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(E-Z Play Today). 60 songs arranged at a super easy level that sum up a generation of peace & love, including: All You Need Is Love * Aquarius * Bad, Bad Leroy Brown * Blowin' in the Wind * Born to Be Wild * Bus Stop * California Dreamin' * Cat's in the Cradle * Daydream Believer * The 59th Street Bridge Song (Feelin' Groovy) * Gimme Some Lovin' * Good Vibrations * Hang on Sloopy * Happy Together * Joy to the World * Leaving on a Jet Plane * Light My Fire * Lucy in the Sky with Diamonds * Me and You and a Dog Named Boo * Mr. Tambourine Man * Monday, Monday * Oh Happy Day * People Got to Be Free * San Francisco (Be Sure to Wear Some Flowers in Your Hair) * (Sittin' On) The Dock of the Bay * Turn! Turn! Turn! (To Everything There Is a Season) * A Whiter Shade of Pale * Wild Thing * and more.
(Ukulele). 30 songs from the era of peace, love and understanding arranged for the uke, including: Abraham, Martin and John * (It's A) Beautiful Morning * Blowin' in the Wind * California Dreamin' * Daydream Believer * Everybody's Talkin' (Echoes) * Happy Together * He Ain't Heavy, He's My Brother * It Never Rains in Southern California * Leaving on a Jet Plane * Light My Fire * Mellow Yellow * Mr. Tambourine Man * Monday, Monday * San Francisco (Be Sure to Wear Some Flowers in Your Hair) * Turn! Turn! Turn! (To Everything There Is a Season) * We Shall Overcome * What the World Needs Now Is Love * and more.
(Piano/Vocal/Guitar Artist Songbook). 43 of their biggest hits, including: Bodyguard * How Deep Is Your Love * Lonely Days * Love You Inside Out * Night Fever * One * Stayin' Alive * and more. Also includes discography and notes about the songs written by the band members.
Ah, ABBA! What can you say? The pop sound of the seventies, still repeated lovingly at student discos to this day! Regardless of your musical taste, the quality of songwriting and performance is indisputable. The ABBA: Complete Chord Songbook pays tribute to the Swedish quartet by bringing you the complete lyrics and chords to almost all their songs! Seventy classic hits are presented here, specially arranged in the original keys from the actual recordings, with Guitar chord boxes and full lyrics. This volume is perfect for any aspiring guitarist – Ideal for group singalongs, a spot of busking or simply to explore the rich musical expertise of ABBA.
Years ago, somewhere on the Internet, I posted a few dumb drawings making fun of my own anxiety and depression. The response to them was warmer than anticipated, and people kept asking for more. Blending humor with pure depression seemed to strike a chord with a decent amount of people. So I kept going, and after about three years of drawing, I had enough dumb drawings for a book. Mental health is a serious thing, and it gets heavier when humans don't talk about it outwardly. I bottled up feelings for many years. Feelings I considered "dark", "weak", "downhearted", "embarrassing", "shameful" or any number of self-deprecating words. But after saying (or drawing) them out loud to people, all that weight went away and I realized it was normal to feel these feelings.Humor has always been a primary mode of therapy for me. I still make fun of my own anxiety and "depresh" as catharsis. I sing about it on tour, talk about it on my podcast, and draw pictures of it here in this book. Putting my formerly-private-feelings out into the world has been tremendous therapy for me, and I wish I would've done it sooner.Over the span of many years, I've been illustrating the "hacks", "strategies", or "exercises" that have worked best for me in combating the struggles in my head. More than anything I want this book to be useful for people. I'm not a doctor, just a person who spends too much time in my head. The objective of It's Hard to Be a Person is not to give unsolicited advice, but to hopefully save you some headaches on the long n' winding road of life in your brain.
Sir Richard Rodney Bennett, in the enormous diversity of his activities, is arguably the most complete musician of all time. Not only does he have a remarkable 300 commissioned concert works to his credit, which have established him among the leading British twentieth-century composers, yet at the same time, with supreme success, he has also contrived to lead several completely different musical lives. For some, he is the ultimate exponent of 'crossover', as epitomised in his remarkable Concerto for Stan Getz and concert works for Cleo Laine. Others remember him as a concert pianist with a special enthusiasm for pioneering contemporary music, his partnerships with Susan Bradshaw, Jane Manning and Barry Tuckwell being particularly notable. Meanwhile, he also has over 70 film and television scores to his credit, the many classic titles ranging from Murder on the Orient Express and Far From the Madding Crowd to Equus and Four Weddings and a Funeral. For cabaret and jazz club devotees, he is, again, something completely different: one of the finest and most knowledgeable of all exponents of the Great American Songbook, a much-in-demand singer and accompanist over the past thirty-five years, and, as such, the stage partner of some of the most glamorous performers in the business. This, then, is a book about a uniquely gifted musician. It is also a study of a most engaging personality and a fascinatingly complex human being. Anthony Meredith, whose two previous collaborations with co-researcher Paul Harris were the highly praised biographies of Malcolm Arnold and Malcolm Williamson, has been a widely published writer over the past twenty-five years. He is a member of MCC, a Friend of Covent Garden and Northern Ballet. His co-researcher, Paul Harris, is a leading music educationalist, well-known for his seminars, workshops and masterclasses, with over 500 books to his name.
The author of the magisterial A Biographical Guide to the Great Jazz and Pop Singers now approaches the great singers and their greatest work in an innovative and revelatory way: through considering their finest albums, which is the format in which this music was most resonantly organized and presented to its public from the 1940s until the very recent decline of the CD. It is through their albums that Ella Fitzgerald, Frank Sinatra, Peggy Lee, Sarah Vaughan, Nat King Cole, Judy Garland, and the rest of the glorious honor roll of jazz and pop singers have been most tellingly and lastingly appreciated, and the history of the album itself, as Will Friedwald sketches it, can now be seen as a crucial part of musical history. We come to understand that, at their finest, albums have not been mere collections of individual songs strung together arbitrarily but organic phenomena in their own right. A Sinatra album, a Fitzgerald album, was planned and structured to show these artists at their best, at a specific moment in their artistic careers. Yet the albums Friedwald has chosen to anatomize go about their work in a variety of ways. There are studio and solo albums: Lee’s Black Coffee, June Christy’s Something Cool, Cassandra Wilson’s Belly of the Sun. There are brilliant collaborations: famous ones—Tony Bennett and Bill Evans, Louis Armstrong and Oscar Peterson—and wonderful surprises like Doris Day and Robert Goulet singing Annie Get Your Gun. There are theme albums—Dinah Washington singing Fats Waller, Maxine Sullivan singing Andy Razaf, Margaret Whiting singing Jerome Kern, Barb Jungr singing Bob Dylan, and the sublime Jo Stafford singing American and Scottish folk songs. There are also stunning concert albums like Ella in Berlin, Sarah in Japan, Lena at the Waldorf, and, of course, Judy at Carnegie Hall. All the greats are on hand, from Kay Starr and Carmen McRae to Jimmy Scott and Della Reese (Della Della Cha Cha Cha). And, from out of left field, the astounding God Bless Tiny Tim. Each of the fifty-seven albums discussed here captures the artist at a high point, if not at the expected moment, of her or his career. The individual cuts are evaluated, the sequencing explicated, the songs and songwriters heralded; anecdotes abound of how songs were born and how artists and producers collaborated. And in appraising each album, Friedwald balances his own opinions with those of musicians, listeners, and critics. A monumental achievement, The Great Jazz and Pop Vocal Albums is an essential book for lovers of American jazz and popular music.