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This new translation brings to English-speaking readers an intense and brooding work by the greatest poet of the Italian Renaissance, Ludovico Ariosto. Begun as a sequel to his epic masterpiece Orlando Furioso (1516), the unfinished Cinque Canti are a powerful poem in their own right. Tragic in tone,they depict the disintegration of the chivalric world of Charlemagne and his knights and give poetic expression to a sense of cultural, political, and religious crisis felt in Ariosto's Italy and in early sixteenth-century Europe more generally. David Quint's introduction freshly examines the literary sources and models of the Cinque Canti and discusses the cultural contexts and historical occasions of the poem. Printed with facing Italian text, this volume allows the modern reader to experience a work of Renaissance literature whose savage beauty still has the power to chill and fascinate. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. This new translation brings to English-speaking readers an intense and brooding work by the greatest poet of the Italian Renaissance, Ludovico Ariosto. Begun as a sequel to his epic masterpiece Orlando Furioso (1516), the unfinished Cinque Canti ar
"Orlando in Roncesvalles: A Poem in Five Cantos" by John Herman Merivale is an affirmative and evocative narrative poem that likely brings to life the legendary and heroic tale of Orlando, a character from the medieval epic "Orlando Furioso." In this poetic work, readers can anticipate a journey into the world of chivalry, romance, and epic battles. The title, "Orlando in Roncesvalles," suggests a specific focus on the Battle of Roncesvalles, a significant episode in the Charlemagne legends where Orlando plays a crucial role. Merivale's poetic style is likely marked by vivid descriptions, heroic imagery, and a narrative that captures the essence of medieval epic poetry. The use of five cantos suggests a structured and unfolding narrative, allowing readers to follow the progression of the story.
Reprint of the original, first published in 1836.