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How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.
"The founder and CEO of Public Religion Research Institute (PRRI) and columnist for the Atlantic describes how white Protestant Christians have declined in influence and power since the 1990s and explores the effect this has had on America, "--NoveList.
NEW YORK TIMES BESTSELLER The “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism—or in the words of one modern chaplain, with “a spiritual badass.” As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done. Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.
"For the White Christ" by Robert Ames Bennet is a historical novel that reveals the story of the days of Charlemagne. It's the story of a half-breed Norse/Arab man, who comes to serve Charlemagne, and how he wins his bride- the god-daughter of the Holy Roman Emperor. Excerpt: "Two winters ago there came to Chelles a maiden who knew many tales of the Saxon and Lombard wars,--Fastrada--" Roland's cheeks flushed, and he stooped forward eagerly. "Fastrada!" he exclaimed. "You knew her?" "For a winter's time—"
"During her 70-year ministry the author spoke, through her pen, to young people, to church members, and to the world in the The Youth's Instructor, the Review and Herald, and The Signs of the Times. Selections for this book have been drawn from these three periodicals as well as from her books and previously unpublished manuscripts and letters"--Foreword.
You may be white, but that doesn't mean you have no culture. Charting his own journey toward understanding his white identity, Daniel Hill shows us the seven stages we encounter on the path to cultural awakening. This timely book will give you a new perspective on being white and also empower you to be an agent of reconciliation in our increasingly diverse and divided world.
Christology is especially problematic for feminists. Because Jesus was undeniably male and because the Christian church claims him as the unique God-bearer, feminist christology confronts the dual tasks of explaining the significance of a male God-bearer for women and creating a christological model adequate to feminist experience. Jacquelyn Grant rehearses the development and challenges of feminist christology and argues that, because it has reflected the experience of White women predominantly, it fails to speak to the concerns of non-white and non-western women. In response to this failure, Grant proposes a womanist theology and christology that emerge from and are adequate to the reality of contemporary Black women.
"WHITE TOO LONG draws on history, statistics, and memoir to urge that white Christians reckon with the racism of the past and the amnesia of the present to restore a Christian identity free of the taint of white supremacy"--
“If reconciliation is the takeaway point for the civil rights story we usually tell, then the takeaway point for the more complex, more truthful civil rights story contained in Dear White Christians is reparations.” — from the preface to the second edition With the troubling and painful events of the last several years—from the killing of numerous unarmed Black men and women at the hands of police to the rallying of white supremacists in Charlottesville—it is clearer than ever that the reconciliation paradigm, long favored by white Christians, has failed to heal the deep racial wounds in the church and American society. In this provocative book, originally published in 2014, Jennifer Harvey argues for a radical shift away from the well-meaning but feeble longing for reconciliation toward a robustly biblical call for reparations. Now in its second edition—with a new preface addressing the explosive changes in American culture and politics since 2014, as well as an appendix that explores what a reparations paradigm can actually look like—Dear White Christians calls justice-committed Christians to do the gospel-inspired work of opposing racist social structures around them. Harvey’s message is historically and scripturally rooted, making it ideal for facilitating the difficult but important discussions about race that are so desperately needed in churches and faith-centered classrooms across the country.