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"Harrison's poems succeed on the basis of an open heart and a still-ravenous appetite for life."—The Texas Observer The title Dead Man's Float is inspired by a technique used by swimmers to conserve energy when exhausted, to rest up for the long swim to shore. In his fourteenth volume of poetry, Jim Harrison presents keen awareness of physical pains, delights in the natural world, and reflects on humanity's tentative place in a universe filled with ninety billion galaxies. By turns mournful and celebratory, these fearless and exuberant poems accomplish what Harrison's poems always do: wake us up to the possibilities of being fully alive. "Forthright and unaffected, even brash, Harrison always scoops us straight into the world whether writing fiction or nonfiction. This new collection [Dead Man's Float] takes its cue from a technique swimmers use to conserve energy in deep water, and Harrison goes in deep, acknowledging our frailness even as he seamlessly connects with a world that moves from water to air to the sky beyond."—Library Journal “Harrison pours himself into everything he writes… in poems, you do meet Harrison head-on. As he navigates his seventies, he continues to marvel with succinct awe and earthy lyricism over the wonders of birds, dogs, and stars as he pays haunting homage to his dead and contends with age’s assaults. The sagely mischievous poet of the North Woods and the Arizona desert laughs at himself as he tries to relax by imagining that he’s doing the dead man’s float only to sink into troubling memories…Bracingly candid, gracefully elegiac, tough, and passionate, Harrison travels the deep river of the spirit, from the wailing precincts of a hospital to a “green glade of soft marsh grass near a pool in a creek” to the moon-bright sea.”—Donna Seaman, Booklist "Harrison doesn't write like anyone else, relying entirely on the toughness of his vision and intensity of feeling."—Publishers Weekly Warbler This year we have two gorgeous yellow warblers nesting in the honeysuckle bush. The other day I stuck my head in the bush. The nestlings weigh one twentieth of an ounce, about the size of a honeybee. We stared at each other, startled by our existence. In a month or so, when they reach the size of bumblebees they'll fly to Costa Rica without a map. Jim Harrison, one of America's most versatile and celebrated writers, is the author of over thirty books of poetry, fiction, and nonfiction—including Legends of the Fall, the acclaimed trilogy of novellas. With a fondness for open space and anonymous thickets, he divides his time between Montana and southern Arizona.
Pioneering oceanographer Curtis Ebbesmeyer unravels the mystery of marine currents, uncovers the astonishing story of flotsam, and changes the world's view of trash, the ocean, and our global environment. Curtis Ebbesmeyer is no ordinary scientist. He's been a consulting oceanographer for multinational firms and a lead scientist on international research expeditions, but he's never held a conventional academic appointment. He seized the world's imagination as no other scientist could when he and his worldwide network of beachcomber volunteers traced the ocean's currents using thousands of sneakers and plastic bath toys spilled from storm-tossed freighters. Now, for the first time, Ebbesmeyer tells the story of his lifelong struggle to solve the sea's mysteries while sharing his most surprising discoveries. He recounts how flotsam has changed the course of history—leading Viking mariners to safe harbors, Columbus to the New World, and Japan to open up to the West—and how it may even have made the origin of life possible. He chases icebergs and floating islands; investigates ocean mysteries from ghost ships to a spate of washed-up severed feet on Canadian beaches; and explores the enormous floating "garbage patches" and waste-heaped "junk beaches" that collect the flotsam and jetsam of industrial society. Finally, Ebbesmeyer reveals the rhythmic and harmonic order in the vast oceanic currents called gyres—"the heartbeat of the world "—and the threats that global warming and disintegrating plastic waste pose to the seas . . . and to us.
When Tigger Mills returns home to the conservative, religious seaside community in New Jersey where he was once accused of a lethal act of arson, ghostwriter Anne Hardaway is the only one who does not believe that his drowning was a suicide. Original.
"A Floating Chinaman is, in the broadest sense, a book about who gets to speak for China. The title is taken from a lost manuscript by H.T. Tsiang, an eccentric Chinese immigrant writer who self-published a series of visionary novels in the 1930s, a time when China was recast as a rich, unexplored mystery to the American public. At this time the United States "rediscovered" China, and the book traces its causes and cues in a variety of sites: the comfortable, middlebrow literature of Pearl Buck, Alice Tisdale Hobart and Lin Yutang; the journalism of Carl Crow and Henry Luce; exuberant reports from oil executives proclaiming a new era in global trade. On the margins--in Chinatowns, on college campuses, in the failed avant-gardism of Tsiang--a different conversation about the possibilities of a transpacific future was taking place. The book is about the circulation of ideas about China; but it is also a book about writers, rivalries, and the acquisition of authority. It is about the creation and refinement of those ideas, as well as the spirit of competition that underlies all critical endeavors. These were decades when China represented a new area of inquiry, and the stakes for writers to flex their expertise were at once intellectual, professional, and deeply personal. The author considers a range of texts--from best-sellers to self-published paperbacks, travel literature to corporate newsletters, FBI surveillance files to flowery letters from an Ellis Island detention center--and considers the competing notions of a transpacific future that animated the literary imagination as well as some satisfying moments of revenge."--Provided by publisher.
A scientific discovery in 1830 leads to a government cover-up spanning two centuries and two continents, leaving a trail of death and destruction in its wake. Replete with dark psychosexual overtones, the Floating Man is a mystery thriller that takes place in both past and present as fictional and historical characters collide. When 'burned out' investigative reporter John Hill returns home to take over the Beaufort Sentinel from his friend and mentor, James Campbell, he finds that his friend has literally fallen onto the story of a lifetime. The headline from 1830 screams out at them: Floating Man from France to perform Aerial Stunts this Saturday.Who was Henri Richaud? An early hot air balloonist . . . or something else? How did he end up on a plantation run by Harriott Pinckney Horry, one of South Carolina's most famous women? As John and James begin their search for this mysterious friend of Napoleon and protégé of Pierre-Simon Laplace-one of the greatest scientists of all time-they find that virtually all historical references to him have been deleted.John and James soon enlist the help of John's former investigative partner, Sheila Jefferson, now a staffer on the National Security Council. Big mistake. While romance ensues, alarm bells go off in a deeply embedded rogue cell of America's labyrinthine intelligence apparatus. They soon find out that their search for Henri Richaud and the memoirs of the Sentinel's founder, Robert Campbell, has deadly consequences. For Sheila, an erotic obsession turns violent as agents from the "Program" are dispatched to keep tabs on our trio. Join John, James, and Sheila, along with a cast of historical characters that includes Napoleon, Andrew Jackson, Chief John Ross of the Cherokee Nation and Harriott Pinckney Horry and the slaves of Hampton Plantation as they try to stay one step ahead of their pursuers in both the past and present.
Appropriately for a book haunted by music, Katharine Towers’ poems exhibit an almost pianistic sense of timing, touch and tone. In The Floating Man, Towers writes about weight and weightlessness, presence and absence, the body in space, and our oblique relationship with the natural world, always with a wonderful sense of compositional balance; she is expert at registering the huge emotional shifts effected by the smallest things, whether the scent of apples, the slant of the light, or the grace-notes of memory. Music expresses the things we cannot say, but Towers recruits its power to bring the beyond-words into the realm of speech. The result is a debut of great originality and subtlety.
Describes the natural habitat, physical characteristics, diet, and behavior of the Portuguese man-of-war.
From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day In the face of the misery in his homeland, the artist Masuji Ono was unwilling to devote his art solely to the celebration of physical beauty. Instead, he put his work in the service of the imperialist movement that led Japan into World War II. Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the "floating world"—the nocturnal world of pleasure, entertainment, and drink—offer him both escape and redemption, even as they punish him for betraying his early promise. Indicted by society for its defeat and reviled for his past aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being.
Whatever you do, don’t swim alone. In his next YA horror, Indie bestselling author Shawn Sarles dives into the terrifying myth behind the dead man’s float. Sometimes the truth hurts. Sometimes it even kills. Nine years ago, Sam watched her friend drown. The water, and the fact that she couldn’t save her, has haunted her ever since. But what she didn’t see that day was the hand that had reached out for her friend, wrenching her beneath the water. Now, as Sam gets ready for varsity pre-season on the school swim team, she vows once again not to let the fear of the water bring her down into its depths. But when the upperclassmen take the girls to the abandoned neighborhood pool called the Graveyard for their yearly hazing ritual, a seemingly harmless prank will set off a catastrophic chain of events. It will unleash a spirit, a ghost that has unfinished business both in the pool and outside of it, intent on finding its killer. On this team, they all have a secret. They all have a motive. The truth can set them free, if it doesn't bury them first.
George Plimpton needed no encouragement. If there was a sport to play, a party to throw, a celebrity to amaze, a fireworks display to ignite, Plimpton was front and center hurling the pitch, popping the corks, lighting the fuse. And then, of course, writing about it with incomparable zest and style. His books made him a legend. "The Paris Review, the magazine he founded and edited, won him a throne in literary heaven. Somehow, in the midst of his self-generated cyclones, Plimpton managed to toss off dazzling essays, profiles, and "New Yorker "Talk of the Town" pieces. This delightful volume collects the very best of Plimpton's inspired brief "excursions." Whether he was escorting Hunter Thompson to the "Fear and Loathing movie premiere in New York or tracking down the California man who launched himself into the upper atmosphere with nothing but a lawn chair and a bunch of weather balloons, Plimpton had a rare knack for finding stories where no one else thought to look. Who but Plimpton would turn up in Las Vegas, notebook in hand, for the annual porn movie awards gala? Among the many gems collected here are accounts of helping Jackie Kennedy plan an unforgettable children's birthday party, the time he improvised his way through amateur night at Harlem's famed Apollo Theater, and how he managed to get himself kicked out of Exeter just weeks before graduation. The grand master of what he called "participatory journalism," George Plimpton followed his bent and his genius down the most unbelievable rabbit holes-but he always came up smiling. This exemplary, utterly captivating volume is a fitting tribute to one of the great literary lives of our time. "From the Hardcoveredition.