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The destruction and deposition of metalwork is a widely recognised phenomenon across Bronze Age Europe. Weapons were decommissioned and thrown into rivers; axes were fragmented and piled in hoards; and ornaments were crushed, contorted and placed in certain landscapes. Interpretation of this material is often considered in terms of whether such acts should be considered ritual offerings, or functional acts for storing, scrapping and recycling the metal. This book approaches this debate from a fresh perspective, by focusing on how the metalwork was destroyed and deposited as a means to understand the reasons behind the process. To achieve this, this study draws on experimental archaeology, as well as developing a framework for assessing what can be considered deliberate destruction. Understanding these processes not only helps us to recognise how destruction happened, but also gives us insights into the individuals involved in these practices. Through an examination of metalwork from south-west Britain, it is possible to observe the complexities involved at a localised level in the acts of destruction and deposition, as well as how they were linked to people and places. This case study is used to consider the social role of destruction and deposition more broadly in the Bronze Age, highlighting how it transformed over time and space.
This conspectus brings together in an accessible and systematic manner a dizzy array of archaeological cultures situated between several worlds.
An up-to-date, systematic depiction of Bronze Age societies of the Levant, their evolution, and their interactions and entanglements with neighboring regions.
Offers an innovative theory for ancient art and its creativity, demonstrated through the rich material and visual culture of the protohistoric Aegean.
The diverse forms of regional connectivity in the ancient world have recently become an important focus for those interested in the deep history of globalisation. This volume represents a significant contribution to this new trend as it engages thematically with a wide range of connectivities in the later prehistory of the Mediterranean, from the later Neolithic of northern Greece to the Levantine Iron Age, and with diverse forms of materiality, from pottery and metal to stone and glass. With theoretical overviews from leading thinkers in prehistoric mobilities, and commentaries from top specialists in neighbouring domains, the volume integrates detailed case studies within a comparative framework. The result is a thorough treatment of many of the key issues of regional interaction and technological diversity facing archaeologists working across diverse places and periods. As this book presents key case studies for human and technological mobility across the eastern Mediterranean in later prehistory, it will be of interest primarily to Mediterranean archaeologists, though also to historians and anthropologists.
The universe may well have begun with an immense act of fragmentation, "the big bang," that sent particles flying in all directions to perform spectacular acts of creation and destruction. The fragment, volatile and unpredictable, is not simply the static part of a once-whole thing but itself something in motion. Drawing upon art history, archaeology, literature, numismatics, philosophy, and film, this book explores the significance of the fragment and addresses the powerful drives that have impelled it into the cultural mainstream. Book jacket.
This volume of the report on the excavations at Marsa Matruh on Bates's Island, which is located on the seacoast at the north of Egypt's western desert, publishes the local and imported pottery, the crucibles and other evidence for metalworking, the organic finds (including ostrich egg shells), and the other discoveries made at the site. The pottery found in the excavations indicates that this small Late Bronze Age settlement had links to several cultures: Cyprus, the Aegean, Egypt, the coast of western Asia, and the local Marmarican people.
The Cambridge Prehistory of the Bronze and Iron Age Mediterranean offers new insights into the material and social practices of many different Mediterranean peoples during the Bronze and Iron Ages, presenting in particular those features that both connect and distinguish them. Contributors discuss in depth a range of topics that motivate and structure Mediterranean archaeology today, including insularity and connectivity; mobility, migration, and colonization; hybridization and cultural encounters; materiality, memory, and identity; community and household; life and death; and ritual and ideology. The volume's broad coverage of different approaches and contemporary archaeological practices will help practitioners of Mediterranean archaeology to move the subject forward in new and dynamic ways. Together, the essays in this volume shed new light on the people, ideas, and materials that make up the world of Mediterranean archaeology today, beyond the borders that separate Europe, Africa, and the Middle East.
The destruction and deposition of metalwork is a widely recognised phenomenon across Bronze Age Europe. Weapons were decommissioned and thrown into rivers; axes were fragmented and piled in hoards; and ornaments were crushed, contorted and placed in certain landscapes. Interpretation of this material is often considered in terms of whether such acts should be considered ritual offerings, or functional acts for storing, scrapping and recycling the metal. This book approaches this debate from a fresh perspective, by focusing on how the metalwork was destroyed and deposited as a means to understand the reasons behind the process. To achieve this, this study draws on experimental archaeology, as well as developing a framework for assessing what can be considered deliberate destruction. Understanding these processes not only helps us to recognise how destruction happened, but also gives us insights into the individuals involved in these practices. Through an examination of metalwork from south-west Britain, it is possible to observe the complexities involved at a localised level in the acts of destruction and deposition, as well as how they were linked to people and places. This case study is used to consider the social role of destruction and deposition more broadly in the Bronze Age, highlighting how it transformed over time and space.
The art of metal casting was imported into Indonesia, but its peoples mastered the secrets of metallurgy, and applied these, in ways often original and unique, to create their own distinctive civilisation of the Bronze-Iron Age. In this handbook, which is a sequal to my The Stone Age of Indo nesia, I have endeavoured to assemble a comprehensive picture of the Indonesian Bronze-Iron Age from the results of excavations, innumerable stray finds in museums, and various studies scattered among numerous scientific journals and periodicals (often difficult to obtain). The resulting picture can, of course, be a tentative one only, valid until many more scientific excavations have taken place. I have added a bibliography, as complete as it was possible to assemble. The completion of this summary of the Prehistory of Indonesia has been assisted by a grant-in-aid from the Wenner Gren Foundation "The Viking Fund", New York. I am grateful to Mr. Basoeki and Mr. Soebokastowo for the drawings of Figures 1, 11, 12, 13, 22 and 16, 23, 24, 25 respectively. Figures 2-10 and 15 were drawn by the well-known artist, the late Mas Pirngadie, and are here published for the first time, with the generous permission of the Board of Directors of the "Bataviaasch Genootschap van Kunsten en Wetenschappen", Djakarta. I am deeply grateful to my brother-in-law, Mr. J. H. Reiseger of Kempston, Bedfordshire, for so willingly undertaking the translation of the Dutch text into English.