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Presents four plays by Henrik Ibsen, with detailed explanatory notes, an overview of key themes, and an introduction to the author's life and times.
This collection of plays is taken from the Oxford Ibsen, James McFarlane's acclaimed scholarly edition.
Collects five plays spanning Ibsen's career, with general introductions, explanatory annotations, criticism, and selections from his correspondence and other writings.
Taken from the highly acclaimed Oxford Ibsen, this collection of Ibsen's plays includes A Doll's House, Ghosts, Hedda Gabler, and The Master Builder.
Ibsen's twelve outstanding plays, from Pillars of Society to When We Dead Awaken, are accompanied by brief introductions illuminating the distinctive features of each
Here, in a single volume, are four major plays by the first modern playwright, Henrick Ibsen. Ghosts—The startling portrayal of a family destroyed by disease and infidelity. The Wild Duck—A poignant drama of lost illusions. An Enemy Of The People—Ibsen’s vigorous attack on public opinion. And A Doll's House—The play that scandalized the Victorian world with its unsparing views of love and marriage, featuring one of the most controversial heroines—and one of the most famous exists—in the literature of the stage.
In these three unforgettably intense plays, Henrick Ibsen explores the problems of personal and social morality that he perceived in the world around him and, in particular, the complex nature of truth.
The study of Naturalist theatre remains a staple and often foundational part of the curriculum at all levels of drama education. This anthology of six of the most commonly studied and revived Naturalist plays from the European repertoire offers a unique compendium that will serve as required reading for drama courses and is ideal for theatre practitioners and fans. The selected plays perfectly reflect the formal and geographical diversity of Naturalist theatre as well as its major philosophical, political and theatrical preoccupations. A critical introduction by Dr Chris Megson contextualises the emergence of Naturalist theatre in the late nineteenth century, identifying its principal aims and methods; provides an analysis of the selected plays, mapping their key preoccupations, and ends by considering Naturalism's enduring legacy and resonance today.