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'Senneval, you see in me your sister, the girl you seduced at Nancy, the woman who murdered your son, the wife of your own father and the ignoble creature who sent your mother to the gallows...' Who but the Marquis de Sade would write, not of the pain, tragedy, and joy of love but of its crimes? Murder, seduction, and incest are among the cruel rewards for selfless love in his stories; tragedy, despair, and death the inevitable outcome. Sade's villains will stop at nothing to satisfy their depraved passions, and they in turn suffer under the thrall of love. Psychologically astute, and defiantly unconventional, these stories show Sade at his best. A skilled and artful storyteller, he is also an intellectual who asks questions about society, about ourselves, and about life, for which we have yet to find the answers. This new selection includes 'An Essay on Novels', Sade's penetrating survey of the novelist's art. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Courval has asked Florville to marry him. Florville decides that before she can marry him she must confess all of her sins to him so that they will have no secrets. The tales are sordid and come together in an entirely unexpected way for both the narrator and the reader. A classic.
The Marquis de Sade was a French aristocrat revolutionary and writer of philosophy-laden and often violent pornography. He was a philosopher of extreme freedom unrestrained by morality religion or law with the pursuit of personal pleasure being the highest principle. There is perhaps no more infamous figure in all of literature. Collected here in this omnibus edition are three of his most important works Justine The 120 Days of Sodom and Florville and Courval. These are erotic literary classics.
A collection of de Sade's stories utilizing gothic conventions and questioning sexual and societal mores The notorious author of pornographic novels and a sexual pervert who spent much of his life in prison and whose name was unmentionable in civilized circles, only in recent times has the Marquis come to be seen as misunderstood—essentially a moralist, his exploration of the so-called dark side of the human psyche remains as relevant to our society as it was to his own. This collection will provide an excellent introduction to Sade’s fiction; these accessible stories range from the dramatic novellaEugenie de Franval, in which a father’s criminal passion for his daughter leads to intrigue, abduction, and murder, to comic tales such asThe Husband Who Plays Priest, concerning a lecherous monk who finds an ingenious way to combine clerical duties with secular pleasures. De Sade’s gift as a humorist are much in evidence, as is his particular delight in unusual marital situations—which invariably lead to the most diverting conclusions.
Taken from Juliette, the Marquis de Sade's epic of vice, the episode of MINSKI THE CANNIBAL is one of the most horrific and depraved in all of the author's canon. Whilst venturing in remote mountains, Juliette and her companions are accosted by Minski, a giant who devours human flesh, and taken to his castle. There they witness obscene rites of sexual carnage, played out in a subterranean slaughterhouse for human cattle. This special ebook edition of MINSKI THE CANNIBAL also includes an illuminating essay by Sade scholar Maurice Heine - newly translated into English for the first time - on Sade as progenitor of the gothic novel.
Philosophy in the Bedroom accounts the lascivious education of a privileged young lady at the dawn of womanhood. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Justine and the Noble Viscount by Diane Gaston Guardian to the unconventional and newly orphaned Fitzmannings is not a role that brooding Gerald Brenner relishes. But Justine, the illegitimate daughter who strives to hide her shame, calls powerfully to something deep within him…. Annalise and the Scandalous Rake by Deb Marlowe House party guest Ned Milford can see the inner passion and beauty that Annalise Fitzmanning hides. But how close should they become when his reason for being at Welbourne Manor would prompt a society scandal, not a society marriage! Charlotte and the Wicked Lord by Amanda McCabe Charlotte may be the youngest Fitzmanning girl, but she knows her own mind—and she wants Lord Andrew Bassington! Drew requires an eminently proper bride, something free-spirited Charlotte has never been. So how can she make him see the beautiful woman she has become…?
Irresistibly charming or shamelessly deceitful, remarkably persuasive or uselessly verbose, everything one loves to hate — or hates to love — about “French lovers” and their self-styled reputation can be traced to eighteenth-century libertine novels. Obsessed with strategies of seduction, endlessly speculating about the motives and goals of lovers, the idle aristocrats who populate these novels are exclusively preoccupied with their erotic lives. Deprived of other battlefields in which to fulfill their thirst for glory, libertine noblemen seek to conquer the women of their class without falling into the trap of love, while their female prey attempt to enjoy the pleasures of love without sacrificing their honor. Yet, in spite of the licentious mores of the declining Old Regime, men and women are still expected to pay lip service to an austere code of morals. Asked to constantly denounce their own practices, they find that their erotic war games are thus governed by a double constraint: whatever they feel or intend, the heroes of libertine literature can neither say what they mean nor mean what they say. The Libertine Reader includes all the varieties of libertine strategies: from the successful cunning of Mme de T– in Denon’s No Tomorrow to the ill-fated genius of Mme Merteuil in Laclos’s Dangerous Liaisons; from the laborious sentimental education of Meilcour in Crébillon fils’s Wayward Head and Heart to the hazardous master plan of the French ambassador in Prévost’s The Story of a Modern Greek Woman. The discrepancies between the characters’ words and their true intentions — the libertine double entendre — are exposed through the speaking vaginas in Diderot’s Indiscreet Jewels and the wandering soul of Amanzei in Crébillon fils’s Sofa, while the contrasts between natural and civilized — or degenerate — erotics are the subjects of both Diderot’s Supplement to Bougainville’s Voyage and Laclos’s On the Education of Women. Finally, Sade’s Florville and Courval shows that destiny itself is on the side of libertinism.