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A luminous quartet, five years in the writing, reveals even more fully the breathtaking range of "a storyteller in the grand tradition" (New York Times). Allan Gurganus's voice--by turn bawdy and serene, folkloric and profane--deepens as it soars into this quiet masterwork. Four new fables--rich in event, comedy, experience--surge with the force of history's headlines versus sidestreet human fortitude. Improbable heroes and heroines spiral outward from Gurganus's familiar Carolina terrain. Each fires into a wild and differing direction, all in quest of some fantasy that's practically impossible: --An impoverished immigrant has her portrait painted (or not) by John Singer Sargent. --A young man's devotion to saving eighteenth-century homes—and their odd lingering ghosts—helps him find unlikely ways to renovate his own mortality. --A pillar of the community becomes, over the course of one cartoon matinee, its pariah. --A beloved, transfixingly homely father shows his village and his only son a decency stronger than race, humiliation, or even death itself. These characters' quixotic missions prove mysterious, often even to themselves. Their legacies are not easily deciphered. And yet, their most impractical wishes soon become the heartiest facts about each. They manage to wrest battle-courage from everyday indecision. Out of superstition and convention, they lift certainty. They each find a wealth of consoling truths banked--immortal--in the all-too-human heart. Allan Gurganus's great powers--announced more than a decade ago by Oldest Living Confederate Widow Tells All--here achieve a yearning exuberance worthy of a new Whitman. These leaps of sexual longing, empathy, and faith become a major new gift from this essential fablemaker.
Includes the stories “The Body” and “Rita Hayworth and Shawshank Redemption”—set in the fictional town of Castle Rock, Maine A “hypnotic” (The New York Times Book Review) collection of four novellas—including the inspirations behind the films Stand By Me and The Shawshank Redemption—from Stephen King, bound together by the changing of seasons, each taking on the theme of a journey with strikingly different tones and characters. This gripping collection begins with “Rita Hayworth and the Shawshank Redemption,” in which an unjustly imprisoned convict seeks a strange and startling revenge—the basis for the Best Picture Academy Award-nominee The Shawshank Redemption. Next is “Apt Pupil,” the inspiration for the film of the same name about top high school student Todd Bowden and his obsession with the dark and deadly past of an older man in town. In “The Body,” four rambunctious young boys plunge through the façade of a small town and come face-to-face with life, death, and intimations of their own mortality. This novella became the movie Stand By Me. Finally, a disgraced woman is determined to triumph over death in “The Breathing Method.” “The wondrous readability of his work, as well as the instant sense of communication with his characters, are what make Stephen King the consummate storyteller that he is,” hailed the Houston Chronicle about Different Seasons.
“Tidhar changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.” – Library Journal A nun enters a poker tournament as she wrestles with her faith in God; a boy travels across a mysterious, cloud-covered planet in search of a mythical space port; in Nazi-occupied London a screenwriter searches for an old flame with deadly consequences; three wise men from the East travel to Judea to give a newborn baby an unexpected power. Collected for the first time in one volume, this omnibus edition from World Fantasy Award winner Lavie Tidhar gathers four mind-bending novellas: The Big Blind, Cloud Permutations, The Vanishing Kind, and Jesus and the Eightfold Path. “Lavie Tidhar is one of the great writers of my generation.” – Silvia Moreno-Garcia, author of Mexican Gothic
A shy, pious woman finds inspiration at a religious singing convention in the mountains. A teenage girl, sent to live with her grandparents following the death of her mother, expects to be lonely, bored and sad, but instead makes a host of friends through many adventures. Young western couple who are held hostage—he by the barren hills in which he is forced to live, and she by kidnappers—find love which rescues them both. A man's self-imposed isolation, plus being a victim of his own hatred, result in tragedy at the massive window rock.
Led by bestselling author Tracy Price-Thompson, Other People's Skin is a collection of four novellas by four leading African American women writers that acknowledges, examines, and conquers the skin and hair topic among African American women. In Other People's Skin, Tracy Price-Thompson and TaRessa Stovall, along with fellow authors Elizabeth Atkins, and Desiree Cooper, take on one of the most controversial topics within the African American community: the self-hatred caused by intraracial prejudice and the ongoing obsession with skin tone and hair texture. It begins with TaRessa Stovall's "My People, My People," in which a successful advertising executive acquires firsthand knowledge of prejudice when her clients insist on using light-skinned rather than dark-skinned models. Next comes Tracy Price-Thompson's award-winning story "Other People's Skin," a tale set in 1970s Louisiana, where a dark-skinned young woman must come to terms with the bigotry of her light-skinned family. "New Birth," by Desiree Cooper reveals the intense roles that money, class, and skin color play in the intraracial relationship between Catherine, a wealthy, light-skinned lawyer, and Lettie, her dark-skinned house cleaner. Finally, Elizabeth Atkin's "Take It Off" tells the story of a biracial girl who hides her coarse, braided hair from her friends at a mixed-race university in Detroit. Other People's Skin is the most innovative and varied anthology of sisterhood and unity to date. Each novella entertains, challenges, and, most important, offers healing to the reader—no matter what her race, skin tone, or state of mind.
“A quartet of shrewd and unnerving novellas about toxic entanglements” from the National Book Award–winning author (Booklist). Joyce Carol Oates is one of the most prominent writers of her generation, and she is fearless when exploring the most disturbing corners of human nature. In Evil Eye, Oates offers four chilling tales about love so powerful that people might die—or kill—for it. In the title story, we meet Mariana, the young fourth wife of a prominent intellectual. When her husband’s first wife comes to visit, Mariana learns a terrible secret that threatens her marriage and sanity. In “So Near Any Times Always,” shy teenager Lizbeth meets Desmond, a charming older boy who offers the first spark of romance. Yet as their relationship blossoms, Lizbeth realizes that a menacing soul lies beneath Desmond’s perfect façade. In “The Execution,” spoiled college student Bart Hansen has planned the perfect crime to get back at his condescending parents. What he didn’t plan on was the resilience of his mother’s love, even in the face of death. And in “The Flatbed,” childhood trauma has prevented Cecelia from enjoying physical intimacy with a man. But when she meets the love of her life, Cecelia must confront the demon who stole her innocence long ago. With the razor-sharp prose that has made Joyce Carol Oates a living legend, Evil Eye shows love as sporadically magical, mysterious, and murderous. “A dazzling, disturbing, tour de force of Gothic suspense: four odd, compelling, ingeniously narrated tales that gain in power and resonance when read in conjunction with each other.” —The Boston Globe “Exquisitely suspenseful. . . . The relationships between the damaged, sometimes monstrous individuals who people these pages will keep the reader riveted.” —Publishers Weekly, starred review
In the short novels that make up this beautiful collection, Mary Gordon presents a quartet of finely rendered, emotionally resonant stories. Here we meet the ferocious Simone Weil during her last days as a transplant in New York City; a vulnerable American graduate student who escapes to Italy after her first, compromising love affair; the charming Irish liar of the title, who gets more out of life than most; and Thomas Mann, opening the heart of a high schooler in the Midwest. At every turn, Gordon revels in the interactions and crucial flashes of understanding that change lives forever. Entrancing reading, The Liar’s Wife is a wonderful demonstration of Gordon’s literary mastery and human sympathy.
Elizabeth Greenwood studied Sculpture at St. Martin's School of Art, and in Florence and Rome. She had a classical education, preferring Greek to Latin for the richness of its vocabulary and her sculpture with its references to Greek mythology reflects this predilection. She also writes Poetry. Apart from poetry, she enjoys producing emblematic fiction based on Mary Poppins' philosophical song "a spoonful of sugar makes the medicine go down", thus fulfilling the writer's task as an entertainer cum moralist. Both the poetical and the modelling activities date from early childhood. Although these were largely ignored, she was fortunate in having been born into a family where close relatives had universal minds, uniting a passion for literature with a keen interest in Science (of Space especially), Politics and the Cinema. In latter years, to counteract the tendency to create works of the imagination, she has applied herself to the discipline of academic works in the field of Religion, i.e. the Bible, with particular regard to the Dead Sea discoveries, no well-documented. A successful breeder and trainer of horses, she has campaigned ceaselessly for higher education in Equine Studies, on the lines devised in America where Hippology has been elevated to university status, thus producing educated riders and saving the horse a lot of unnecessary suffering, She considers horses to be regulators and keepers of conscience, teaching stoical wisdom in the exercise of man's power over life and death.
A collection of four novellas: each taking place in 1998, each set in the world of Six Four, and each centring around a mystery and the unfortunate officer tasked with solving it. SEASON OF SHADOWS "The force could lose face . . . I want you to fix this." Personnel's Futawatari receives a horrifying memo forcing him to investigate the behaviour of a legendary detective with unfinished business. CRY OF THE EARTH "It's too easy to kill a man with a rumour." Shinto of Internal Affairs receives an anonymous tipoff alleging a Station Chief is visiting the red-light district - a warning he soon learns is a red herring. BLACK LINES "It was supposed to be her special day." Section Chief Nanao, responsible for the force's 49 female officers, is alarmed to learn her star pupil has not reported for duty, and is believed to be missing. BRIEFCASE "We need to know what he's going to ask." On the eve of a routine debate, Political Liaison Tsuge learns a wronged politician is preparing his revenge. He must now quickly dig up dirt to silence him. Prefecture D continues Hideo Yokoyama's exploration of the themes of obsession, saving face, office politics and inter-departmental conflicts. Placing everyday characters between a rock and a hard place and then dialling up the pressure, he blends and balances the very Japanese with the very accessible, to spectacular effect.