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An annotated collection of tales from the Winnebago people, drawn from the Smithsonian Institution among other sources, ranges from creation myths to trickster stories to myths and legends about the history of the tribe
With the seasons of the year as a backdrop, author Diane Holliday describes what life was like for a Ho-Chunk girl who lived in the late nineteenth and early twentieth century. Central to the story is the movement of Mountain Wolf Woman and her family in and around Wisconsin. Like many Ho-Chunk people in the mid-1800s, Mountain Wolf Woman's family was displaced to Nebraska by the U.S. government. They later returned to Wisconsin but continued to relocate throughout the state as the seasons changed to gather and hunt food. Based on her own autobiography as told to anthropologist Nancy Lurie, Mountain Wolf Woman's words are used throughout the book to capture her feelings and memories during childhood. Author Holliday draws young readers into this Badger Biographies series book by asking them to think about how the lives of their ancestors and how their lives today compare to the way Mountain Wolf Woman lived over a hundred years ago.
The myth of the Trickster—ambiguous creator and destroyer, cheater and cheated, subhuman and superhuman—is one of the earliest and most universal expressions of mankind. Nowhere does it survive in more starkly archaic form than in the voraciously uninhibited episodes of the Winnebago Trickster Cycle, recorded here in full. Anthropological and psychological analyses by Radin, Kerényi, and Jung reveal the Trickster as filling a twofold role: on the one hand he is “an archetypal psychic structure” that harks back to “an absolutely undifferentiated human consciousness, corresponding to a psyche that has hardly left the animal level” (Jung); on the other hand, his myth is a present-day outlet for the most unashamed and liberating satire of the onerous obligations of social order, religion, and ritual.
An easy-to-use guide to American regional folklore with advice on conducting research, regional essays, and a selective annotated bibliography. American Regional Folklore begins with a chapter on library research, including how to locate a library suitable for folklore research, how to understand a library's resources, and how to construct a research strategy. Mood also gives excellent advice on researching beyond the library: locating and using community resources like historical societies, museums, fairs and festivals, storytelling groups, local colleges, newspapers and magazines, and individuals with knowledge of the field. The rest of the book is divided into eight sections, each one highlighting a separate region (the Northeast, the South and Southern Highlands, the Midwest, the Southwest, the West, the Northwest, Alaska, and Hawaii). Each regional section contains a useful overview essay, written by an expert on the folklore of that particular region, followed by a selective, annotated bibliography of books and a directory of related resources.
Tricksters are known by their deeds. Obviously not all the examples in American Tricksters are full-blown mythological tricksters like Coyote, Raven, or the Two Brothers found in Native American stories, or superhuman figures like the larger-than-life Davy Crockett of nineteenth-century tales. Newer expressions of trickiness do share some qualities with the Trickster archetype seen in myths. Rock stars who break taboos and get away with it, heroes who overcome monstrous circumstances, crafty folk who find a way to survive and thrive when the odds are against them, men making spectacles of themselves by feeding their astounding appetites in public--all have some trickster qualities. Each person, every living creature who ever faced an obstacle and needed to get around it, has found the built-in trickster impulse. Impasses turn the trickster gene on, or stimulate the trick-performing imagination--that's life. To explore the ways and means of trickster maneuvers can alert us to pitfalls, help us appreciate tricks that are entertaining, and aid us in fending off ploys which drain our resources and ruin our lives. Knowing more about the Trickster archetype in our psyches helps us be more self-aware.
Folklore as a serious adjunct to history, anthropology, and religious studies
This collections of writings by revered Native Americans offers timeless, meaningful lessons and thought-provoking teachings on living and learning.
Highly entertaining and richly informative, Wisconsin Folklore offers the first comprehensive collection of writings about the surprisingly varied folklore of Wisconsin. Beginning with a historical introduction to Wisconsin's folklore and concluding with an up-to-date bibliography, this anthology offers more than fifty annotated and illustrated entries in five sections: "Terms and Talk," "Storytelling," "Music, Song, and Dance," "Beliefs and Customs," and "Material Traditions and Folklife." The various contributors, from 1884 to 1997, are anthropologists, ethnomusicologists, historians, journalists, museologists, ordinary citizens reminiscing, sociologists, students, writers of fiction, practitioners of folklore, and folklorists. Their interests cover an enormous range of topics: from Woodland Indian place names and German dialect expressions to Welsh nicknames and the jargon of apple-pickers, brewers, and farmers; from Ho-Chunk and Ojibwa mythological tricksters and Paul Bunyan legends to stories of Polish strongmen and Ole and Lena jokes; from Menominee dances and Norwegian fiddling and polka music to African-American gospel groups and Hmong musicians; from faith healers and wedding and funeral customs to seasonal ethnic festivities and tavern amusements; and from spearing decoys and needlework to church dinners, sacred shrines, and the traditional work practices of commercial fishers, tobacco growers, and pickle packers. For general readers, teachers, librarians, and scholars alike, Wisconsin Folklore exemplifies and illuminates Wisconsin's cultural traditions, and establishes the state's significant but long neglected contributions to American folklore.