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Once more, bestselling author Joseph T. Klempner combines thrills, vivid characters, and a plot that leaves the reader breathless.A Lincoln Navigator carries three well-dressed people through the barren New Jersey salt flats. The trip is uncomfortable but necessary. Their target has no phone, certainly no email, and never answers his mail. But August Jorgenson is no country bumpkin. Before retiring, he was one of the most famous judges in the country, and only opinions like his fierce opposition to the death penalty kept him from a seat on the Supreme Court.Now his visitors, from a reality show called Trial TV, have come to enlist his aid. They are excited about an idea they have that promises to strike a serious blow against the death penalty (and boost their ratings past those of Court TV).The judge agrees to help. But as he digs into the facts of the case he becomes their enemy - an enemy who must be removed as a serious threat to their plans.When his first novel, Felony Murder, was published, Publishers Weekly called Klempner "a writer to watch." Now, Klempner is better than ever - that rare novelist with both an insider's knowledge of the world he writes about, and a talent for intelligent, compelling storytelling.
When twelve-year-old Jason rows his boat to the Maine island where he has accidentally left his father's knife, he must face threatening fog, treacherous currents, and a sinister lobsterman.
A university historian from Toulouse takes a trip to the Mount Athos peninsula in Greece with the purpose of writing a book on Athanasius the Athonite, builder of the Great Lavra Monastery. Intending to research old documents and visit several monasteries scattered along the mountain of this ancient homeland of the gods, he encounters religious characters completely absorbed by the modern digital age and the system it imposes to control every aspect of human existence. These encounters switch the course of the events. An ascending parable, the story traces the historian’s efforts to rise above the fog that has emerged from mankind’s grid of knowledge. Overcoming the Cloud marks a reunion of mankind’s deep impulse for freedom and its reconnection with nature. A deep reflection of today’s society is there to be found in the happenings of this enchanting dystopian fiction. Educated as an architect and engineer, Anthony Caine is an American living in Prague, Czech Republic. From 1979 to 1989 his architectural firm in New York City, Proposition Architecture, PC was an active participant in the development of lower Manhatten’s loft conversions. His design work remains visible in Lower Manhattan. In 1991 he accepted an invitation from the Chief Architect of Prague to assist in that city’s transformation to a market economy. He has lived there ever since, developing properties, teaching university students, and consulting on matters of urban development. Fog Bound is Anthony’s first novel. He began writing fiction shortly after moving to the Czech Republic, initially as a way to bring his own personal perspective to the dramatic changes accompanying his new life in Central Europe. Thirty years later, his serious focus on creative writing crystallised with the arrival of the Covid pandemic. Since then, he has authored a number of short stories, twenty of which have been assembled in a sequential anthology entitled Dragonflies. When not working or writing, Anthony enjoys caring for his horses, riding, and sometimes playing a little polo.
Arctic Doctor is an account of the true adventures of Joe Moody, the heroic young medical doctor whose practice covered 600,000 square miles of Canada’s East Arctic. Headquartered at Chesterfield Inlet on the west coast of Hudson Bay, Joe Moody made “routine” calls to his 2,000 Eskimo patients that required to take perilous trips by aircraft, dog sled, and canoe; to direct complicated surgery by telephone; and to confront Eskimo practices of infanticide and the “assisted suicide” of the age. Dr. Moody’s book is an exciting and suspenseful account of his years in the East Arctic—years of courageous effort on behalf of his profession, years devoted to scientific and human observation of the most fruitful kind, and years of heady adventure rarely matched in the annals of northland fiction.
Following the triumph of his Booker Prize–winning True History of the Kelly Gang, Peter Carey ventures into the Far East with a novel shot through with mysteries at once historical, literary, and personal. Sarah Wode-Douglass, the editor of a London poetry magazine, had grown up knowing the famous and infamous John Slater. And because he figured prominently in the disaster that was her parents’ marriage, when Slater proposes that she accompany him to Malaysia, Sarah embarks out of curiosity on a journey that becomes, instead, a lifelong obsession. Her discoveries spiral outward from Christopher Chubb, a destitute Australian she meets by chance in the steamy, fetid city of Kuala Lumpur. He is mad, Slater warns her, explaining the ruinous hoax Chubb had committed decades earlier. But lurking behind the man’s peculiarity and arrogance, Sarah senses, is artistic genius, in the form of a manuscript he teases her with and which she soon would do anything to acquire. The provenance of this work, she gradually learns, is marked by kidnapping, exile, and death — a relentless saga that reaches from Melbourne to Bali, Sumatra, and Java, and that more than once compels her back to Malaysia without ever disclosing all of its secrets, only the power of the imagination and the price it can exact from those who would wield it. Astonishing, mesmerizing, and ultimately shocking, My Life as a Fake is the most audacious novel yet in Peter Carey’s extraordinary career.
Dewey Roscoe Jones was a pioneering African American journalist. While working for the Chicago Defender, the most widely read black newspaper in the United States, he edited a book review column and a poetry column whose contributors included Langston Hughes, Countee Cullen, Frank Marshall Davis, and Gwendolyn Brooks. Jones personally wrote about fifty reviews, becoming Black Chicagos premier literary critic and commentator on the Harlem Renaissance. Frequently disappointed by the novels emanating from New York, he endeavored to create his own masterwork of fiction. Dark Days is the fruit of his labors. Ishmael, the novels protagonist, comes to age in Oklahoma, a wild territory where former slaves and their offspring vie with former plantation owners and their offspring to make a new life. Theirs is a common legacy of frontier violence and frontier dreams, born in the aftermath of the Civil War, forcible removal of Native Americans, and the 1889 Land Rush. Black Ishmael loves white Denise, and their interlocked fates are the center of the tale. Ishmaels turbulent journey follows Joness own path from Muskogee to Chicago to the trenches of war-torn France. Dark Days was completed midway between 1930 publication of Langston Hughess novel Not Without Laughter and Richard Wrights Native Son in 1940. That chronology situates it in the closing days of Harlems Renaissance and on the cusp of Black Chicagos creative flowering. By recovering his fathers novel, Dewey Roscoe Jones II has performed a service to all readers interested in the trajectory of African American creative expression in the early twentieth century. Richard A. Courage, Professor of English, Westchester Community College/SUNY; co-author of The Muse in Bronzeville: African American Creative Expression in Chicago, 1932-1950.