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Story within a story. Dorothy Peabody is bored with her clerical work, and her role as her mother's carer. She begins to correspond with novelist Diana Hopewell, who sends extracts from her novel in progress. The novel concerns a headmistress travelling around Europe with several companions. As Miss Peabody becomes more involved with the tale, her life becomes inextricably tied with the fictitious events.
Study and discussion of the works of one of Australia's most critically acclaimed contemporary authors. Examines the critical reception of Jolley's fiction and the variety of interpretations it has received. Includes a bibliography and an index. The author is a senior lecturer in English at La Trobe University in Melbourne and is co-author of 'The New Diversity: Australian fiction 1970-1988'.
An exploration of Australian fiction as "the most beautiful lies" through the eyes of modern Australian authors : Peter Mathers - Pater Carey - Gerald Murnane - Elizabeth Jolley - Nicholas Hasluck - David Foster - Murray Bail - David Ireland.
Women are rarely if ever mentioned in commentaries upon Australian Christianity and spirituality. Only exceptional women are recognized as authorities on religious matters. Why is this so? Does it matter? Don't people from the same religious tradition share similar experiences of the divine, regardless of their gender? Rewriting God asks whether women have been writing about the divine and whether their insights are different from those contained in malestream accounts of Australian Christianity and spirituality. An analysis of the writings of popular theologians and religious commentators over the last twenty years suggests that the most popular form of spirituality among Australian theologians is Desert Spirituality. An analysis of women's autobiographical writings, however, suggests that the desert is irrelevant to many women's spiritual experiences. This book, through a close investigation of the fictions of Thea Astley, Elizabeth Jolley and Barbara Hanrahan, attempts to posit alternative forms of women's spirituality and to signal ways in which this spirituality is already being expressed. From the evidence gathered here, it becomes obvious that traditional expressions of Australian Christianity and spirituality are gender-specific and that they have functioned to deny women's religious experiences and to silence their claims to equality in the sight and service of the divine. It becomes obvious, too, that women have been developing their own forms of religious expression and that these may be expected to supplant gradually withering images of Desert Spirituality. Whether this new imagery will strengthen Australian Christianity or whether it merely marks a decline in the authority of Christianity remains a moot point.
Stuart Woods’s Edgar Award-winning debut novel—a classic American mystery saga about three generations of lawmen tangled in a web of passion, secrets, destiny, and murder in their small Southern town... In the winter of 1920, the first body is found in Delano, Georgie—the naked, brutalized corpse of a young boy. It is a crime too horrific to be ignored, the first of many that will span four decades—embroiling three police chiefs in a remarkable manhunt that will expose the hatreds, fear, and festering wounds beneath the surface of their sleepy God-fearing community.