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Excerpt from Forestry for Woodmen This book is, by permission, based on Schlich's Manual of Forestry. It has been written to supply a cheap book on scientific forestry for foresters and woodmen, few of whom can afford the more expensive works, and was at first drawn up for the use of the School of Forestry for Working Men in the Forest of Dean. I am greatly indebted to Sir William Schlich, K. C. I. E., F. R. S., Professor of Forestry in the University of Oxford, and to the late Mr. W. R. Fisher, under whom I studied the subject while at Cooper's Hill College, forgiving me permission to make use of the Manual of Forestry and to reproduce some of the illustrations from that work. I have also referred in Chapter I to Gifford Pinchots A Primer of Forestry and to Bridges sand Dicks's Plant Study; I have occasionally referred to Nisbet's The Forester Forbess English Estate Forestry Simpsons The New Forestry and The Estate Nursery, The part on hedges is indebted to Maidens Hedges and Hedgemaking. Most of the photographs were taken by myself; some are by Mr. R. C. Milward or Mr. M. C. Duchesne, who have kindly allowed me to reproduce them. The other illustrations are from Schlich's Manual. My thanks are due to Mr. E. P. Popert, Consulting Forester to the Commissioners of Woods and Forests, and to Mr. A. G. Hobart-Hampden, Agent to the Earl of Bucking-hamshire, both retired Conservators of the Indian Forest Department, for reading through the manuscript and for much valuable advice and help in its preparation, and to Professor J. Bretland Farmer for revising the botanical part of the book. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Book 4 of Tacitus' Annals, described by Sir Ronald Syme as 'the best that Tacitus ever wrote', covers the years AD 23–28, the pivotal period in the principate of the emperor Tiberius. Under the malign influence of Sejanus, the henchman who duped him and was loaded with honours, Tiberius withdrew to the island of Capri and was never again seen in Rome, where the treason trials engendered an atmosphere of terror. The volume presents a new text of Book 4, as well as a full commentary on the text, covering textual, literary, linguistic and historical matters. The introduction discusses the relationship between Tacitus and Sallust. The volume completes the sequence which began with commentary on Books 1 and 2 of the Annals by F. R. D. Goodyear (1972, 1981) and was continued by commentary on Book 3 by A. J. Woodman and R. H. Martin (1996) and on Books 5-6 by A. J. Woodman (2016).
Tacitus' Annals is the central historical source for first-century C.E. Rome. It is prized by historians since it provides the best narrative material for the reigns of Tiberius, Claudius, and Nero, as well as a probing analysis of the imperial system of government. But the Annals should be seen as far more than an historical source, a mere mine for the reconstruction of the facts of Roman history. While the Annals is a superb work of history, it has also become a central text in the western literary, political, and even philosophical traditions - from the Renaissance to the French and American revolutions, and beyond. This volume attempts to enhance the reader's understanding of how this book of history could have such a profound effect.Chapters will address the purpose, form, and method of Roman historical writing, the ethnic biases of Tacitus, and his use of sources. Since Tacitus has been regarded as one of the first analysts of the psychopathology of political life, the book will examine the emperors, the women of the court, and the ambitious entourage of freedmen and intellectuals who surround every Roman ruler. The final chapter will examine the impact of Tacitus' Annals since their rediscovery by Boccaccio in the 14th century.
This unique collection of "Charles Dickens - The Man Behind the Classics: Autobiographical Novels, Stories, Memoirs, Letters & Biographies" has been designed and formatted to the highest digital standards. Contents: David Copperfield Sketches by Boz The Beadle. The Parish Engine. The Schoolmaster. The Curate. The Old Lady. The Half-pay Captain The Four Sisters The Election for Beadle The Broker's Man The Ladies' Societies Our Next-door Neighbour The Streets – morning The Streets – night Shops and their Tenants Scotland Yard Seven Dials Meditations in Monmouth-Street Hackney-coach Stands Doctors' Commons London Recreations The River Astley's Greenwich Fair Private Theatres Vauxhall Gardens by Day Early Coaches Omnibuses The Last Cab-driver A Parliamentary Sketch Public Dinners The First of May Brokers' and Marine-store Shops Gin-shops The Pawnbroker's Shop Criminal Courts A Visit to Newgate Thoughts about People A Christmas Dinner The New Year Miss Evans and the Eagle The Parlour Orator The Hospital Patient The Misplaced attachment of Mr. John Dounce The Mistaken Milliner The Dancing Academy Shabby-Genteel People Making a Night of It The Prisoners' Van The Boarding-house Mr. Minns and his Cousin Sentiment The Tuggses at Ramsgate Horatio Sparkins The Black Veil The Steam Excursion The Great Winglebury Duel Mrs. Joseph Porter A Passage in the Life of Mr. Watkins Tottle The Bloomsbury Christening The Drunkard's death Sketches Sunday Under Three Heads Reprinted Pieces The Uncommercial Traveller American Notes Pictures From Italy The Lazy Tour of Two Idle Apprentices Letters My Father as I Recall Him by Mamie Dickens Charles Dickens (1812-1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. Among his greatest works are A Christmas Carol, Oliver Twist, Great Expectations and A Tale of Two Cities.
Combining her historical knowledge with practical experience of recreating medieval gardens in various sites in England, Landsberg explains how she designed Queen Eleanor's garden at Winchester and Brother Cadfael's physic garden at Shrewsbury.
The Shakespearean Forest, Anne Barton's final book, uncovers the pervasive presence of woodland in early modern drama, revealing its persistent imaginative power. The collection is representative of the startling breadth of Barton's scholarship: ranging across plays by Shakespeare (including Titus Andronicus, As You Like It, Macbeth, The Two Gentlemen of Verona and Timon of Athens) and his contemporaries (including Jonson, Dekker, Lyly, Massinger and Greene), it also considers court pageants, treatises on forestry and chronicle history. Barton's incisive literary analysis characteristically pays careful attention to the practicalities of performance, and is supplemented by numerous illustrations and a bibliographical essay exploring recent scholarship in the field. Prepared for publication by Hester Lees-Jeffries, featuring a Foreword by Adrian Poole and an Afterword by Peter Holland, the book explores the forest as a source of cultural and psychological fascination, embracing and illuminating its mysteriousness.