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This book contains over 80 paintings of Jesus Christ for the purposes of enjoying and meditating. Painting has always been associated with the life of the Church. From the time of the Catacombs it has been used in ecclesiastical ornamentation, and for centuries after Constantine, religious art was the only form of living art in the Christian world. Its fecundity has been wonderful and even now, although much diminished, is still important. Until the Renaissance, the Church exercised a veritable monopoly over this sphere. Profane painting in Europe dates only from the last five centuries and it took the lead only in the nineteenth century. It may, therefore, be said that throughout the Christian Era the history of painting has been that of religious painting.
Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.
This book provides a learning-by-doing approach to the study of the Gospels. It allows students to uncover literary patterns, theological issues, and interpretive problems through close readings of primary sources. Questions are asked along the way that help readers understand the shape of the narrative, and the themes important to each Gospel writer.
It starts in the desert. John the prophet lowers Jesus under the Jordan's muddy waters and pulls him up, just as a bird swoops down to skim the river's surface.It spreads next to Galilee, where some welcome Jesus as a disciple of John and others grow wary of his rising influence-fishermen are leaving their nets, tax collectors their offices, and students their masters to listen to this new saint. After abandoning his nets, Andrew ties knots in the threads of his shirt to remember Jesus' teachings. After escaping his slum, Judas waits for Jesus to call down the legions of angels who can end a broken world.But just as Jesus' movement in the north is gaining strength, he turns south toward the Temple and a fate his followers will struggle to understand. The Five Books of Jesus, James Goldberg's lyrical novelization of Jesus' ministry, tells the story of the gospels as Jesus' followers might have experienced it: without knowing what would happen next or how to make sense of events as they unfold.
The Historical Jesus: Five Views provides a venue for readers to sit in on a virtual seminar on the historical Jesus. Beginning with a scene-setting historical introduction by the editors, prominent figures in the Jesus quest set forth their views and respond to their fellow scholars. For both the classroom and personal study, this is a book that fascinates, probes and engages.
" ... A biography of the person and ministry of Christ, as revealed by 100 names and titles ascribed to Him in Scripture."--Preface.
At Easter, major magazines and blogs will publish articles claiming to tell us who Jesus was. Every few weeks we see a new book making similar claims. Is it possible to know? In Who Is Jesus?, Allan Bevere addresses this question from the point of view of a person of faith who takes seriously the gospels and early Christian tradition as documentation of events and of serious theological reflection on those events. According to Bevere, Christian theology was neither an invention, nor a set of random speculations unrelated to reality. Rather, they were the response of early Christianity to the experience of Jesus and the historical pictures as presented in the canonical gospels. From a discussion of the Old Testament record piecing together the puzzle of biblical messianic prophecy through illumination of the christological controversies of the first five centuries of Christian history, and then back to the four portraits of Jesus given to us in the canonical gospels, this book provides a clear description of how orthodox Christian scholarship can bring together the varied evidence in order to present a coherent theological picture of the Jesus of history. As Bevere contends, history and theology are not easily separated, but are two threads that create an interwoven tapestry in which events have meaning. This book is good for individual reading, or could easily provide readings and an outline for a small group study.