Download Free Fort Bowie Material Culture Book in PDF and EPUB Free Download. You can read online Fort Bowie Material Culture and write the review.

The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.
In the spring of 1874 a handful of men and one women set out for the Texas Panhandle to seek their fortunes in the great buffalo hunt. Moving south to follow the herds, they intended to establish a trading post to serve the hunter, or "hide men." At a place called Adobe Walls they dug blocks from the sod and built their center of operations After operating for only a few months, the post was attacked one sultry June morning by angry members of several Plains Indian tribes, whose physical and cultural survival depending on the great bison herd that were rapidly shrinking before the white men's guns. Initially defeated, that attacking Indians retreated. But the defenders also retreated leaving the deserted post to be burned by Indians intent on erasing all traces of the white man's presence. Nonetheless, tracing did remain, and in the ashes and dirt were buried minute details of the hide men's lives and the battle that so suddenly changed them. A little more than a century later white men again dug into the sod at Adobe Walls. The nineteenth-century men dug for profits, but the modern hunters sere looking for the natural time capsule inadvertently left by those earlier adventurers. The authors of this book, a historian and an archeologists, have dug into the sod and into far-flung archives to sift reality form the long-romanticized story of Adobe Walls, its residents, and the Indians who so fiercely resented their presence. The full story of Adobe Walls now tells us much about the life and work of the hide men, about the dying of the Plains Indian culture, and about the march of white commerce across the frontier.
"Western Apache Material Culture is a collection of essays specifically about the Guenther and Goodwin Western Apache ethnographic collections at the Arizona State Museum, and about Western Apache culture. . . . This is an important book and will become the standard reference on Western Apache material culture." —American Indian Quarterly "This book will surely appeal not only to those who are interested in the Apache, material culture studies, or the potential of Native American museum resources as cultural and historical documents, but also to those who are concerned with the way humans adapted to the environment and thus 'utilized their world so well.'" —African Arts "It is a remarkably beautiful and detailed catalog of the Goodwin and Guenther collections of Wester Apache artiffacts in the Arizona State Musuem—and a lot more! . . . A section of thirty-two color photographs by award-winning photographer Helga Teiwes is the delectable frosting on this rich and satisfying cake." —Journal of Arizona History
A groundbreaking case study that links social and cultural interpretation with descriptive classification and historical context.
According to the accounts of two white officers, on the evening of November 20, 1872, Corporal Daniel Talliafero, of the segregated Black 9th cavalry, was shot to death by an officer’s wife while attempting to break into her sleeping apartment at the military post of Fort Davis, Texas. Historians writing about Black soldiers serving in the West have long accepted the account without question, retelling the story of Daniel Talliafero, the thwarted “rapist.” In Unburied Lives Wilkie takes a different approach, demonstrating how we can “listen” to stories found in things neglected, ignored, or disparaged—documents not consulted, architecture not studied, material traces preserved in the dirt. With a focus on Fort Davis, Wilkie brings attention to the Black enlisted men and non-commissioned officers. In her archaeological accounting, Wilkie explores the complexities of post life, racialized relationships, Black masculinity, and citizenship while also exposing the structures and practices of military life that successfully obscured these men’s stories for so long.
Clay tobacco pipes are a unique form of artifact that has been recovered from the earliest colonial period sites to those of the early twentieth century. Archaeologists have found this artifact category useful for interpretive purposes due to their rapid technological and typological change, decoration, and maker's marks. Lack of adequate reporting in older site reports precludes a wide range of interpretive values intrinsic to this artifact category. A detailed study of tobacco pipe assemblages from the Pacific Northwest and Northern Plains, in an 1800 to 1890s time frame, demonstrates the interpretive value of this category on an intrasite, regional, and interregional basis. The detailed analysis given the pipes and pipe assemblages provides a historical background that encompasses the artifacts, the manufacturers, the sites, the relationships of the sites, and their place in the development of these regions. These tobacco pipes reflect the marketing and trade histories of these regions as well as many of the cultural subgroups.