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Molly is a top-selling romance novelist who gets into an accident one day while heading to her workshop. She’s in a state of panic when a man gets out of the other car! He’s Tom Garrick, a top-selling action-adventure writer. And, what’s more, he’s the man she married five years ago. She’d wanted to leave him behind her, but now she finds herself in bed with him… Other stories in this volume include Husband Material and The Prince’s Forbidden Love.
Fia is the chef and owner of a successful restaurant. One day her childhood neighbor Santo pays her a visit. Their families have been feuding for the past three generations. Three years ago, Fia and Santo spent a night together, but when she found out she was pregnant, he never returned her calls, and she ended up raising her son on her own. Why did he show up only now? she wonders. Go home. I never wanted to see you again… And then he discovers her son crying in the other room. “Did you think you could hide my own son from me?”
This study to analyzes romantic fiction's depiction of women as part of the broader history of ideas about women.; Given the success of the Mills & Boon romance, their portrayal of subjects like sex, love, marriage, class, motherhood and femineity are important cultural barometers and make interesting study.; The author shows how all these themes have an historical trajectory and how these novels have come to reflect feminist concerns.; Based on a study of over 1000 Mills & Boon romances the book provides analysis of plot types and shows how these have changed in response to women's own changing position within society.
How does our understanding of Africa shift when we begin from the perspective of women? What can the African perspective offer theories of culture and of gender difference? This work, as unique and insightful today as when it was first published, brings together a wide variety of African academics and other researchers to explore the links between literature, popular culture and theories of gender. Beginning with a ground-breaking overview of African gender theory, the book goes on to analyse women's writing, uncovering the ways different writers have approached issues of female creativity and colonial history, as well as the ways in which they have subverted popular stereotypes around African women. The contributors also explore the related gender dynamics of mask performance and oral story-telling. This major analysis of gender in popular and postcolonial cultural production remains essential reading for students and academics in women's studies, cultural studies and literature.
Arranged alphabetically from Alvar Aalto to Eva Zumwalt, each author biography includes personal information, addresses, career history, writings, work in progress, and more.