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Iron Fist is explored like never before in these epic adventures steeped in fable, magic and hard-hitting martial arts action! After learning the hard way that the Iron Fist's centuries-spanning legacy holds more secrets than he ever dreamed, Danny is called to K'un-Lun to fight in a tournament against the Immortal Weapons of the Seven Capital Cities of Heaven! But can he ferret out a conspiracy against K'un-Lun? And are there more than seven magical cities? Plus, thrill to the noir adventures of Orson Randall, the previous Iron Fist -- and amazing solo tales of the fan-favorite Immortal Weapons! COLLECTING: Immortal Iron Fist (2006) 1-27, Immortal Iron Fist Annual (2007) 1, The Immortal Iron Fist: Orson Randall and the Green Mist of Death One-Shot (2008), Immortal Iron Fist: The Origin of Danny Rand One-Shot (2008), Civil War: Choosing Sides (2006) (Iron Fist story), Immortal Iron Fist: Orson Randall and the Death Queen of California One-Shot (2008), Immortal Weapons (2009) 1-5, Immortal Weapons Sketchbook (2008)
Traditional horror has often portrayed female characters in direct relation to their sexual role according to men, such as the lascivious victim or innocent heroine; even vampy, powerful female villains, such as the classic noir ''spider women,'' use their sexual prowess to seduce and overwhelm married men. Fist of the Spider Woman is a revelatory anthology of horror stories by queer and transgressive women and others that disrupts reality as queer women know it, instilling both fear and arousal while turning traditional horror iconography on its head. In this collection, horror (including gothic, noir, and speculative writing) is defined as that which both titillates and terrorizes, forcing readers to confront who they are. Kristya Dunnion's ''Homeland'' reveals the horrors that lurk on your average night in a lesbian bar; Elizabeth Bachinsky's ''Postulation on the Violent Works of the Marquis de Sade'' is a response to Sade from a feminist (yet kinky) perspective; and Amber Dawn's ''Here Lies the Last Lesbian Rental'' is a paranormal fantasia about urban gentrification, set in a house rented by lesbians on the eve that it is sold to new owners. Subversive, witty, sexy - and scary - Fist of the Spider Woman poses two questions; ''What do queer women fear the most?'' and ''What do queer women desire the most?''
A rebellious anthology of stories about sex and the modern femme - no holds barred queer sex tales that reinvent lesbian erotica in transgressive and empowering ways. Blunt, hard-hitting stories challenge traditional lace-and-feather notions of gender roles when it comes to getting off.
Winner, Trillium Book Award In Téa Mutonji’s disarming debut story collection, a woman contemplates her Congolese traditions during a family wedding, a teenage girl looks for happiness inside a pack of cigarettes, a mother reconnects with her daughter through their shared interest in fish, and a young woman decides on shaving her head in the waiting room of an abortion clinic. These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator’s experience as an involuntary one. Tinged with pathos and humor, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed. Shut Up You’re Pretty is the first book to be published under VS. Books, a series of books curated and edited by writer-musician Vivek Shraya featuring work by new and emerging Indigenous or Black writers, or writers of color. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Spider-Woman 5-10
This epic chronicles the intriguing secret history of Jessica Drew and her journey from child experiment to Hydra agent to S.H.I.E.L.D. agent to super-hero to private eye to Avenger. This work features full-color visuals by the Luna brothers.
In her novels, poetry, and prose, Amber Dawn has written eloquently on queer femme sexuality, individual and systemic trauma, and sex work justice, themes drawn from her own lived experience and revealed most notably in her award-winning memoir How Poetry Saved My Life. In this, her second poetry collection, Amber Dawn takes stock of the costs of coming out on the page in a heartrendingly honest and intimate investigation of the toll that artmaking takes on artists. These long poems offer difficult truths within their intricate narratives that are alternately incendiary, tender, and rapturous. In a cultural era when intersectional and marginalized writers are topping bestseller lists, Amber Dawn invites her readers to take an unflinching look at we expect from writers, and from each other. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
In this stunning, Lambda Literary Award-winning debut novel, Amber Dawn subverts the classic hero's quest adventure to create a dark post-feminist vision. Sub Rosa's reluctant heroine is a teenaged runaway named "Little"; she stumbles upon an underground society of ghosts and magicians, missing girls and would-be johns: a place called Sub Rosa. Not long after she is initiated into this family of magical prostitutes, Little is called upon to lead them through a maze of feral darkness: a calling burdened with grotesque enemies, strange allies, and memories from a foggy past. Sub Rosa is a beautiful, gutsy, fantastical allegory of our times.
Traditional horror has often portrayed female characters in direct relation to their sexual role according to men, such as the lascivious victim or innocent heroine; even vampy, powerful female villains, such as the classic noir “spider women,” use their sexual prowess to seduce and overwhelm married men. Fist of the Spider Woman is a revelatory anthology of horror stories by queer and transgressive women and others that disrupts reality as queer women know it, instilling both fear and arousal while turning traditional horror iconography on its head. In this collection, horror (including gothic, noir, and speculative writing) is defined as that which both titillates and terrorizes, forcing readers to confront who they are. Kristya Dunnion's "Homeland" reveals the horrors that lurk on your average night in a lesbian bar; Elizabeth Bachinsky’s “Postulation on the Violent Works of the Marquis de Sade” is a response to Sade from a feminist (yet kinky) perspective; and Amber Dawn’s “Here Lies the Last Lesbian Rental” is a paranormal fantasia about urban gentrification, set in a house rented by lesbians on the eve that it is sold to new owners. Subversive, witty, sexy—and scary—Fist of the Spider Woman poses two questions: “What do queer women fear the most?” and “What do queer women desire the most?” Amber Dawn is a writer, performance artist, and radical sex/gender activist who co-edited With a Rough Tongue: Femmes Write Porn.
Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented. Adilifu Nama sees the value—and finds new avenues for exploring racial identity—in black superheroes who are often dismissed as sidekicks, imitators of established white heroes, or are accused of having no role outside of blaxploitation film contexts. Nama examines seminal black comic book superheroes such as Black Panther, Black Lightning, Storm, Luke Cage, Blade, the Falcon, Nubia, and others, some of whom also appear on the small and large screens, as well as how the imaginary black superhero has come to life in the image of President Barack Obama. Super Black explores how black superheroes are a powerful source of racial meaning, narrative, and imagination in American society that express a myriad of racial assumptions, political perspectives, and fantastic (re)imaginings of black identity. The book also demonstrates how these figures overtly represent or implicitly signify social discourse and accepted wisdom concerning notions of racial reciprocity, equality, forgiveness, and ultimately, racial justice.