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Edited and introduced by Carol Anderson. ‘I think it is the best Scots romance since The Master of Ballantrae,’ said John Buchan when Flemington was first published in 1911. Violet Jacob’s fifth and finest novel is a tragic drama of the 1745 Jacobite Rising, tightly written, poetic in its symbolic intensity, lit by flashes of humour and informed by the author’s own family history as one of the Erskines of the House of Dun near Montrose. Drawn back to these roots in her later years, Violet Jacob also wrote many unforgettable short stories about the people, the landscapes and the language of the North-east. In this volume fourteen of these stories are re-collected and re-edited as Tales from Angus.
The women of the tiny town of Fetter-Rothnie have grown used to a life without men, and none more so than the tangle of mothers and daughters, spinsters and widows living at the Weatherhouse. Returned from war with shellshock, Garry Forbes is drawn into their circle as he struggles to build a new understanding of the world from the ruins of his grief. In The Weatherhouse Nan Shepherd paints an exquisite portrait of a community coming to terms with the brutal losses of war, and the small tragedies, yearnings and delusions that make up a life.
Introduced by Naomi Mitchison. Set over two thousand years ago on the clam and fertile shores of the Black Sea, Naomi Mitchison’s The Corn King and the Spring Queen tells of ancient civilisations where tenderness, beauty and love vie with brutality and dark magic. Erif Der, a young witch, is compelled by her father to marry his powerful rival, Tarrik the Corn King, so becoming the Spring Queen. Forced by her father, she uses her magic spells to try and break Tarrik’s power. But one night Tarrik rescues Sphaeros, an Hellenic philosopher, from a shipwreck. Sphaeros in turn rescues Tarrik from near death and so breaks the enchantment that has bound him. And so begins for Tarrik a Quest – a fabulous voyage of discovery which will bring him new knowledge and which will reunite him with his beautiful Spring Queen. ‘This breathtaking recreation of life in the ancient world welds the power of myth and magic to a stirring plot.’ Ian Rankin
'Half Scotland sniggered and the other half scowled, when in letters to the Scotsman and the Glasgow Herald, I put forward my suggestion that prisoners in Scottish jails be allowed to wear their kilts as their national birthright if such be their wish.' From his origins as an illegitimate child in the slums of Glasgow, Fergus Lamont sets out to reclaim his inheritance and to remake his identity as soldier, poet and would-be aristocrat. Covering the years from the turn of the century to the Second World War, Fergus's unforgettable voice recounts a tale of vanity, success and betrayal which shines its own sardonic light on Scotland and the cultural and political issues of the day. At odds with his origins and unsettled in his aristocratic pretensions, Fergus Lamont reaches middle age before he is offered at least the hope of redemption in a love affair with an island woman. How it turns out and what he learns too late, adds a tragic dimension to the scathing humour of this, Robin Jenkins's most searching exploration of the modern Scottish psyche.
Introduced by Donald MacAulay. This indispensable anthology contains selections of the best work by Scotland’s most acclaimed modern Gaelic poets: Sorley Maclean, George Campbell Hay, Iain Crichton Smith, Derick Thomson and Donald MacAulay. Designed as much for English readers of Gaelic, the poems are presented with line-for-line translations. These translations have been made by the poets themselves, thereby maximising the retention of the sprit and form of the originals. Donald MacAulay is Professor of Celtic at the University of Glasgow. ‘This is the ideal collection for those who wish to enjoy Gaelic poetry without learning the language.’ Birmingham Post ‘This book deserves to be read not only to gain an insight into modern Gaelic poetry, but because it contains poetry of merit that is now available in English.’ Press and Journal ‘Nua-Bhardachd Ghaidhlig breathes the very soul of Gaelic Scotland. It is an anthology of the first importance.’ Books Ireland
Edited and Introduced by Carl MacDougall. The Scottish story has its roots in an oral tradition where stories were told to entertain. It is a tradition that has not diminished over the years and indeed there is today a body of young writers in the forefront of contemporary literature whose narrative voice is as compelling as that of their illustrious predecessors. The Devil and the Giro includes stories from all the major Scottish writers both famous and unsung. Hogg, Stevenson, Conan Doyle, Hugh MacDiarmid, Muriel Spark, James Kelman and Alasdair Gray are but a few of the fifty contributors. The anthology encompasses many examples of the themes in which Scottish writers have always excelled, most notably in that archetypal twinning of opposites where the ordinary meets the fantastic, man encounters the Devil, or the real and the supernatural converge. This is the stuff of the ancient storytellers and the tradition has persisted to this day where the hard reality of urban existence still involves coming to terms with life and death. ‘A big generous anthology . . . All in all a magnificent thematic and hugely enjoyable anthology which proves that the Scottish short story has been and is a flourishing form.’ Iain Crichton Smith, Scotsman
Recognises the richness of women's contribution to Scottish literature. By combining historical spread with a thematic structure, this volume explores the ways in which gender has shaped literary output and addresses the changing situations in which women lived and wrote. It places the work of established writers such as Margaret Oliphant, Naomi Mitchison and A.L. Kennedy in new contexts and discusses the writing of critically neglected figures such as Sileas na Ceapaich, Mary Queen of Scots, Anne Grant, Janet Hamilton, Isabella Bird, F. Marion McNeill and Denise Mina. There are chapters on women in Gaelic culture, women's relationship to oral traditions and to key literary periods, women's engagements with nationalism, with space, with genre fiction and with the activity of reading.
Autonomist Narratives of Disability in Modern Scottish Writing: Crip Enchantments explores the intersection between imaginaries of disability and representations of work, welfare and the nation in twentieth and twenty-first century Scottish literature. Disorienting effects erupt when non-normative bodies and minds clash with the structures of capitalist normalcy. This book brings into conversation Scottish studies, disability studies and Marxist autonomist theory to trace the ways in which these “crip enchantments” are imagined in modern Scottish writing, and the “autonomist” narratives of disability by which they are evoked.
Foreword by David Daiches with an additional essay, ‘Promised Lands’. In this captivating autobiography of his childhood and student years David Daiches recalls a unique period between the two world wars. There was something very special about the Scottish-Jewish interchange in those years. It has had its counterparts in other cultures yet few have been captured so vividly or with such insight peculiar to the very young. Daiches was one of the sons of Edinburgh’s chief Rabbi. In their home, a quiet dark hub of foreign faith, memories of light and festivity predominated. Illustrious visitors from every corner of the globe would call on the distinguished Rabbi and the sons of the house would argue cheerfully with these itinerant scholars and diplomats. School was Scottish, Presbyterian, with its characteristics smell of wood, chalk, ink and schoolbag leather. Daiches did not play games, sing hymns, wear the ubiquitous school shorts or socialise after school yet not only did he survive these tribulations, he excelled. ‘The two cultures of my childhood . . . I was equally at home in both. That was my good fortune and I have never ceased to be grateful for it.’ ‘Promised Lands’ is a moving memoir of the author’s father and a timely meditation on exile, pluralism and synthesis, and on the need to welcome and also to balance the vital cultural differences which show us what we are and how we all belong to the imagined community of Scotland.
This huge novel, closer in scope to a Russian epic than to any English counterpart, opens at the turn of the century in the extreme poverty of the Rhinns of Galloway, an agricultural backwater of the southern-most part of Scotland. With a loving regard for the land and its people, Barke traces the lives of David and Jean Ramsay who, full of hope, painstakingly uproot themselves and their family in the search for prosperity. Their efforts to retain respect and a decent way of life are thwarted by unemployment in increasingly hostile circumstances, and a harsh environment inevitably leaves its mark. But a new generation emerges to question the authority of an uncaring society and, even as Fascism rages through Europe, a new hope is born. ‘Barke’s characters are both intelligent and spirited.’ Times Literary Supplement ‘An elegy for the old way of life.’ New Statesman