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Adventures come to the adventurous, and mysterious things fall in the way of those who, with wonder and imagination, are on the watch for them; but the majority of people go past the doors that are half ajar, thinking them closed, and fail to notice the faint stirrings of the great curtain that hangs ever in the form of appearances between them and the world of causes behind. For only to the few whose inner senses have been quickened, perchance by some strange suffering in the depths, or by a natural temperament bequeathed from a remote past, comes the knowledge, not too welcome, that this greater world lies ever at their elbow, and that any moment a chance combination of moods and forces may invite them to cross the shifting frontier. Some, however, are born with this awful certainty in their hearts, and are called to no apprenticeship, and to this select company Jones undoubtedly belonged. All his life he had realised that his senses brought to him merely a more or less interesting set of sham appearances; that space, as men measure it, was utterly misleading; that time, as the clock ticked it in a succession of minutes, was arbitrary nonsense; and, in fact, that all his sensory perceptions were but a clumsy representation of real things behind the curtain—things he was for ever trying to get at, and that sometimes he actually did get at. He had always been tremblingly aware that he stood on the borderland of another region, a region where time and space were merely forms of thought, where ancient memories lay open to the sight, and where the forces behind each human life stood plainly revealed and he could see the hidden springs at the very heart of the world. Moreover, the fact that he was a clerk in a fire insurance office, and did his work with strict attention, never allowed him to forget for one moment that, just beyond the dingy brick walls where the hundred men scribbled with pointed pens beneath the electric lamps, there existed this glorious region where the important part of himself dwelt and moved and had its being. For in this region he pictured himself playing the part of a spectator to his ordinary workaday life, watching, like a king, the stream of events, but untouched in his own soul by the dirt, the noise, and the vulgar commotion of the outer world....
Algernon Blackwood's 'Four Weird Tales' is a collection of supernatural stories that delve into the unknown, the mysterious, and the inexplicable. Blackwood's literary style is characterized by a subtle build-up of tension, creating an atmosphere of dread and unease that keeps readers on the edge of their seats. These tales are rooted in the late 19th and early 20th century gothic tradition, drawing on themes of the supernatural, the occult, and the uncanny. The stories are intricately woven, with richly developed characters and vivid descriptions that transport readers to eerie and unsettling settings. Blackwood's ability to blend psychological horror with elements of the supernatural sets 'Four Weird Tales' apart as a standout work of the genre. Algernon Blackwood, a master of the supernatural and horror genres, drew on his own experiences and travels to inspire his writing. His deep interest in the occult and the unknown is reflected in the haunting and otherworldly stories contained in this collection. Blackwood's unique perspective and storytelling skills have cemented his legacy as a classic author of weird fiction. I highly recommend 'Four Weird Tales' to readers who enjoy atmospheric and thought-provoking supernatural fiction. Blackwood's ability to evoke a sense of dread and wonder makes this collection a must-read for fans of the gothic and supernatural genres.
This collection assembles four of Blackwood's greatest stories: "The Insanity of Jones," "The Man Who Found Out," "The Glamour of the Snow," and "Sand." Algernon Blackwood was truly one of the progenitors of the weird fiction/fantasy genre!
Weird Tales has always been the most popular and sought-after of all pulp magazines. Its mix of exotic fantasy, horror, science fiction, suspense, and the just plain indescribable has enthralled generations of readers throughout the world. Collected here are 13 of the best short stories published in Weird Tales' first year of publication, 1923 -- classics by many who would later play an integral part in the Unique Magazine, such as H.P. Lovecraft, Frank Owen, and Farnsworth Wright.
Four of the best novellas from one of the most underrated names in horror and weird fiction. Writers such as H. P. Lovecraft rated Blackwood as one of the very best writers of the genre. This title features an introduction and notes contextualizing this characterful author. "It is my firm opinion that...The Willows is the greatest weird tale ever written." - H.P. Lovecraft From one of the greatest and most prolific authors of 20th century weird fiction come four of the very best strange stories ever told. In "The Willows," two men become stranded on an island in the Danube delta, only to find that they might be in the domain of some greater power from beyond the limits of human experience. "The Wendigo" features a hunting party in Ontario who begin to fear that they are being stalked by an entity thought to be confined to legend. In "The Man Whom the Trees Loved," a couple is driven apart as the husband is enthralled by the possessive and jealous spirits dwelling in the nearby forest. And lastly, in conversation with the occult detective and physician Dr. John Silence, a traveler relates his nightmarish visit to a strange town in Northern France, and the maddening secret from his past revealed by its inhabitants, in "Ancient Stories."
Launched in 1923, the pulp magazine Weird Tales quickly became one of the most important outlets for horror and fantasy fiction and is often associated with writers like H. P. Lovecraft, Clark Ashton Smith, and Robert Bloch, all of whose work appeared in its pages. But often overlooked is the fact that much of Weird Tales' content was by women writers, some of whom numbered among the magazine's most popular contributors. This volume includes thirteen fantastic tales originally published between 1925 and 1949, written by four of Weird Tales' most prolific female contributors: Greye La Spina, Everil Worrell, Mary Elizabeth Counselman and Eli Colter. Ranging from science fiction to fantasy to horror, these classic tales of mad scientists, deadly curses, ghosts, vampires, and the risen dead remain as thrilling and sensational as when first published.
Weird Tales of the Future is a Classical Science Fiction Comic that ran for a total of Twenty Issues. Published by Argon Publications by Stanley Morse of Spiderman fame.
From Lovecraft to Borges to Gaiman, a century of intrepid literary experimentation has created a corpus of dark and strange stories that transcend all known genre boundaries. Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature. Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here...but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon. The Weird is the winner of the 2012 World Fantasy Award for Best Anthology At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
As Felix Henriot came through the streets that January night the fog was stifling, but when he reached his little flat upon the top floor there came a sound of wind. Wind was stirring about the world. It blew against his windows, but at first so faintly that he hardly noticed it. Then, with an abrupt rise and fall like a wailing voice that sought to claim attention, it called him. He peered through the window into the blurred darkness, listening. There is no cry in the world like that of the homeless wind. A vague excitement, scarcely to be analysed, ran through his blood. The curtain of fog waved momentarily aside. Henriot fancied a star peeped down at him. "It will change things a bit-at last," he sighed, settling back into his chair. "It will bring movement!" Already something in himself had changed. A restlessness, as of that wandering wind, woke in his heart-the desire to be off and away. Other things could rouse this wildness too: falling water, the singing of a bird, an odour of wood-fire, a glimpse of winding road. But the cry of wind, always searching, questioning, travelling the world's great routes, remained ever the master-touch. High longing took his mood in hand. Mid seven millions he felt suddenly-lonely.