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In the seventh volume of the Flowers of Evil readers are sent to a completely new time and locale. Takao and Sawa have been forcibly separated. Takao is now living in suburbs of the big city. His parents have new lives in a small apartment and their past for the most part has been forgotten. Now and then little cracks appear in that facade but for the most part they are playing their roles to become a normal happy family. Takao is in a new school; your average model student. And while he is just as awkward, Takao has made some friends and is even occasionally being asked to be social as a new high school student. Even more intriguing is the fact that Takao might have already found himself someone to open up to. Like Sawa this person can see that there is more to Takao than meets the eye. But in this case it is her who reintroduces him to literature.
Takao Kasuga is a bookworm. And his favorite book right now is Baudelaire's Flowers of Evil. While the young man may often be seen lost in thought as he rabidly consumes page after page, Takao is not much of a student. Actually when we are first introduced to the middle school teen, we find him sneaking some reading as he receives and F on a recent language exam. Nakagawa is known as the class bully. When she is not receiving zeros she is usually muttering profanities to those around her. While she doesn't care for books or their readers, she does have a thing for troublemakers. Takao may not be one, but having read over his shoulder a few times, she knows he is not very innocent. If anything he is bored and aware of it. Together, by chance, they shake up their entire rural community as Takao tries to break out of his shell in a random moment of passion and affection...not directed towards Nakamura. And contrary to Takao's predictions, the girl he was falling for, Nanako Saeki, responds by eventually accepting the bibliophile for who he is. Or at least, who she thinks he is.
Flowers of Evil tells the tangled tale of Takao Kasuga, a shy middle-school boy who falls in love with one girl and ends up being blackmailed by another in rural central Japan. Throughout a series of catastrophic adventures, Takao remains absorbed by French poet Charles Baudelaire's Les fleurs du mal (The Flowers of Evil), which becomes the key to this engaging, wide-ranging narrative of romance and revelation. Readers have been charmed and captivated by this all-too-credible, yet often outrageous, story of awkward, young love. Flowers of Evil creator Shuzo Oshimi was recognized as one of the most gifted of the younger generation of manga artists, and in 2001 received the Tetsuya Chiba Award.
There is no turning back now, "Mari" has said good-bye to the person she knew as Isao Komori. But now this Mari must fully commit and accept the past of the body she inhabits. That includes the pain and the memories the Yoshizakis have been suppressing for years.
In the seventh volume of the Flowers of Evil readers are sent to a completely new time and locale. Takao and Sawa have been forcibly separated. Takao is now living in suburbs of the big city. His parents have new lives in a small apartment and their past for the most part has been forgotten. Now and then little cracks appear in that facade but for the most part they are playing their roles to become a normal happy family. Takao is in a new school; your average model student. And while he is just as awkward, Takao has made some friends and is even occasionally being asked to be social as a new high school student. Even more intriguing is the fact that Takao might have already found himself someone to open up to. Like Sawa this person can see that there is more to Takao than meets the eye. But in this case it is her who reintroduces him to literature.
Commemorating twenty years of manga, FEMME FATALE showcases of all of the full color artwork from New York Time's Best Selling artist Shuzo Oshimi. Featuring cover art, posters, promotional materials and never before translated comics, this is a definitive compilation of character art from one of the best known manga artists in the 21st Century. Concept art and promotional illustrations from FLOWERS OF EVIL, INSIDE MARI, DRIFTING NET CAFE and BLOOD ON THE RAILS are also included giving readers a deeper look into Oshimi's processes and artistic mind. This collection also includes dozens of never before published in English comic pages that are a must have for Oshimi completionists.
It would be difficult to overstate the importance of Joseph Needham's Science and Civilisation in China series. For nearly fifty years, Needham and his collaborators have revealed the ideals, concepts and achievements of China's scientific and technological traditions from the earliest times to about 1800 through this great enterprise. During his long working lifetime, Needham kept in draft various essays, some written with collaborators, in which he set out his broad views on the Chinese social and historical context. These essays, edited by one of his closest collaborators, Kenneth Robinson, are contained in the present volume. A reading of this material makes it possible to reconstruct the assumptions and problematics that underpinned and drove the Needham project throughout the nearly one half century during which he was at the helm. The documents gathered here reveal the intellectual foundations of one of the greatest scholarly enterprises of the twentieth century.
Ethnology comprises the seventh and eighth volumes in the Handbook of Middle American Indians, published in cooperation with the Middle American Research Institute of Tulane University under the general editorship of Robert Wauchope (1909–1979). The editor of the Ethnology volumes is Evon Z. Vogt (1918–2004), Professor of Anthropology in the Department of Social Relations, Harvard University. These two books contain forty-three articles, all written by authorities in their field, on the ethnology of the Maya region, the southern Mexican highlands and adjacent regions, the central Mexican highlands, western Mexico, and northwest Mexico. Among the topics described for each group of Indians are the history of ethnological investigations, cultural and linguistic distributions, major postcontact events, population, subsistence systems and food patterns, settlement patterns, technology, economy, social organization, religion and world view, aesthetic and recreational patterns, life cycle and personality development, and annual cycle of life. The volumes are illustrated with photographs and drawings of contemporary and early historical scenes of native Indian life in Mexico and Central America. The Handbook of Middle American Indians was assembled and edited at the Middle American Research Institute of Tulane University with the assistance of grants from the National Science Foundation and under the sponsorship of the National Research Council Committee on Latin American Anthropology.
This book contains ten numbers of the renowned Wheel Publication series, dealing with various aspects of the Buddha’s teaching. Wheel Publication 90-92: The Life of Sariputta - Nyanaponika Thera; 93: The Eight Marvellous and Wonderful Truths - Bhikkhu Khantipalo; 94: The Truth of Anatta - Dr. G.P. Malalasekera; 95-97: Sixty Songs of Milarepa - Bhikkhu Khantipalo; 98-99: Apannaka Sutta, Cula Malunkya Sutta, Upali Sutta by Narada Thera & Mahinda Thera: 100: Buddhism in Sri Lanka - H.R. Perera
Despite long-standing assertions that languages, including French and English, cannot sufficiently communicate the experience of smell, much of France’s nineteenth-century literature has gained praise for its memorable evocation of odours. As French perfume was industrialized, democratized, cosmeticized, and feminized in the nineteenth century, stories of fragrant scent trails aligned perfume with toxic behaviour and viewed a woman’s scent as something alluring, but also something to be controlled. Drawing on a wealth of resources, Perfume on the Page in Nineteenth-Century France explores how fiction and related writing on olfaction meet, permeate, and illuminate one another. The book examines medical tracts, letters, manuscripts, posters, print advertisements, magazine articles, perfume manuals, etiquette books, interviews, and encounters with fragrant materials themselves. Cheryl Krueger explores how the olfactory language of a novel or poem conveys the distinctiveness of a text, its unique relationship to language, its style, and its ways of engaging the reader: its signature scent. Shedding light on the French perfume culture that we know today, Perfume on the Page in Nineteenth-Century France follows the scent trails that ultimately challenge us to read perfume and literature in new ways.