Download Free Four Centuries Of Women Composers Book in PDF and EPUB Free Download. You can read online Four Centuries Of Women Composers and write the review.

This collection of compositions for piano solo spans four centuries, including a rarely heard piece by Gottchalk's sister, Clara, as well as a charming piece by Marie Antoinette. Other composers include Madame Dussek, Teresa Carreno, Amy Beach, Clara Schumann, Fanny Mendelssohn, and others. Three new solos are also offered by the author, Gail Smith.
As early as the 1500s, a surprising number of women have composed classical music. Many were successful, finding venues for both publishing and performing their music; others found the social barriers for women impossible to overcome. This book provides access to these composers, both well known and obscure. Arranged chronologically by era, the profiles are further divided into countries. For each female composer within a country, a brief biographical sketch is provided, as well as a description of her body of work. This text also includes an extensive timeline of operatic works by female composers.
Though rarely included in traditional music history, women have a remarkable tradition as composers of Western music. This book brings together musical and biographical material on twenty-five women, from the eleventh through the twentieth centuries. Each chapter focuses on one composer, providing an introduction to her life, an analysis of her music, a checklist of her works, and a bibliography. Extensive appendices include a historical outline showing female composers in relation to their more famous male contemporaries by period and genre, and suggestions for further readings and recordings.
This selective annotated bibliography places Alma Mahler with three other female composers of her time, covering the first generation of active female composers in the twentieth century. It uncovers the wealth of resources available on the lives and music of Mahler, Florence Price, Yuliya Lazarevna Veysberg, and Maria Teresa Prieto and supports emerging scholarship and inquiry on four women who experienced both entrenched sexual discrimination and political upheaval, which affected their lives and influenced composers of subsequent generations.
The hidden history of the women who dared to write music in a man’s world. ‘Lucid, engaging and exuberant... [Sounds and Sweet Airs] is terrifically enjoyable and accessible, and leaves one hankering for a second volume.’ The Sunday Times Francesca Caccini. Barbara Strozzi. Élisabeth Jacquet de la Guerre. Marianna Martines. Fanny Hensel. Clara Schumann. Lili Boulanger. Elizabeth Maconchy. Since the birth of classical music, women who dared compose have faced a bitter struggle to be heard. In spite of this, female composers continued to create, inspire and challenge. Yet even today so much of their work languishes unheard. Anna Beer reveals the highs and lows experienced by eight composers across the centuries, from Renaissance Florence to twentieth-century London, restoring to their rightful place exceptional women whom history has forgotten.
This is the first comprehensive historical overview of music created by women from the 9th through the 20th centuries. Each volume features 10-25 complete musical scores or complete movements from multi-movement compositions--most of which have been previously inaccessible. Expert scholars provide original essays about the composers, including biographical information, a discussion of the music in historical context, and critical analysis of each work. Entries also include bibliography, a list of works by the composer, and a discography.
"Do look after my music!" Irene Wienawska Polowski exclaimed before her death in 1932. And from the urgency of that sentiment the authors here have taken their cue to reveal and "look after" the previously neglected contributions of women throughout the history of Western art music. The first work of its kind, Women Making Music presents biographies of outstanding performers and composers, as well as analyses of women musicians as a class, and provides examples of music from all periods including medieval chant, Renaissance song, Baroque opera, German lieder, and twentieth-century composition. Unlike most standard historical surveys, the book not only sheds light upon the musical achievements of women, it also illuminates the historical contexts that shaped and defined those achievements.
An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.
Rethinks and retells the history of music in sixteenth-century Ferrara, putting women, of the court and convent, at the narrative centre.