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Exile as Forced Migrations injects cutting edge studies on forced migrations (DIDPS, IDPs, Refugee studies), displacement and resettlement, and generational issues that mark the exilic period (6th century B.C.E.). Founder and co-chair of the “Exile/Forced Migrations in Biblical Literature” (Society of Biblical Literature) and a member of the American Sociological Association (International Migration Section), Ahn furnishes biblical scholars with up-to-date sociological information to examine critically, the exile as forced migrations in the cadre of economics of migrations. Biblically speaking, Ahn isolates the three varying views on the exile. The 70 years in Babylon is cast as three and a half generations, with each Judeo-Babylonian generation (first-“1.5”-second-third) responding to its own set of issues and concerns (Ps 137, Jer 29, Isa 43, Num 32). This definitive work reframes the approach to study of the exilic period, as “generation-units”, sociologically, from the first forced migration in 597 B.C.E. to the first return migrations in 538 B.C.E. Exile as Forced Migrations goes beyond traditional emphasis on an important edifice and its institution. It rightfully returns to peoples in flight and plight.
Of the estimated 12 million refugees in the world, more than 7 million have been confined to camps, effectively "warehoused," in some cases, for 10 years or more. Holding refugees in camps was anathema to the founders of the refugee protection regime. Today, with most refugees encamped in the less developed parts of the world, the humanitarian apparatus has been transformed into a custodial regime for innocent people. Based on rich ethnographic data, Rights in Exile exposes the gap between human rights norms and the mandates of international organisations, on the one hand, and the reality on the ground, on the other. It will be of wide interest to social scientists, and to human rights and international law scholars. Policy makers, donor governments and humanitarian organizations, especially those adopting a "rights-based" approach, will also find it an invaluable resource. But it is the refugees themselves who could benefit the most if these actors absorb its lessons and apply them. Guglielmo Verdirame is a Lecturer in Law at the University of Cambridge and a Fellow of Corpus Christi College. He is also the author of a forthcoming book on the accountability of the United Nations. Barbara Harrell-Bond, Founding director of the Refugee Studies Centre, University of Oxford, has, after retirement, been Visiting Professor at Makerere University and at the American University in Cairo. In 1996, she received the Distinguished Service Award of the American Anthropological Association. She is the author of Imposing Aid (Oxford, 1986).
This is about, Gregory John Ugle, a traditional young Nyungar boy with a rich cultural heritage and lifestyle. A boy with parents, brothers and sisters living in a small wheatbelt town of Bencubbin. I was living as a traditional Nyungar in the bush later adjusting to life in a small country town. I would live in my country with my parents until an Australian LawThe 1905 Act would impact on my life and the lives of my family and change our lives forever. A Domestic dispute between my two parents affected by alcohol. My fathers imprisonment and my mothers hospitalisation would part us for many years to come. My dad was taken by Police and jailed. Me and my brothers and sisters were taken by Welfare to another tribal land. Torn from our secure family and taken to a distant unknown place. From the mouths of lowly racist government leaders right up to the Priministers from the first time of colonisation to twenty first century. Aboriginals have suffered at the hands of a racist nation been hounded and seperated from family for the colour of our skin. It is not until the Priminister in office Mr Kevin Rudd that I Quote (FOR THE PAIN, SUFFERING AND HURT OF THOSE STOLEN GENERATION, THEIR DECENDENTS AND THEIR FAMILIES LEFT BEHIND WE SAY SORRY. 13 February 2008. For me as a Yued man 2008 I as a child I did nothing wrong yet I was punished to the full extent of the laws, I am now at peace within my heart a burden was lifted. And so begins my journey, and my story of being a Stolen Generation.
Exile was a potent form of punishment and a catalyst for change in colonial Asia between the seventeenth and early twentieth centuries. Vast networks of forced migration supplied laborers to emerging colonial settlements, while European powers banished rivals to faraway locations. Exile in Colonial Asia explores the phenomenon of exile in ten case studies by way of three categories: “kings,” royals banished as political exiles; “convicts,” the vast majority of those whose lives are explored in this volume, sent halfway across the world with often unexpected consequences; and “commemoration,” referring to the myriad ways in which the experience and its aftermath were remembered by those exiled, relatives left behind, colonial officials, and subsequent generations of descendants, devotees, historians, and politicians. Intended for a broad readership interested in the colonial period in Asia (South and Southeast Asia in particular), the volume encompasses a range of disciplinary perspectives: anthropology, gender studies, literature, history, and Asian, Australian, and Pacific studies. In addition to presenting fascinating, little-known, and varied case studies of exile in colonial Asia and Australia, the chapters collectively offer a sweeping, contextualized, comparative approach that links the narratives of diverse peoples and locales. Rather than confining research to the European colonial archives, whenever possible the authors put special emphasis on the use of indigenous primary sources hitherto little explored. Exile in Colonial Asia invites imaginative methodological innovation in exploring multiple archives and expands our theoretical frontiers in thinking about the interconnected histories of penal deportation, labor migration, political exile, colonial expansion, and individual destinies.
In 1863, the Dine (Navajo) faced transformations to their way of life with the Americans' determination to first subjugate and then remove them to a reservation in order to begin their assimilation to American culture. This book exposes the series of events that facilitated the Navajo's removal from their homeland, their experiences during the Long Walk, their time at the Bosque Redondo reservation, their return home, and the ways in which they remember the Long Walk and the Bosque Redondo.
2018 Book Prize from the Association for the Advancement of Baltic Studies 2018 Vine Award for Canadian Jewish Literature in Nonfiction from the Koffler Centre of the Arts in Toronto When Julija Šukys was a child, her paternal grandfather, Anthony, rarely smiled, and her grandmother, Ona, spoke only in her native Lithuanian. But they still taught Šukys her family’s story: that of a proud people forced from their homeland when the soldiers came. In mid-June 1941 three Red Army soldiers arrested Ona and sent her east to Siberia, where she spent seventeen years working on a collective farm. It was all a mistake, the family maintained. Some seventy years after these events, Šukys sat down to write about her grandparents and their survival of a twenty-five-year forced separation and subsequent reunion. Piecing the story together from letters, oral histories, audio recordings, and KGB documents, her research soon revealed a Holocaust-era secret—a family connection to the killing of seven hundred Jews in a small Lithuanian border town. According to KGB documents, the man in charge when those massacres took place was Anthony, Ona’s husband. In Siberian Exile Šukys weaves together the two narratives: the story of Ona, noble exile and innocent victim, and that of Anthony, accused war criminal. She examines the stories that communities tell themselves and considers what happens when the stories we’ve been told all our lives suddenly and irrevocably change, and how forgiveness operates across generations and the barriers of life and death.
With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. This long-awaited collection of literary and cultural essays offers evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives and culture.
Focusing on the highly diverse Karenni refugee population living in camps on the Thai-Burma border, this innovative book explores materiality, embodiment, memory, imagination, and identity among refugees, providing new and important ways of understanding how refugees make sense of experience, self, and other. It examines how and to what ends refugees perceive, represent, manipulate, use as metaphor, and otherwise engage with material objects and spaces, and includes a focus on the real and metaphorical journeys that bring about and perpetuate exile. The combined emphasis on both displacement and materiality, and the analysis of the cultural construction and intersections of exilic objects, spaces, and bodies, are unique in the study of both refugees and material culture. Drawing theoretical influences from phenomenology, aesthetics, and beyond, as well as from refugee studies and anthropology, the author addresses the current lack of theoretical analysis of the material, visual, spatial, and embodied aspects of forced migration, providing a fundamentally interlinked analysis of enforced exile and materiality.
Robert Hopkins was a man caught between two worlds. As a member of the Dakota Nation, he was unfairly imprisoned, accused of taking up arms against U.S. soldiers when war broke out with the Dakota in 1862. However, as a Christian convert who was also a preacher, Hopkins’s allegiance was often questioned by many of his fellow Dakota as well. Without a doubt, being a convert—and a favorite of the missionaries—had its privileges. Hopkins learned to read and write in an anglicized form of Dakota, and when facing legal allegations, he and several high-ranking missionaries wrote impassioned letters in his defense. Ultimately, he was among the 300-some Dakota spared from hanging by President Lincoln, imprisoned instead at Camp Kearney in Davenport, Iowa, for several years. His wife, Sarah, and their children, meanwhile, were forced onto the barren Crow Creek reservation in Dakota Territory with the rest of the Dakota women, children, and elderly. In both places, the Dakota were treated as novelties, displayed for curious residents like zoo animals. Historian Linda Clemmons examines the surviving letters from Robert and Sarah; other Dakota language sources; and letters from missionaries, newspaper accounts, and federal documents. She blends both the personal and the historical to complicate our understanding of the development of the Midwest, while also serving as a testament to the resilience of the Dakota and other indigenous peoples who have lived in this region from time immemorial.
An unprecedented survey of artists in exile from the 19th century through the present day, with notable attention to Asian, Latin American, African American, and female artists This timely book offers a wide-ranging and beautifully illustrated study of exiled artists from the 19th century through the present day, with notable attention to individuals who have often been relegated to the margins of publications on exile in art history. The artworks featured here, including photography, paintings, drawings, prints, and sculpture, present an expanded view of the conditions of exile--forced or voluntary--as an agent for both trauma and ingenuity. The introduction outlines the history and perception of exile in art over the past 200 years, and the book's four sections explore its aesthetic impact through the themes of home and mobility, nostalgia, transfer and adjustment, and identity. Essays and catalogue entries in each section showcase diverse artists, including not only European ones--like Jacques-Louis David, Paul Gauguin, George Grosz, and Kurt Schwitters--but also female, African American, East Asian, Latin American, and Middle Eastern artists, such as Elizabeth Catlett, Harold Cousins, Mona Hatoum, Lotte Jacobi, An-My Lê, Matta, Ana Mendieta, Abelardo Morell, Mu Xin, and Shirin Neshat.