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A book that combines science fiction, satire of Victorian society and politics, proving to be a great literary allegory. The illustrated world is populated by Squares, Triangles, Circles and Lines living in a two-dimensional universe, all strictly divided by class and gender. The narrator is precisely one of them, a Square. He will guide readers into his world by explaining the brilliant implications of two-dimensional life. Later, however, he will tell of his discovery of other, more geometrically complex universes such as the three-dimensional one, represented by his encounter with a Sphere. Thus begins a true journey of knowledge, which will lead him to that which can hardly be conceived by the mind. A unique book that has become a cult object by the scientific community and beyond.
First there was Edwin A. Abbott's remarkable Flatland, published in 1884, and one of the all-time classics of popular mathematics. Now, from mathematician and accomplished science writer Ian Stewart, comes what Nature calls "a superb sequel." Through larger-than-life characters and an inspired story line, Flatterland explores our present understanding of the shape and origins of the universe, the nature of space, time, and matter, as well as modern geometries and their applications. The journey begins when our heroine, Victoria Line, comes upon her great-great-grandfather A. Square's diary, hidden in the attic. The writings help her to contact the Space Hopper, who tempts her away from her home and family in Flatland and becomes her guide and mentor through ten dimensions. In the tradition of Alice in Wonderland and The Phantom Toll Booth, this magnificent investigation into the nature of reality is destined to become a modern classic.
Joe Cube is a Silicon Valley hotshot--well, a would-be hotshot anyway--hoping that the 3-D TV project he's managing will lead to the big money IPO he's always dreamed of. On New Year's Eve, hoping to impress his wife, he sneaks home the prototype. It brings no new warmth to their cooling relationship, but it does attract someone else's attention. When Joe sees a set of lips talking to him (floating in midair) and feels the poke of a disembodied finger (inside him), it's not because of the champagne he's drunk. He has just met Momo, a woman from the All, a world of four spatial dimensions for whom our narrow world, which she calls Spaceland, is something like a rug, but one filled with motion and life. Momo has a business proposition for Joe, an offer she won't let him refuse. The upside potential becomes much clearer to him once she helps him grow a new eye (on a stalk) that can see in the fourth-dimensional directions, and he agrees. After that it's a wild ride through a million-dollar night in Las Vegas, a budding addiction to tasty purple 4-D food, a failing marriage, eye-popping excursions into the All, and encounters with Momo's foes, rubbery red critters who steal money, offer sage advice and sometimes messily explode. Joe is having the time of his life, until Momo's scheme turns out to have angles he couldn't have imagined. Suddenly the fate of all life here in Spaceland is at stake. Rudy Rucker is a past master at turning mathematical concepts into rollicking science fiction adventure, from Spacetime Donuts and White Light to The Hacker and the Ants. In the tradition of Edwin A. Abbott's classic novel, Flatland, Rucker gives us a tour of higher mathematics and visionary realities. Spaceland is Flatland on hyperdrive! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A fully annotated edition of Abbott's classic Flatland, with notes and commentary putting it in its historical and mathematical context.
Recommended for ages 4 and up and grade level of Kindergarten to 3rd grade. From first time children's author David Sayre and award-winning illustrator Rebecca Emberley comes a story of our place in the universe as experienced by Owuza and his Flatlander friends. Follow along as they explore Flatland and its limits, discovering themselves in the process. This story may take you beyond your ordinary experience and open discussion about where "here" is, what is out "there," and what happens when people and things we love are no longer where we can see them. Emberley's gorgeous, tapestry-like depictions of Flatland are a perfect foil for Sayre's deep, yet simple story.
A classic book about life in a two-dimensional universe, written by a well-known author. Now brought back into print in this revised and updated edition, the book is written within the great tradition of Abbott's Flatland, and Hinton's famous Sphereland. Accessible, imaginative, and clever, it will appeal to a wide array of readers, from serious mathematicians and computer scientists, to science fiction fans.
The latest book in our successful series IT Revolution in Architecture provides a concise summary of how our perception of the space around us has radically changed in recent years. We could even go as far as to say that we ourselves shape the space around us according to how our perceptions of the universe alter and develop, and mathematics plays a pivotal role. In this book, the "virtual" protagonist of the journey through the concept of space is the square. Michele Emmer, born in 1945, is Professor of Mathematics at the University La Sapienza in Rome and has authored many books and films on the subject of mathematics and art and culture. He was also responsible for exhibitions at the Venetian Biennale and the Cité des Sciences La Villette in Paris.
Flatland is uniquely both a social critique and a primer on multi-dimensional geometry. Written in two parts in 1884 by Edwin A. Abbott, an English mathematician and theologian, it tells the story of a square living in Flatland: a two-dimensional realm. After a dream of a restrictive one-dimensional existence and the difficulties this poses, he is visited by a sphere from a three-dimensional space who wishes to enlighten him into the ways of “Upward, yet not Northward.” Edwin A. Abbott wrote other theological fiction and non-fiction (including several biographies), but he is best remembered for Flatland. While it was mostly forgotten after publication, it received a revived interest from the 1960s onwards, and has more recently had several sequels and film adaptations. This edition of Flatland is based on the second published edition and includes its preface, which in part attempts to address some of the contemporary accusations of misogyny. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
The pot thief is going back to school, but someone on campus is trying for a different kind of degree—murder in the first—in this “smartly funny series” (Anne Hillerman). Before making a somewhat notorious name for himself as a salvager of antiquated pottery and other desert artifacts, Hubie Schuze was an eager student at the University of New Mexico—right up until they booted him out. Now, he’s back at UNM as a pottery teacher. It should be a breeze, but campus life has changed dramatically in the past twenty-five years. From cell phones to trigger warnings to sensitivity workshops, Hubie has to get up to speed fast or risk losing control of his class. But his dismay at the state of modern academia takes a back seat when a young beauty working as a life model is murdered—and Hubie becomes a suspect. Taking the investigation into his own hands, he soon uncovers a wide palette of sketchy suspects that includes both the self-involved student body and the quarrelsome art school faculty. But what he doesn’t know is that the murderer has a new artistic project in the works: a headstone for the grave of Hubie Schuze . . . The Pot Thief Who Studied Edward Abbey is the 8th book in the Pot Thief Mysteries, but you may enjoy reading the series in any order.