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William Henry Cope's 'The History of the Rifle Brigade (the Prince Consort's Own) Formerly the 95th' is a meticulously researched and detailed account of the illustrious military unit and its significant contributions to various campaigns and battles. Cope's writing style is both informative and engaging, providing readers with a thorough understanding of the Rifle Brigade's role in shaping military history. The book is a valuable resource for those interested in nineteenth-century military history, as it offers a firsthand account of the unit's experiences on the battlefield. William Henry Cope, a respected military historian and former member of the Rifle Brigade, brings a unique perspective to this historical narrative. His firsthand knowledge of the unit's traditions and exploits enhances the authenticity of the work, making it a comprehensive and reliable source on the subject. Cope's passion for military history is evident in his meticulous research and attention to detail, making 'The History of the Rifle Brigade' a must-read for enthusiasts of military literature. I highly recommend 'The History of the Rifle Brigade (the Prince Consort's Own) Formerly the 95th' to anyone interested in the military history of the nineteenth century. Cope's scholarly approach and firsthand experience make this book a valuable addition to any history buff's collection.
This book offers the first extended account of the mid-century rise of ‘model women of the press’: women who not only stormed the male bastions of social and political journalism but also presented themselves as upholders of the highest standards of professional journalistic practice. They broke the codes of anonymity in several ways, including signing articles in their own names and developing distinctly female personae. They proved, by example, women’s fitness for conventionally masculine lines of journalism. By placing Victorian women’s serious, high-minded journalism firmly within the context of ‘the widening sphere’ of female professions in mid-nineteenth-century England, the book shows how a wide range of women writers, including leading Victorian feminists and female reformers, contributed to the professionalization of women’s authorship. Drawing on extensive archival research and close analysis of a wide range of printed texts, from Victorian newspapers and periodicals to autobiographies, memoirs, and fiction, this book elucidates several aspects of Victorian women’s journalism that have been previously ignored: the market interest of the feminist English Woman’s Journal; the ability of women like Eliza Meteyard and Frances Power Cobbe to write consistently on serious social and political issues in mainstream periodicals; Harriet Ward’s astonishing reportage from the war fields of South Africa; and Harriet Martineau’s reports on Famine-devastated Ireland and her role as a transatlantic commentator on American abolitionism. The study also offers the first focused account of the figure of the female professional journalist in Victorian novels, showing how these texts move away from the dominant myth of the author as a solitary genius to present the female journalist as a collaborator who adapts her writing to fit various newspapers and periodicals, and works closely with male editors and peers. In examining the rise of the Victorian woman writer as a serious social and political journalist, this book adds to current critical understanding of female political expression, authorial agency, and cultural authority in nineteenth-century England.
The Eastern Cape is a country of great natural beauty and tourist potential, and has produced a wealth of writers and writings that have responded to the landscape in a variety of interesting and enjoyable ways.