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This illustrated study of Renaissance Nuremberg explores the city’s social and artistic history through the sixteenth century and beyond. The German city of Nuremberg reached the height of its artistic brilliance during the Renaissance, becoming one of the foremost cultural centers in all of Europe by 1500. Nuremberg was the home of painter Albrecht Dürer, whose creative genius inspired generations of German artists. However, Dürer was only one of a host of extraordinary painters, printmakers, sculptors, and goldsmiths working in the city. Following a map of the city’s principal landmarks, Guy Fitch Lytle provides a compact historical background for Jeffrey Chipps Smith's detailed discussions of the city’s social and artistic significance. Smith examines the religious function of art before and during the Reformation; the early manifestations of humanism in Nuremberg and its influence on the art of Dürer and his contemporaries; and the central role of Dürer’s pedagogical ideas and his workshop in the dissemination of Renaissance artistic concepts. Finally, Smith surveys the principal artists and stylistic trends in Nuremberg from 1500 to the outbreak of the Thirty Years War. Nuremberg: A Renaissance City, 1500-1618 contains biographical sketches of forty-five major artists of the period, plus more than three hundred illustrations depicting the city and its most magnificent artistic treasures.
Among the world's greatest technological and imaginative achievements is the invention and development of the timepiece. Examining for the first time The Metropolitan Museum of Art's unparalleled collection of European clocks and watches created from the late Renaissance through the nineteenth century, this fascinating book enriches our understanding of the origins and evolution of these ingenious works. It showcases fifty-four clocks, watches, and other timekeeping devices, each represented with an in-depth description and new photography of the exterior and the inner mechanisms. Among these masterpieces is an ornate sixteenth-century celestial timepiece that accurately predicts the trajectory of the sun, moon, and stars; an eighteenth-century longcase clock by David Roentgen that shows the time in the ten most important cities of the day; and a nineteenth-century watch featuring a penetrating portrait of Czar Nicholas I of Russia. Created by the best craftsmen in Austria, England, Flanders, France, Germany, Italy, the Netherlands, and Switzerland, these magnificent timepieces have been selected for their remarkable beauty and design, as well as their sophisticated mechanics. Built upon decades of expert research, this publication is a long-overdue survey of these stunning visual and technological marvels.
This catalogue, reissued in its third edition, contains entries for British and foreign participants at London's International Exhibition in 1862. A diverse range of industries - including mining, engineering, textiles, printing and photography - are represented. Also featuring many contemporary advertisements, this publication remains an instructive resource for social and economic historians.