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Eva has forgotten something.Hints of another life, and who she really is, are whispered to her in dreams, visions, and in her interactions with people who seem to know more about her then they let on. Eva's struggle to find out who or what she is, all while navigating the real world for the first time, is complicated by the confusing relationships she has begun to develop with the three men she has fallen for. Will Eva ever find her happy ending, or will forgotten specters change the course of all she is coming to know?
Specters of Revolution examines the development of two guerrilla insurgencies led by schoolteachers in Mexico during the 1960s. Relying upon recently declassified documents and oral histories, it chronicles a history of nonviolent peasant political action, underscored by long-held rural utopian ideals, radicalized by persistent state terror.
That was the worst day of Masamichi Adachi’s life. He failed the college entrance exam again, was fired from his part-time job, and to top it all off, was fatally injured in a hit-and-run. However, just as he was resigning myself to death, a stunningly beautiful man appeared and said to become his servant. In exchange for his life, Masamichi now works for the mysterious entity that runs an antique store...
When his novel Killing Mister Watson was published in 1990, the reviews were extraordinary. It was heralded as "a marvel of invention . . . a virtuoso performance" (The New York Times Book Review) and a "novel [that] stands with the best that our nation has produced as literature" (Los Angeles Times Book Review). Now Peter Matthiessen brings us the second novel in his Watson trilogy, a project that has been nearly twenty years in the writing. A story of epic scope and ambition, Lost Man's River confronts the primal relationship between a dangerous father and his desperate sons and the ways in which his death has shaped their lives. Lucius Watson is obsessed with learning the truth about his father. Who was E. J. Watson? Was he a devoted family man, an inspired farmer, a man of progress and vision? Or was he a cold-blooded murderer and amoral opportunist? Were his neighbors driven to kill him out of fear? Or was it envy? And if Watson was a killer, should the neighbors fear the obsessed Lucius when he returns to live among them and ask questions? The characters in this tale are men and women molded by the harsh elements of the Florida Everglades--an isolated breed, descendants of renegades and pioneers, who have only their grit, instinct, and tradition to wield against the obliterating forces of twentieth-century progress: Speck Daniels, moonshiner and alligator poacher turned gunrunner; Sally Brown, who struggles to escape the racism and shame of her local family; R. B. Collins, known as Chicken, crippled by drink and rage, who is the custodian of Watson secrets; Watson Dyer, the unacknowledged namesake with designs on the remote Watson homestead hidden in the wild rivers; and Henry Short, a black man and unwilling member of the group of armed island men who awaited E. J. Watson in the silent twilight. Only a storyteller of Peter Matthiessen's dazzling artistry could capture the beauty and strangeness of life on this lawless frontier while probing deeply into its underlying tragedy: the brutal destruction of the land in the name of progress, and the racism that infects the heart of New World history.
Tales of the Teahouse Retold is based on the author's original translation of Feng Shen Yan Yi, an important volume of Chinese mythology first published during the Ming Dynasty (1368-1644). It is the story of the overthrow the Shang Dynasty (circa 1766-1122 BC) and the founding of the Chou Dynasty (1122-249 BC). Combining historical facts, folklore, mythology, and legends, these tales describe a time when gods and men, beasts and monsters, and spirits and specters mingled with each other in peace and war. The saga begins when King Zhou of Shang offends the Snail Goddess, who sends three specters to bewitch the king in retribution. The kingdom falls into chaos and civil war ensues, with gods and other supernatural beings taking sides. In the end, many of the slain heroes are invested as gods. For centuries, the tale was told in successive story-telling sessions as teahouse entertainment. The author has faithfully kept to the original style and ambience in retelling these tales. Tales of the Teahouse Retold will be of interest to fans of oriental mythology, philosophy, and literature. It is suitable for recreational reading as well as supplemental reading for students of Chinese history and culture.
In the dark depths of an ancestral forest, where the whispering wind brings echoes of a forgotten past, renowned archaeologists Dr. Lucas Andrade and Professor Alberto Moura are not content with merely seeking relics; in their relentless quest for truth, they inadvertently unearth an ancient idol capable of awakening the greed for remnants of an obscure cult that has long slept under the shadow of towering trees. This encounter is not just a glimpse into the unknown, but a dangerous descent into a labyrinth where those guided by selfishness and beliefs become easy prey. As the voices of ancient cultists echo in the recesses of the team's minds, the thin line between reality and sanity becomes a distorted sphere; every whisper of adoration seduces weakness and folly. Driven by overwhelming ambition and insatiable curiosity, Lucas seeks to master the power of the idol, while Alberto and Mariana engage in an internal battle, struggling against the shadows that threaten to devour their souls and that, in fact, have already begun to erode the tides of their certainties. The true cost of knowledge reveals itself as inexorable: sacrifices were made in the past, and if they are not careful, more lives could be tragically lost. As the tension escalates and supernatural forces begin to torment the team, they confront not only the idol, but also their most primal insecurities and distorted desires. In a frantic race against time, they are compelled to unravel a purification ritual—the only hope of saving their lives and, in doing so, preventing the resurgence of a cult that feeds on oppression and blind faith. On a night driven by fateful events, alliances will be tested, sacrifices demanded, and the true essence of the past revealed with each unloading of revelation. Thus, Mariana, Lucas, and Alberto will be forced to decide what they are willing to sacrifice to break the continuous cycle of pain and horror that not only plagues their lives but also condemns the legacy of generations who walked this path before them. As the atmosphere becomes unbearable and the call of the idol grows stronger, they must unite their voices and actions in a robust resistance, facing that which haunts them, challenging the demands of the idol: not just sacrifices, but the offering of their own truths. "Will we be able to unravel the darkness that dwells within us?"—this question reverberates in each of their minds as they embark on a titanic struggle, uncertain whether the line between light and darkness, now offered by their unity, will become a symbol of courage. In “The Idol of Darkness: The Cursed Inheritance,” terror and hope intertwine, promising a confrontation with the supernatural as well as a deep immersion into the essence of the human condition. Prepare for an exhilarating journey through the pathways of the unknown, where every choice can mean life or death, and where true power reveals itself in bravery in the face of darkness.
The refusal to recognize kinship relations among slaves, interracial couples, and same-sex partners is steeped in historical and cultural taboos. In Kindred Specters, Christopher Peterson explores the ways in which non-normative relationships bear the stigma of death that American culture vehemently denies. Probing Derrida’s notion of spectrality as well as Orlando Patterson’s concept of “social death,” Peterson examines how death, mourning, and violence condition all kinship relations. Through Charles Chesnutt’s The Conjure Woman, Peterson lays bare concepts of self-possession and dispossession, freedom and slavery. He reads Toni Morrison’s Beloved against theoretical and historical accounts of ethics, kinship, and violence in order to ask what it means to claim one’s kin as property. Using William Faulkner’s Absalom, Absalom! he considers the political and ethical implications of comparing bans on miscegenation and gay marriage. Tracing the connections between kinship and mourning in American literature and culture, Peterson demonstrates how racial, sexual, and gender minorities often resist their social death by adopting patterns of affinity that are strikingly similar to those that govern normative relationships. He concludes that socially dead “others” can be reanimated only if we avow the mortality and mourning that lie at the root of all kinship relations. Christopher Peterson is visiting assistant professor of literature at Claremont McKenna College.
Jane Addams was the first American woman to receive the Nobel Peace Prize. Now Citizen, Louise W. Knight's masterful biography, reveals Addams's early development as a political activist and social philosopher. In this book we observe a powerful mind grappling with the radical ideas of her age, most notably the ever-changing meanings of democracy. Citizen covers the first half of Addams's life, from 1860 to 1899. Knight recounts how Addams, a child of a wealthy family in rural northern Illinois, longed for a life of larger purpose. She broadened her horizons through education, reading, and travel, and, after receiving an inheritance upon her father's death, moved to Chicago in 1889 to co-found Hull House, the city's first settlement house. Citizen shows vividly what the settlement house actually was—a neighborhood center for education and social gatherings—and describes how Addams learned of the abject working conditions in American factories, the unchecked power wielded by employers, the impact of corrupt local politics on city services, and the intolerable limits placed on women by their lack of voting rights. These experiences, Knight makes clear, transformed Addams. Always a believer in democracy as an abstraction, Addams came to understand that this national ideal was also a life philosophy and a mandate for civic activism by all. As her story unfolds, Knight astutely captures the enigmatic Addams's compassionate personality as well as her flawed human side. Written in a strong narrative voice, Citizen is an insightful portrait of the formative years of a great American leader. “Knight’s decision to focus on Addams’s early years is a stroke of genius. We know a great deal about Jane Addams the public figure. We know relatively little about how she made the transition from the 19th century to the 20th. In Knight’s book, Jane Addams comes to life. . . . Citizen is written neither to make money nor to gain academic tenure; it is a gift, meant to enlighten and improve. Jane Addams would have understood.”—Alan Wolfe, New York Times Book Review “My only complaint about the book is that there wasn’t more of it. . . . Knight honors Addams as an American original.”—Kathleen Dalton, Chicago Tribune