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The perfect companion for those ready to discover the unusual and underground and see Brighton through new eyes.
Through the analysis of surviving archival traces, this book constructs a history of the imagination and memory of the town of Peacehaven. Built as a speculative development atop iconic chalk cliffs on the Sussex Coast and marketed as a garden city by the sea, the estate quickly attracted adverse publicity. Influential voices such as the Bloomsbury group’s Virginia and Leonard Woolf, architect and writer Clough Williams-Ellis and the Campaign for the Protection of Rural England soon began to criticise it as a blot on the rolling, pastoral downland. Instead of reading and appraising Peacehaven’s story in a polarized way, this book breaks new ground by critically interpreting visual representations and commissioned photographs of the Estate and re-evaluating propositions from its inception, which aspired to secure improved public health and home ownership in direct response to the negative impact of industrialization and WWI. Focusing on the interwar period and tracing mutating agendas, the book investigates contested marketing and construction narratives through Histoire Croisée methodology and its intercrossings with memory and the imagination. By combining visual and creative research methods with oral history, multi-layered narratives of place come into focus. The study tracks the visual programme of the developer’s in-house magazine, Peacehaven Post, alongside previously underexplored blueprints, photographs, postcards and promotional guidebooks, and considers the garden city narrative as a form of social Utopia. Garden city ideals are once again evoked in debates as a potential solution to the ongoing national housing shortage, giving this research additional urgency as new large-scale redevelopment erases many of the few and fast disappearing original landmarks.
THE SUNDAY TIMES MUSIC BOOK OF THE YEAR A DAILY TELEGRAPH BEST MUSIC BOOK OF THE YEAR A TELEGRAPH BEST MUSIC BOOK OF THE YEAR A NEW STATESMAN BEST BOOK OF THE YEAR Faith, Hope and Carnage is a book about Nick Cave’s inner life. Created from over forty hours of intimate conversations with Seán O’Hagan, it is a profoundly thoughtful exploration, in Cave’s own words, of what really drives his life and creativity. The book examines questions of faith, art, music, freedom, grief and love. It draws candidly on Cave’s life, from his early childhood to the present day, his loves, his work ethic and his dramatic transformation in recent years. From a place of considered reflection, Faith, Hope and Carnage offers ladders of hope and inspiration from a true creative visionary.
Witchcraft for Tomorrow answers many frequently asked questions about witchcraft including: 'How can I find a witches' coven?' and 'How can I become a witch?' Doreen Valiente tells you what the old religion of witchcraft has to offer the new age of Aquarius; how the age-old Craft of the Wise can be practised in the modern world; how to initiate yourself as a witch and found your own coven. The author, who was the leading figure in the establishment of the modern Wiccan movement, includes a new Book of Shadows (the witches' handbook of rituals and instructions) based upon ancient magical tradition but geared to the age of the future. There are witch songs, spells, incantations and practical advice on how to run a coven and how to acquire your own collection of magical implements; as well as methods of divination and other witch lore. The author shows how the oral traditions of witchcraft throw light not only upon the origins of the present-day witch cult and the activities of the witch leader George Pickingill and his covens, but also upon the mystery of the founding of the famous magical order, the Golden Dawn. Also discussed is the relationship between the witchcraft of Britain and Europe and the magical belief of the Far East. Do both traditions hark back to the legendary city of Shamballah and to the shamanistic practices of Asia? And why do the secret circles of the witches resemble those of the Tantric sex-magic of India?
A Handbook of Children and Young People’s Participation brings together key thinkers and practitioners from diverse contexts across the globe to provide an authoritative overview of contemporary theory and practice around children’s participation. Promoting the participation of children and young people - in decision-making and policy development, and as active contributors to everyday family and community life - has become a central part of policy and programme initiatives in both majority and minority worlds. This book presents the most useful recent work in children’s participation as a resource for academics, students and practitioners in childhood studies, children’s rights and welfare, child and family social work, youth and community work, governance, aid and development programmes. The book introduces key concepts and debates, and presents a rich collection of accounts of the diverse ways in which children’s participation is understood and enacted around the world, interspersed with reflective commentaries from adults and young people. It concludes with a number of substantial theoretical contributions that aim to take forward our understanding of children’s participation. The emphasis throughout the text is on learning from the complexity of children’s participation in practice to improve our theoretical understanding, and on using those theoretical insights to challenge practice, with the aim of realising children’s rights and citizenship more fully.
Doreen Valiente was one of the most respected English witches to have influenced the modern day Pagan movement. In this book, a re-visit of her first literary outing of 1962, she examines Witchcraft in Sussex, the role of the Horned God, hares and the Moon, folk-rites and the powers of Witchcraft. She is hereby laying the foundations of the modern day Witchcraft movement. As Gerald Gardner is now commonly thought of as the 'Father' of contemporary Witchcraft, so Doreen is known affectionately as the 'Mother of Modern Witchcraft'.
This unusual study combines two books in one: the 1794 autobiographical travel narrative of an Indian, Dean Mahomet, recalling his years as camp-follower, servant, and subaltern officer in the East India Company's army (1769 to 1784); and Michael H. Fisher's portrayal of Mahomet's sojourn as an insider/outsider in India, Ireland, and England. Emigrating to Britain and living there for over half a century, Mahomet started what was probably the first Indian restaurant in England and then enjoyed a distinguished career as a practitioner of "oriental" medicine, i.e., therapeutic massage and herbal steam bath, in London and the seaside resort of Brighton. This is a fascinating account of life in late eighteenth-century India—the first book written in English by an Indian—framed by a mini-biography of a remarkably versatile entrepreneur. Travels presents an Indian's view of the British conquest of India and conveys the vital role taken by Indians in the colonial process, especially as they negotiated relations with Britons both in the colonial periphery and the imperial metropole. Connoisseurs of unusual travel narratives, historians of England, Ireland, and British India, as well as literary scholars of autobiography and colonial discourse will find much in this book. But it also offers an engaging biography of a resourceful, multidimensional individual.
This study argues that the tourist experience depends on culturally-defined images, and that the tourist business relies upon the creation of fantasies about places and people. The contributors examine tourist images as represented by postcards, travel bro