeCook explores the theological and political innovations found in early modern accounts of the Bible's origins. In the charged climate produced by the Reformation and humanist historicism, writers grappled with the tension between the Bible's divine and human aspects, and they produced innovative narratives regarding the agencies and processes through which the Bible came into existence and was transmitted. DeCook investigates how these accounts of Scripture's production were taken up beyond the expected boundaries of biblical study, and were redeployed as the theological basis for wide-reaching arguments about the proper ordering of human life. DeCook provides a new, critical perspective on ideas regarding secularity, secularization, and modernity, challenging the dominant narratives regarding the Bible's role in these processes. He shows how these engagements with the Bible's origins prompt a rethinking of formulations of secularity and secularization in our own time.
Sometimes called the “literature of ideas,” science fiction is a natural medium for normative political philosophy. Science fiction’s focus on technology, space and time travel, non-human lifeforms, and parallel universes cannot help but invoke the perennial questions of political life, including the nature of a just social order and who should rule; freedom, free will, and autonomy; and the advantages and disadvantages of progress. Rather than offering a reading of a work inspired by a particular thinker or tradition, each chapter presents a careful reading of a classic or contemporary work in the genre (a novel, short story, film, or television series) to illustrate and explore the themes and concepts of political philosophy.
The Politics of Perfection: Technology and Creation in Literature and Film provides an exploration of the relationship between modern technological progress and classical liberalism. Each chapter provides a detailed analysis of a film or novel, including Fritz Lang’s Metropolis, Ridley Scott’s Prometheus, Michael Gondry’s Eternal Sunshine of the Spotless Mind, Kazuo Ishiguro’s Never Let Me Go, and Margaret Atwood’s Oryx and Crake. These works of fiction are examined through the lens of political thinkers ranging from Plato to Hannah Arendt. The compatibility of classical liberalism and technology is questioned, using fiction as a window into Western society’s views on politics, economics, religion, technology, and the family. This project explores the intersection between human nature and creation, particularly artificial intelligence and genetic engineering, using works of literature and film to access cultural concerns. Each of the works featured asks a question about the relationship between technology and creation. Technology also allows humanity to create new types of life in the forms of artificial intelligence and genetically engineered beings. This book studies works of literature and film as evidence of the contemporary unease with the progress of technology and its effect on the political realm.
The New Atlantis has fired the imaginations of its readers since its original appearance in 1627. Often regarded as the apotheosis of Bacon's ideas through its depiction of an advanced 'scientific' society, it is also read as a seminal work of science fiction. Standing at the threshold of early modern culture, this key text incorporates the practical and visionary, utility and utopia. This volume of eight new essays by leading scholars provides a stimulating dialogue between a range of critical perspectives. Encompassing the fields of cultural history, history of science, literature and politics, the collection explores The New Atlantis' complex location within Bacon's oeuvre and its negotiations with cultural debates of the past and present. Contributors consider the book's use of rhetoric, its narrative contexts, its political and ethical implications, its relation to the natural knowledge of the period, and the function of miracles in New Atlantan society. The politics of colonialism and Jewish toleration, its complex representation of gender, and the role and politics of censorship are also explored. This volume will be the ideal companion to Bacon's The New Atlantis and for all students of literature, politics, history, cultural history and history of science