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The first essay, "The Impossible Couple", is both a humorous and razor-sharp analysis of the contemporary relationship between man and woman. In the second essay, "Fleeing Fathers", the author demonstrates that today the Freudian Oedipus complex has disappeared, with a resulting shattering of classic gender roles. Post-modern morals are strange compared to previous morality, because they convey an obligation to enjoy. Things become even stranger when one finds that the expected enjoyment fails to come and, instead of that, we are faced with boredom, anxiety, and anger. The author reconsiders the opposition between Eros and Thanatos as an opposition between two forms of sexual pleasure. The fact that this opposition is ever present in heterosexual love demonstrates that gender differentiation goes beyond temporal cultural forms. Accessibly written and provocatively argued, Love in a Time of Loneliness is a polemic whose very informality belies its serious intent. In these three fascinating essays, The author leaves the ordinary paths of thinking and sets out to discover what drives us in sex and love.
The first time Maddy Forrester heard her boss's mesmerizing voice barking orders down the phone, she knew he was a force to be reckoned with. But nothing prepared her for the sight of Aleksei Petrov. He is the last thing Maddy needs, but the first thing she wants! Aleksei is determined not to mix business with pleasure, but he struggles with the irresistible sparks his feisty secretary ignites in him—she's a problem he does not want. The proposed solution? One unforgettable night to fulfill their every wicked desire.
Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women. Shooting Stars of the Small Screen is a comprehensive encyclopedia of more than 450 actors who received star billing or played a recurring character role in a TV Western series or a made-for-TV Western movie or miniseries from the late 1940s up to 2008. Douglas Brode covers the highlights of each actor's career, including Western movie work, if significant, to give a full sense of the actor's screen persona(s). Within the entries are discussions of scores of popular Western TV shows that explore how these programs both reflected and impacted the social world in which they aired. Brode opens the encyclopedia with a fascinating history of the TV Western that traces its roots in B Western movies, while also showing how TV Westerns developed their own unique storytelling conventions.
This is the essential guide for anyone interested in film. Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include:* auteur theory* Blaxploitation* British New Wave* feminist film theory* intertextuality* method acting* pornography* Third World Cinema* Vampire movies.
When their eighty-five-year-old father dies, sparring siblings Maggie and Jake must face a question: How to break the bad news to their sister Amy, who has Down syndrome and has lived in a state home for years? Along the way, the pair find out just how much they don’t know about their family and each other. It seems only Amy knows who she really is.
Six were taken. Eleven years later, five come back--with no idea of where they've been. A riveting mystery for fans of We Were Liars. Eleven years ago, six kindergartners went missing without a trace. After all that time, the people left behind moved on, or tried to. Until today. Today five of those kids return. They're sixteen, and they are . . . fine. Scarlett comes home and finds a mom she barely recognizes, and doesn't really recognize the person she's supposed to be, either. But she thinks she remembers Lucas. Lucas remembers Scarlett, too, except they're entirely unable to recall where they've been or what happened to them. Neither of them remember the sixth victim, Max--the only one who hasn't come back. Which leaves Max's sister, Avery, wanting answers. She wants to find her brother--dead or alive--and isn't buying this whole memory-loss story. But as details of the disappearance begin to unfold, no one is prepared for the truth. This unforgettable novel--with its rich characters, high stakes, and plot twists--will leave readers breathless.
"Five-decade chronicle of television history [covering] ... all daytime programs that aired for three or more weeks on a commercial network between 1947 and 1996, plus 100 nationally syndicated shows from the same period ... . [Includes] cartoons, children's programs, game shows, news shows, soap operas, sports programs, [and] talk shows ... . Provides the dates each show aired, a synosis of its plot, its principal cast members, and other pertinent information"--Back cover.
New York Times bestselling author Cathy Maxwell’s delicious Logical Man’s Guide to Dangerous Women series continues with this provocative romance between a reprobate earl and a sensible spinster who agree to marry under scandalous circumstances. Perfect for fans of Sophie Jordan and Sabrina Jeffries. Lesson #1: A man, even titled and handsome, cannot be careless forever. The Earl of Marsden—better known as Mars to all—has lived his life by his own rules…until he is presented with a very big problem in a very tiny package—a baby girl, his daughter cast off by his ex-mistress. Mars won’t let his child be cast adrift, except he doesn’t know the first thing about babies. Panicking, he turns to a woman for help. Not just any woman, but Clarissa Taylor, village spinster, matron-in-training, and Mars’s greatest critic. Still, who better to tend a motherless child than a woman who was abandoned as a babe herself? Lesson #2: Life always plays the upper hand—especially when it comes to love. Clarissa desperately wishes to not to be beholden to anyone. She has spent a lifetime being pitied by the village. Her plan is simple—to use what the intolerable earl will pay her to become her own woman. It all sounds so straightforward until the threat of scandal sends her and the one man she can’t abide toward . . . marriage? Mars and Clarissa are about to learn the greatest lesson of all—that sparks always fly when the iron is hot.