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Provides an entertaining history of one of Florida's oldest roadside attractions, Weeki Wachee Spring and its performing mermaids, that ranges from its development in 1947 to the present day, bringing together extensive archival research and interviews with dozens of mermaids and other park employees with 250 black-and-white and color photographs.
Beginning in the early 1950s, the 130 miles of Florida coastline stretching from Panama City to Pensacola were branded as the Miracle Strip. Between those cities, oddities sprang up: goofy miniature golf courses, neon-bedecked motels, reptile farms and attractions that sought to re-create environments ranging from the South Pacific to the ghost towns of the Old West. In total, it was a marketing effort that worked brilliantly. Tourists flocked to the Strip, and now they can return. Author Tim Hollis presents a colorful array of these now-vanished sights, from the garish Miracle Strip Amusement Park to such oddities as Castle Dracula and the Museum of the Sea and Indian.
“A lighthearted, entertaining trip down Memory Lane” (Kirkus Reviews), Don’t Make Me Pull Over! offers a nostalgic look at the golden age of family road trips—before portable DVD players, smartphones, and Google Maps. The birth of America’s first interstate highways in the 1950s hit the gas pedal on the road trip phenomenon and families were soon streaming—sans seatbelts!—to a range of sometimes stirring, sometimes wacky locations. In the days before cheap air travel, families didn’t so much take vacations as survive them. Between home and destination lay thousands of miles and dozens of annoyances, and with his family Richard Ratay experienced all of them—from being crowded into the backseat with noogie-happy older brothers, to picking out a souvenir only to find that a better one might have been had at the next attraction, to dealing with a dad who didn’t believe in bathroom breaks. Now, decades later, Ratay offers “an amiable guide…fun and informative” (New York Newsday) that “goes down like a cold lemonade on a hot summer’s day” (The Wall Street Journal). In hundreds of amusing ways, he reminds us of what once made the Great American Family Road Trip so great, including twenty-foot “land yachts,” oasis-like Holiday Inn “Holidomes,” “Smokey”-spotting Fuzzbusters, twenty-eight glorious flavors of Howard Johnson’s ice cream, and the thrill of finding a “good buddy” on the CB radio. An “informative, often hilarious family narrative [that] perfectly captures the love-hate relationship many have with road trips” (Publishers Weekly), Don’t Make Me Pull Over! reveals how the family road trip came to be, how its evolution mirrored the country’s, and why those magical journeys that once brought families together—for better and worse—have largely disappeared.
Cypress Gardens was Florida's original theme park where movie stars, water-ski champions, and Southern belles created magic. To someone weathering a New England winter, Dick Pope's Cypress Gardens looked exotic. The images coming out of his promotional powerhouse appeared in magazines, newspapers, newsreels, and movies depicting everything from bathing beauties aquaplaning through walls of fire to Southern belles relaxing beneath huge tropical plants, from Don Ameche proposing to Betty Grable under moss-hung cypress trees to Esther Williams performing a water ballet in a Florida-shaped pool. It was all happening in sleepy Winter Haven, where one real estate maverick turned tourism tycoon was out to sell "100,000 [visitors] 25 cents worth of Florida." This book reveals the empire Pope built from a remote swampland to its heyday as a famous water-sports destination and playground for such stars as Joan Crawford, Johnny Carson, and Carol Burnett, as well as royalty from the Duke and Duchess of Windsor to King Hussein of Jordan. It also discusses the park's decline following the construction of Walt Disney World, changes in management, the evolving interests and vacationing habits of the nation, as well as its outlook for the future as a part of LEGOLAND Florida.
In the 1930s, the Federal Writers' Project paid Stetson Kennedy and Zora Neale Hurston, along with other lesser-known writers, to create driving tours of Florida. The FWP and the State of Florida jointly published the results as Florida: A Guide to the Southernmost State. In Backroads of Paradise, Cathy Salustri retraces the routes these writers traveled, bringing a modern eye to the historic tours.
This authoritative and beautifully illustrated guide to Florida's souvenir legacy contains over 500 color illustrations of Sunshine State trinkets that were really works of art.
"For more than a century, Florida has thrived on its image as an exotic playground. The state was an early innovator in tourism marketing, with fun, colorful, evocative print advertisements designed to reinforce the state's selling points: beautiful weather, clear waterways, citrus, and unique man-made attractions." "Selling the Sunshine State is a scrapbook of bygone brochures, postcards, souvenirs, and photos, all designed to lure new guests and residents to the peninsula. Avid Floridiana collector and cultural historian Tim Hollis's personal collection forms the heart of the nearly 500 color images herein. This lovingly assembled book is arranged according to the state's traditional tourism department regions, such as the Miracle Strip, the Big Bend, and the Gold Coast. This fascinating book opens a window to the lost attractions and sometimes shocking appeals made in promotional material created from the 1920s through the 1970s."--BOOK JACKET.