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30th anniversary edition of an award-winning Aussie classic. The popular and award-winning stories FIVE TIMES DIZZY and DANCING IN THE ANZAC DELI are now combined in one book! Together they tell the tale of Mareka and the Wilson kids, who live in an ordinary inner-city neighbourhood but find themselves caught up in extraordinary adventures. What with the professor?s tricks, Yaya?s magic, the Haunted House and the mysterious Munga, it sometimes seems as if Smith Street is the most exciting place in Australia. Nadia Wheatley is one of Australia?s most acclaimed writers, particularly for her children?s and young adult fiction. FIVE TIMES DIZZY is the book that launched her extraordinary career.
The popular and award-winning stories FIVE TIMES DIZZY and DANCING IN THE ANZAC DELI are now combined in one book! Together FIVE TIMES DIZZY and DANCING IN THE ANZAC DELI tell the tale of Mareka and the Wilson kids, who live in an ordinary inner-city neighbourhood but find themselves caught up in extraordinary adventures. What with the professor s tricks, Yaya s magic, the Haunted House and the mysterious Munga, it sometimes seems as if Smith Street is the most exciting place in Australia.
30th anniversary edition of an award-winning Aussie classic. The popular and award-winning stories FIVE TIMES DIZZY and DANCING IN THE ANZAC DELI are now combined in one book! Together they tell the tale of Mareka and the Wilson kids, who live in an ordinary inner-city neighbourhood but find themselves caught up in extraordinary adventures. What with the professor’s tricks, Yaya’s magic, the Haunted House and the mysterious Munga, it sometimes seems as if Smith Street is the most exciting place in Australia. Nadia Wheatley is one of Australia’s most acclaimed writers, particularly for her children’s and young adult fiction. FIVE TIMES DIZZY is the book that launched her extraordinary career.
Oh Lucky Country (Paese fortunato) uses first-person point of view to inflate migrant oppression to such absurdist proportions that its swirling narrative boils over into a maelstrom, washing away all migrant clichés. It is a witty, tragi-comic view of Australian society, culture and prejudice. This new edition of Oh Lucky Country, with introductions by Nicole Moore and Gaetano Rando, is a part of the Australian Classics Library series intended to make classic texts of Australian literature more widely available for the secondary school and undergraduate university classroom, and to the general reader. The series is co-edited by Emeritus Professor Bruce Bennett of the University of New South Wales and Professor Robert Dixon, Professor of Australian Literature at the University of Sydney, in conjunction with SETIS, Sydney University Press, AustLit and the Copyright Agency Limited. Each text is accompanied by a fresh scholarly introduction and a basic editorial apparatus drawn from the resources of AustLit. Rosa Cappiello was born in Naples, Italy, in 1942. She migrated to Australia in 1971 with no knowledge of English and no skills and worked in various manual occupations. She published her first novel, I semi negri (The Black Seeds) in 1977 in Italy. In 1982, she was writer-in-residence at the University of Wollongong. She died in 2008 in Italy.
In 1979, Nam Le's family left Vietnam for Australia, an experience that inspires the first and last stories in The Boat. In between, however, Le's imagination lays claim to the world. The Boat takes us from a tourist in Tehran to a teenage hit man in Colombia; from an ageing New York artist to a boy coming of age in a small Victorian fishing tow...
This book is an analysis of the textual representation of dance in the Australian novel since the late 1890s. It examines how the act of dance is variously portrayed, how the word 'dance' is used metaphorically to convey actual or imagined movement, and how dance is written in a novelistic form. The author employs a wide range of theoretical approaches including postcolonial studies, theories concerned with class, gender, metaphor and dance and, in particular, Jung's concept of the shadow and theories concerned with vision. Through these variegated approaches, the study critiques the common view that dance is an expression of joie de vivre, liberation, transcendence, order and beauty. This text also probes issues concerned with the enactment of dance in Australia and abroad, and contributes to an understanding of how dance is 'translated' into literature. It makes an important contribution because the study of dance in Australian literature has been minimal, and this despite the reality that dance is prolific in Australian novels.
Depicts life in Australia at different times in its development by viewing one place in different years while moving backwards from 1988 to 1788.
This volume explores how television has been a significant conduit for the public consumption of changing ideas about children, childhood, and national identity, via a critical examination of programs that prominently feature children and youth in international television. The chapters connect relevant cultural attitudes within their respective countries to an analysis of children and/or childhood in international children’s programming. The collection addresses how international children’s programming in global and local context informs changing ideas about children and childhood, including notions of individual and citizen identity formation. Offering new insights into childhood and television studies, this book will be of great interest to graduate students, scholars, and professionals in television studies, childhood studies, media studies, cultural studies, popular culture studies, and American studies.
Aimed at academic, professional and general readers, Bush, city, cyberspace provides a snapshot of the state of Australian children's and adolescent literature in the early twenty-first century, and an insight into its history. In doing so, it promotes a sense of where Australian literature for young people may be going and captures a literary and critical mood with which readers in Australia and beyond will identify. The title of the work is intended to capture the fact that the field has changed dramatically in the century and a half that 'Australian children's literature' has existed, from the bush myths and heroism that inform the past and the present, through the recognition that the vast majority of authors and readers live in cities, to the third wave of 'cyberliterature' that incorporates multimedia, hypertext, weblinks and e-books - none of which lessens the enduring enthusiasm of practitioners and readers for books.Bush, city, cyberspace is not meant to be an encyclopedic volume. Rather, well-known, recent and/or award-winning works have been emphasised, with the addition of others where these help to illuminate particular points. The book is similar in coverage and approach to Australian Children's Literature: An Exploration of Genre and Theme, written by the same three authors and published by the Centre for Information Studies in 1995. In the intervening period, much has changed in the field, notable examples including the blurring of the dividing line between 'quality' and 'popular' literature; the blending of genres; the rise of a truly indigenous literature; the demise, to a significant extent, of 'Outbackery' in fiction; the acceptance of multiculturalism as the norm; and the advent of the literature of cyberspace, with new methods, and the sheer speed, of communication between writer and reader. All these trends, and others, are reflected in this work.
Includes jargon, sports slang, and ethnic and regional expressions