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Winner of the Coretta Scott King Book Award For young readers comes a poetic commemoration of the life of an 18th-century slave, from a past poet laureate and three-time National Book Award finalist For over 200 years, the Mattatuck Museum in Connecticut has housed a mysterious skeleton. In 1996, community members decided to find out what they could about it. Historians discovered that the bones were those of an enslaved man named Fortune, who was owned by a local doctor. After Fortune’s death, the doctor rendered the bones. Further research revealed that Fortune had married, had fathered four children, and had been baptized later in life. His bones suggest that after a life of arduous labor, he died in 1798 at about the age of 60. The Manumission Requiem is Marilyn Nelson’s poetic commemoration of Fortune’s life. Detailed notes and archival photographs enhance the reader’s appreciation of the poem.
Lament, so prominent in the Christian canon, is neglected in the public worship and witness of most North American congregations. These essays by Princeton Theological Seminary faculty attest to the diverse ways in which lament is understood and practiced, and invite their recovery in all elements of the church's ministry.
The only generic and diachronic study of learned and popular lament and its socio-cultural contexts throughout Greek tradition in which a great diversity of sources are integrated to offer a comprehensive and penetrating synthesis.
Fortune's Lament is the third release in the Anthems of al-Andalus series, which break open this largely forgotten and fascinating history for modern readers.
A dauntless heroine coming of age at the turn of the twentieth century confronts the hazards of patriarchy and prejudice, and discovers the unexpected opportunities of World War I Set in rural North Carolina between the Civil War and the Great War, Love and Lament chronicles the hardships and misfortunes of the Hartsoe family. Mary Bet, the youngest of nine children, was born the same year that the first railroad arrived in their county. As she matures, against the backdrop of Reconstruction and rapid industrialization, she must learn to deal with the deaths of her mother and siblings, a deaf and damaged older brother, and her father’s growing insanity and rejection of God. In the rich tradition of Southern gothic literature, John Milliken Thompson transports the reader back in time through brilliant characterizations and historical details, to explore what it means to be a woman charting her own destiny in a rapidly evolving world dominated by men.
USA Today–Bestselling Author:Love strikes a chord that makes the heart dance . . . “Like journeying through a dream that I never wanted to end.” —Night Owl Reviews Ballerina Tessa Wilde had a glittering career in front of her—and then the accident happened. She’d gotten used to hiding her deafness from the world. She’d been able to teach children at her mother’s dance school, and she had her beloved hearing-assistance dog to help her through the day. But now, she’s managed to land the role of a lifetime. If only Julian Shine, brooding piano accompanist, would leave her alone. Or if she could leave him alone. When he played, she could hear . . . every note. Could it be real? Or was it the music of her heart?
The oracles about the nations in Isaiah, Jeremiah and Ezekiel originate in the ancient Laments. Ultimately, they were preserved because of their relevance to the Year of Jubilee, with its origins in the New Year Festival; this study illuminates their intention. In Mythology and Lament, John Geyer shows the oracles belong to the sphere of worship, making a theological (mythological) statement, not a political one. Relating to current debates about the historicity of the Hebrew Bible, Geyer also provides a theological context to questions of conflict of nations and environmental debates.