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Fragments of the Ark follows the exploits of runaway slave Peter Mango, his family, and a band of fellow escaped slaves as they commandeer a Confederate gunboat out of Charleston harbor and deliver it to the Union navy. Mango is made captain of this liberated vessel and commands its crew through the duration of the war. He also travels to Washington to meet President Lincoln, adding his voice to others trying to persuade the president to allow black men to enlist in the armed forces. After the war Mango bought a home from his former master and became a political organizer for voting rights. Eventually he was elected a delegate to South Carolina's state convention to rewrite its constitution. Based on the inspirational life of Robert Smalls, Fragments of the Ark explores the American Civil War through the eyes of its most deeply wounded souls. Against this chaotic backdrop, the novel sweeps readers into Mango's heroic quest for the most basic of human rights—a safe haven to nurture a family bound by love and not fear, and the freedom to be the master of his own life.
The eighteenth-century German physicist Georg Christoph Lichtenberg left behind at the time of his death thousands of fragmentary notes commenting on a dazzling and at the same time puzzling array of subjects. Pierre Senges’s Fragments of Lichtenberg imaginatively and hilariously reconstructs the efforts of scholars across three centuries to piece together Lichtenberg’s disparate notes into a coherent philosophical or artistic statement. What emerges instead from their efforts are a wide variety of conflicting and competing Lichtenbergs – the poet, the physicist, the philosopher, the humorist – and a very funny meditation on the way interpretations and speculation create new histories and new realities. In just over half a century, Georg Christoph Lichtenberg (1742-1799) had the time to be all of the following: a hunchback; a mathematician; a physics professor; a connoisseur of hare pate; a hermit; an electrical theorist; a skirtchaser; a friend of King George III of England; an asthmatic; a defender of reason; a hypochondriac; a dying man; and the author of 8,000 fragments written with ink and goose quills. Traditionally those fragments have been considered no more than aphorisms, to be sipped like fine schnapps, but certain scholars claim, however, that his famous Wastebooks are really the scattered pieces of a Great Novel, and that this might yet be reconstructed, with the help of scissors, glue, and paper, and by using what is left of our imaginations. The present volume retracts, among other things, the work undertaken for more than a century by valiant Lichtenbergians.
The series Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft (BZAW) covers all areas of research into the Old Testament, focusing on the Hebrew Bible, its early and later forms in Ancient Judaism, as well as its branching into many neighboring cultures of the Ancient Near East and the Greco-Roman world.
Paul Thomas chronicles a multi-level reception study of the Bible at both the Creation Museum and the Ark Encounter in Kentucky, USA. Thomas explores the commercial presentation of biblical narratives and the reception of those narratives by the patrons of each attraction, focusing upon three topics; what do young Creationists believe, how they interpret their beliefs from the Bible, and what is the user experience at the museums? The volume begins by explaining how Answers in Genesis (AiG) use Bible passages to support young-Earth creationist arguments, allowing for the chance to consider the Bible via physical means. Thomas then examines how the Creation Museum and the Ark Encounter visitors receive the Bible (as presented by AiG) and how this presentation informs visitors' understanding of the text, exploring concepts such as the most prominent displays of the two attractions, the larger context of museums and theme parks and the case studies of the Methuselah display and The Noah Interview. He concludes with the summary of the user experience generated by the attractions, analyzing the degree to which patrons accept, negotiate, or resist the interpretation of the Bible offered by AiG.
This book introduces the reader to a fascinating genre of writings that retell biblical narratives in various ways. They reflect the concerns and methods of early Jewish interpreters of Scripture. Daniel Falk surveys the content and major scholarly issues of three key examples: Genesis Apocryphon (1QapGen), Reworked Pentateuch (4Q158, 364-5), and Commentary to Genesis (4Q252-4). Particular attention is paid to exploring why and how the authors interpret the Scriptural text in their distinctive ways. The book traces continuity and discontinuity with other Jewish and Christian traditions, and reflects on the significance of these texts for the status of Scripture and the boundary between Scripture and interpretation. Drawing on the latest research and reconstructions of the texts, and with extensive bibliographies, this is an authoritative guide for the student or the non-specialist scholar.