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Faro and Monte were the most popular gambling games of the Old West. Today, most of us have no idea about Faro and Monte. Why? Whenever a gambling game is depicted in a western saloon it is Poker - whether it's television, movies, or novels we are led to believe that there were no other games, other than Poker. Why is that? Because it's easy to see a player with a full house of aces and eights is probably going to win the pot sitting on the table in front of him. We look through the blinders of our currant vision of gambling (which does not offer Faro and Monte.) What were these forgotten games, how they were played, why were they so popular, and why aren't they played in casinos today? This is the true story of Faro and Monte - readers will come to know the real story behind the games that ruled the gambling saloons of the Old West.
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Gambling played a major role in the lives of the men that drove the western movement of Americans across the continent during the nineteenth century. Games of chance were dear to the hearts of not only cowboys but also gold miners, plantation owners, bankers, merchants, soldiers, trappers, buffalo hunters, muleskinners, and most of the other men of the American West, even including some preachers. Wherever there were men with money there was gambling – and most of it was crooked. Whether it was rigged, fixed, double-dealt, cold-decked, braced or otherwise manipulated - very little was left to luck and skill. Though there were some gamblers who were known as "on-the-square" or "legitimate", if that word can be used when referring to the players of the day, most used some form of "advantage" to win much more often than they lost. Some were not gamblers at all but mere con men skinning suckers as fast as they could find them. With this in mind, exactly what were the casino games of chance played during the wild days of the West, what were the rules, and how were they played? Who were the major players and where did they ply their trade? How did they employ "tricks" to cheat the other players without being detected? Why did most of the games of the western frontier pass into oblivion and why are these same games not played in gambling casinos today? Though most of us think we have a fairly good running knowledge of Old West gambling, largely provided by the westerns of television and movies, this book takes a closer look at this integral facet of our history that provokes both condemnation and revelry. Whether it was a game of poker played on a blanket or a faro bet placed in an elegant saloon, it is a safe bet to say that gambling fulfilled one of the basic needs of the early frontiersman – liquor, lust, and luck. Most settlements started with a small clump of buildings (quite often little more than tents) that usually included a general mercantile store, a livery stable or wagon yard, and a saloon. Then as the settlement grew, a few more business sprung up and more often than not additional saloons crowded in to provide the major form of entertainment available to the men of that era – games of chance. Unlike today with the plethora of entertainment choices provided by television, movies, computers and other technological devices, the frontiersman had very few choices as a diversion from his everyday toils. Most often, he was reduced to reading a book, chatting with friends, or playing a game. Books were often hard to come by and any game worth playing was worth wagering. As western saloons evolved, a typical layout usually followed along these lines: an entrance foyer, the bar area with maybe a few card tables and billiards tables in the back. Traditionally, saloons were housed in a building that was longer than it was wide, with an overhanging awning covering the front entrance. Contrary to most of our movie images of saloons, they quite often did not have bat-wing doors; instead, one or more standard wooden doors with glass panels provided access from the street. Once inside the door, customers usually saw a long bar running down the right wall. The bar was usually a massive work of oak with a brass rail that provided a foot prop while standing for a drink. Here and there, a few spittoons enabled tobacco chewers to deposit their chaws before downing a shot of redeye. To the left were a few card tables and chairs strictly meant for gambling – all drinking was done standing up. When you could not manage the upright position any longer, you were told that you had had enough and go sleep it off. Over time, a class distinction developed among saloons in which there were "low dives" and "first class saloons" Gamblers were interested in the upscale saloons while conmen and sharps operated in the "skin houses" where drunks were sometimes allowed to sleep on the floor after having their pockets cleaned out. Usually the mark of a better saloon was the addition of gambling rooms to the rear or a gambling hall located in a second story above the saloon. This accommodated the serious gamblers where large amounts of cash exchanged hands over the green cloth tables. As it evolved, saloon owners offered someone, usually a noted gambler, the gambling concession - with the saloon getting a percentage of the take. The better the location, the more well-heeled the customers, and the professional expertise of an efficient gambling operation could mean sizeable profits for the owner. Besides location, reputation was everything in the saloon business. From the Mississippi River to the Barbary Coast of California one saloon tried to top the others with what they offered and who gambled there. Big name gamblers drew a crowd and this translated into bigger profits from liquor sales and gambling. Wyatt Earp, Bat Masterson, Doc Holliday, Luke Short, Ben Thompson, Swiftwater Bill Gates, Dick Clark, Rowdy Joe Lowe, and the rest of the old west's gambling superstars ran the gaming operations in most of the better saloons of the era. This book is the first volume of the Hip-Pocket History of the Old West (Series) providing a compact, concise accounts that cover odd or little-known facets of the American West. Historically accurate, but told in an easy to read format, with just a twist of humor. Informative, yet entertaining, the Hip-Pocket History series provides little nuggets without having to wade through a 400-page book of dry academic ostentatiousness.
Matrimony? Never again for deputy sheriff Matt Wiley. The only good thing from his first marriage is his daughter. His little girl might want a mother, but Matt knows that no woman should have to deal with his guilty secret, or his anger at God. He'll do his duty, serve the town of Cheyenne and keep his distance. Yet when courageous single mother Pearl Oliver comes to town, watching from the sidelines isn't an option— especially when Pearl lands herself in danger. His heart, Pearl's life and the safety of their town are all at risk. Only the love and faith he thought he'd left behind can help him win his way to happily ever after.
Most of the gamblers of the Old West got their start and reputations by working the circuit of the Mississippi River boats, the railhead cattle towns of Kansas, or the boomtowns that popped up around gold or silver mining. The gunfighter Ben Thompson got his start by running the Bull's Head Saloon with partner Phil Coe in Ellsworth, Kansas. Ben's friend, Bat Masterson, also started his career in the cattle towns of Texas and Kansas. In general, these legendary gamblers were known as "legitimate" or that they played a fair game without cheating. Truth be told, all of them knew the methods employed by the "sharps" to clean the pockets of the other players at the table. They had to know these "tricks" in order to spot a cheater at their table. Did they ever use any of these advantages to increase their odds? Probably so, but the public's perception of these men was that they ran a "square game". Hip-Pocket History of the Old West (Series) This compact book that gives concise accounts of odd or little-known facets of the American West. Historically accurate, but told in an easy-to-read format, with just a twist of humor. Informative, yet entertaining, the Hip-Pocket History series provides little nuggets without having to wade through a 400-page book of dry academic ostentatiousness.
THE CALL OF THE WILD WEST - Ultimate Western Collection is an unparalleled anthology that brings together over 175 novels and short stories from the pens of some of the most celebrated authors in the American literary canon. This collection features a vast array of themes, including the rugged beauty of the American frontier, the complex relationships between man and nature, and the tumultuous path towards justice and redemption. Embedded within its pages are tales that traverse the whole of the Western genre, from thrilling adventures to poignant histories, all aimed at exploring the essence of what it means to confront the wild unknown. The anthology stands as a testament to the diversity and significance of the Western narrative, offering readers standout pieces that highlight the periods dynamic range of literary stylesfrom the raw realism of Twain to the romanticized vistas by Grey. The contributing authors, a veritable whos who of the literary world, including but not limited to Mark Twain, Willa Cather, and Jack London, bring a rich tapestry of backgrounds to the collection. Their collective works encapsulate not only the evolving character of the American West but also the broader shifts in American culture and literature. The anthology aligns with key historical and cultural movements such as Manifest Destiny and the taming of the frontier, enabling a multifaceted exploration of these themes through the prism of various literary movements. By amalgamating the distinct voices and narratives of authors who have defined the genre, the collection invites readers to a deeper understanding of the enduring myths and realities of the American West. THE CALL OF THE WILD WEST - Ultimate Western Collection offers readers an unprecedented opportunity to engage with the Western genre in all its complexity and grandeur. It is an imperative read for those who wish to delve into the rich narrative of American expansion and the diverse interpretations of frontier life. Beyond its educational value, the anthology serves as a platform for the intricate dialogues between different periods, themes, and styles, encapsulated within the Western tradition. It invites lovers of history, literature, and culture to explore the depths of human resilience and the landscapes that shaped Americas literary heritage.
West Bromwich Albion Cult Heroes recounts the careers of 21 of the club's greatest icons, men who entertained,week in, week out and regularly set fans' pulses racing. Looking back at a raft of household names, each individual biography analyses each hero's career, and examines exactly why each man was idolised and how they achieved cult status. Featuring Bob Roberts, Billy Bassett, Jesse Pennington, Harold Bache, Tommy Magee, WG Richardson, Ray Barlow, Ronnie Allen, Derek Kevan, Joe Kennedy, Tony Brown, Jeff Astle, John Osborne, Willie Johnston, Cyrille Regis, Don Goodman, Bob Taylor, Richard Sneekes, Lee Hughes, Darren Moore and Tony Mowbray.Key features- Part of the popular and successful Cult Heroes series which features a number of football clubs- Features 21 of West Bromwich Albion's most iconic players of all time- Details their careers, their impact on the club and the reasons why they were such cult figures- Includes contemporary and historic images of those legendary figures featured- Written by respected football author Simon Wright
Long before baseball became America’s national pastime, English citizens of all ages, genders, and classes of society were playing a game called baseball. It had the same basic elements as modern American baseball, such as pitching and striking the ball, running bases, and fielding, but was played with a soft ball on a smaller playing field and, instead of a bat, the ball was typically struck by the palm of the hand. There is no doubt, however, that this simpler English version of baseball was the original form of the pastime and was the immediate forerunner of its better-known American offspring. Strictly a social game, English baseball was played for nearly two hundred years before fading away at the beginning of the twentieth century. Despite its longevity and its important role in baseball’s evolution, however, today it has been completely forgotten. In Pastime Lost David Block unearths baseball’s buried history and brings it back to life, illustrating how English baseball was embraced by all sectors of English society and exploring some of the personalities, such as Jane Austen and King George III, who played the game in their childhoods. While rigorously documenting his sources, Block also brings a light touch to his story, inviting us to follow him on some of the adventures that led to his most important discoveries. Purchase the audio edition.
These stories, often bittersweet, emotional, and mythic are a veteran journalist's collection of sportswriting on the blue-collar South.