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A retrospective appreciation of Rudy Pozzatti's career as an internationally distinguished graphic artist.
With a sharp eye for the ludicrous in American society and an abiding sense of humor, Wisconsin artist Ray Gloeckler creates images that lampoon the inflated and celebrate the everyday. This publication goes beyond the Elvehjem's (now Chazen's) 2004 exhibition to publish over 200 prints Gloeckler made from 1955 through 2004. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison
Garo Z. Antreasian (b. 1922) belongs to the great generation of innovators in mid-twentieth-century American art. While influenced by a variety of European artists in his early years, it was his involvement with Tamarind Lithography Workshop starting in 1960 that transformed his work. As Tamarind’s founding technical director, he revolutionized the medium of lithography. He discovered how to manipulate the spontaneous possibilities of lithography in the manner of the Abstract Expressionist painters. In addition to reflecting on his work, he writes movingly about his Armenian heritage and its importance in his art, his teaching, and his love affair with all sorts of artistic media. Illustrating his drawings, paintings, and prints, this book reveals Antreasian as a major American artist. This book was made possible in part by generous contributions from the Frederick Hammersley Foundation and Gerald Peters Gallery.
This magnificent volume brings together essays from four different leading authorities, covering various aspects of Mazur's life and career, along with a comprehensive catalogue raisonne of his prints. 44 colour& 121 b/w illustrations
One of the greatest American artists of the twentieth century, Charles White (1918-1979) --with amazing spirit, vision, and brilliance--devoted both his life and work to portraying the African American community. With pencil and brush, in black and white or in color, he captured not only the poverty, strife, and despair of the black people but their strength of community, the joy of enlightenment, and the tenderness of kinship as well, rejecting the usual stereotypes of black people as inferior. His canvases, woodcuts, monumental drawings, and murals convey his strong social consciousness and impart the inherent dignity of his subjects.Andrea Barnwell chronicles the highlights of White's career, discusses several of the artist's famous works, and introduces many works from private collections that never before have been examined. Although White's works are in the collections of major museums and libraries, including Hampton University Museum, Hampton, Virginia; Whitney Museum of American Art, New York; Howard University Gallery of Art, Washington; the Art Institute of Chicago; and the Flint Institute of Art, his place in the annals of art history has never been fully realized.