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Part fable, part diatribe, part elegy, part love song, this extraordinary fifth collection by Campbell McGrath makes poetry of the most unlikely of materials -- his home state of Florida. While at times poignantly personal, McGrath also returns for the first time to the characteristically comic and visionary public voice displayed in the renowned "Bob Hope Poem." Moving effortlessly from prehistory to the space age, he catalogues Florida's natural wonders and historical figureheads, from Ponce de LeÓn to Walt Disney, William Bartram to Chuck E. Cheese -- "the bewhiskered Mephistopheles of ring toss,/the diabolical vampire of our transcendent ideals." In the brilliant sociohistorical monologue of "The Florida Poem," McGrath employs the Fountain of Youth as a mythic symbol for both the tragic consequences of a society built on greed and cultural erasure and the diverse human potential, "which must become the fountain/for any communal future we might dare imagine." Place-bound and tightly focused, Campbell McGrath's message is nonetheless universal, as his penetrating vision of Florida is also a vision of America -- its history and hopes, failings and fulfillments, and the eternal force that transcends it all.
The title poem of this book records a sojourn to a small island off the Florida Panhandle. Reachable only by boat, Dog Island provides a quiet respite where Miami poet-artist Laurence Donovan contemplates the sea, sand, and sky and transforms them into words and etchings. Donald Justice, in his foreword, calls Donovan "doubly gifted" in both his poetry and his art. This volume presents both, the latter in fifteen of his etchings. He was also known for his linocuts, represented here by the small scorpion at the end of the book.
A lyric mix of journalism, science, family lore, and lived experience reveals the complex realities of Florida and a redemption that's wondrously messy and surprising.
Combing Florida's Shores is a poetic memoir. Part one depicts a man, his wife, and their girl and boy reveling in the joys of vacationing in Fort Lauderdale. The second section chronicles the now-divorced man returning to his old haunts, with a new love, to find that everything, and nothing, is the same.
Poems of the Florida glades and islands. More poems on travels to Greece and China, Nature, and a general Potpourri.
To many, James Joyce is simply the greatest novelist of the twentieth century. Scholars have pored over every minutia of his public and private life from utility bills to deeply personal letters in search of new insights into his life and work. Yet, for the most part, they have paid scant attention to the two volumes of poetry he published. The nine contributors to The Poetry of James Joyce Reconsideredconvincingly challenge the critical consensus that Joyce’s poetry is inferior to his prose. They reveal how his poems provide entries into Joyce's most personal and intimate thoughts and ideas. They also demonstrate that Joyce's poetic explorations--of the nature of knowledge, sexual intimacy, the changing quality of love, the relations between writing and music, and the religious dimensions of the human experience--were fundamental to his development as a writer of prose. This exciting new work is sure to spark new interest in Joyce's poetry, and will become an essential and indispensable resource for students and scholars of his life and work.
Family continues to be a wellspring of inspiration and learning for Blanco. His third book of poetry, Looking for The Gulf Motel is a genealogy of the heart, exploring how his family's emotional legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother's life shaped by exile, his father's death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.
Shortly after finishing my last book Aliens and Cowboys I found myself with time on my hands so I began writing songs. The driving motivation for this book began when I moved to Auburndale Florida. Polk County is a rural community (home to orange groves and sparkling fresh water lakes) this is the first time I spent any amount of time with country folks. I started listening predominately to country music and evangelists on the radio. A short time later I realized these outside influences were changing the nature of my words and themes. For nine months I lived in Polk County the rest of the time I lived with my father and brother after separating with my long time girl friend. I finished this book at King's Point in Delray Beach Florida. The selections picked for this book reflect real life after all they come from real people and true-life events. The songs/poetry in this book were inspired by people I know, people I've spoke with (in person and in chat rooms on the web). The songs are about the Cast Of Characters that have been in and out of my life for the past year. I am not sure how some of the people I wrote about will react about the stories I tell, after all they are my interpretation of their words, their tears, their hopes and yes their fears, but also their optimism, faith in god and love of life. It celebrates the human spirit that begins our everyday and never goes away. Be well, keep your head up, and see you along the road to heaven. Jeffrey Langer