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This exhibition catalogue features The Textile Museum's collection of Ottoman embroidery.
This book is a celebration of the extensive collection of Ottoman embroidery at the V and A which ranges from the middle of the 16th century to 1900. In addition to illustrating over 100 major pieces, an introductory text puts the collection in context, explaining who the Ottomans were and their impact on Europe. The embroideries themselves include pieces such as sashes, kerchiefs and scarves which were made to satisfy the requirements of the Ottoman household and are strongly redolent of an exotic way of life. The embroideries can be divided into pre- and post-1720, when the Ottomans made peace with Central and Western Europe, and incorporated many aspects of Western art into their textile traditions. It was not until the 19th century however, that Ottoman embroidery in the form of towels and napkins began to appear in public and private collections in Britain. The book is illustrated with 145 embroideries which are split into the four most characteristic Ottoman techniques- surface darning, laid and couched, double running and double darning. Above all it is the unique double-sided embroideries that are fascinating to Western observers where the same basic stitch has been used over five centuries. This type of embroidery continues to be carried out today by a few skilled practitioners. All techniques are clearly explained through specially commissioned diagrams, which
The material presented in this volume significantly extends what has been known to date of Asian textiles produced from the Tang (618-907) through the early Ming period (late 14th-early 15th century), and new documentation gives full recognition to the importance of luxury textiles in the history of Asian art. Costly silks and embroideries were the primary vehicle for the migration of motifs and styles from one part of Asia to another, particularly during the Tang and Mongol (1207-1368) periods. In addition, they provide material evidence of both the cultural and religious ties that linked ethnic groups and the impetus to artistic creativity that was inspired by exposure to foreign goods.
This fantastic book showcases the Embroiderers' Guild's huge collection of embroidered flowers dating back to the 17th cenury. Featuring photographs commissioned for the book, items are shown in full and also with detail images to show off the flowers at their best. Hailing from all parts of the globe, this is an opportunity to see fabulous works that are very rarely seen in public. The Embroiderers' Guild, founded in 1906, has at the heart of its collection numerous beautiful donated textiles in all forms, given by members and enthusiasts over many years. The collection now contains thousands of embroidery examples from many countries and cultures. This book showcases the best of the collection's flower embroideries, dating from the 17th century to the present day. Whether they are abstract or naturalistic, the variety of flowers shown is quite extraordinary. They all exhibit a wonderful level of skill and imagination, and their beauty and detail will be inspirational to embroiderers of all ages and levels of expertise. Featuring photographs taken especially for the book, items are shown in full and also with detail images to show off the flowers at their best. These wonderful embroidered treasures are as varied as wall hangings, children's dresses, bridal bags and samplers. The images are shown with extended captions giving the country of origin, age, size and technique used to make them. Hailing from all parts of the globe, this is an opportunity to see fabulous works that are very rarely seen in public.
Fleeing persecution in 1960s America, a Black couple seeks asylum in Ghana, but fresh dangers and old secrets threaten their newfound freedom in this hypnotic debut novel. “I am truly blown away by this novel.”—Jacqueline Woodson, New York Times bestselling author of Red at the Bone ONE OF THE BEST BOOKS OF THE YEAR: CrimeReads When the windshield of his Chevy Impala shatters in a dark diner parking lot in Alabama, Melvin moves without thinking. A split-second reaction marrows in his bones from the days of war, but this time it is the safety of his fiancé, Bernadette, at stake. Impulse keeps them alive, and yet they flee with blood on their hands. What is life like now that they are fugitives? Pack passports. Empty bank accounts. Set their old life on fire. The couple disguise themselves as a pastor and a reluctant pastor’s wife who’s hiding a secret from her fiancé. With a persistent FBI agent on their trail, they travel to Ghana to seek the help of Melvin’s old college friend who happens to be the country’s embattled president, Kwame Nkrumah. The couple’s chance encounter with Ghana’s most beloved highlife musician, Kwesi Kwayson, who’s on his way to perform for the president, sparks a journey full of suspense, lust, magic, and danger as Nkrumah’s regime crumbles around them. What was meant to be a fresh start quickly spirals into chaos, threatening both their relationship and their lives. Kwesi and Bernadette’s undeniable attraction and otherworldly bond cascades during their three-day trek, and so does Melvin’s intense jealousy. All three must confront one another and their secrets, setting off a series of cataclysmic events. Steeped in the history and mythology of postcolonial West Africa at the intersection of the civil rights movement in America, this gripping and ambitious debut merges political intrigue, magical encounters, and forbidden romance in an epic collision of morality and power.
Revealing the most spectacular floral region on earth.