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A treasure trove for anyone interested in the folklore of the British Isles. Illustrated throughout, this lovely collection contains 360 folk songs from field recordings. Includes melody lines, lyrics, and chord symbols. Melody line format.
Northern Ireland remains a divided community in which traditional culture is widely understood as a marker of religious affiliation and ethnic identity. David Cooper provides an analysis of the characteristics of traditional music performed in Northern Ireland, as well as an ethnographic and ethnomusicological study of a group of traditional musicians from County Antrim. In particular, he offers a consideration of the cultural dynamics of Northern Ireland with respect to traditional music.
(Meredith Music Resource). This comprehensive collection of folk songs used in band masterworks is a wonderful source for determining interpretation and style, and will open the door to creative teaching. Folk song overviews include notated tunes, lyrics and brief historical annotations. A must-have for the imaginative teacher/conductor! "This volume should be on the shelf of every wind conductor's library." Allan McMurray, Director of Bands, University of Colorado
In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.
Combining biography, folklore, oral history, and ethnomusicology, this book explores the life and repertoire of the Scottish traditional singer Jeannie Robertson (1908-1975) - an artist whom Alan Lomax hailed as "a monumental figure in twentieth-century folksong". Utilizing numerous quotations from Robertson's own oral accounts of her life, James Porter and Herschel Gower trace her career as a member of the marginal nomadic group in Northeast Scotland known as "travellers", whose origin is obscure. They explain the importance of traditional song in Robertson's family and community and include eighty of her songs, complete with musical notation.