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From the heyday of poster art comes this choice selection of 100 full-page color reproductions accompanied by detailed captions. Magnificent hardcover edition features posters by Lyendecker, Christy, Flagg, Brangwyn, Steinlen, others.
Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.
Reprints recruiting, loyalty, and fund raising posters printed in Britain, Italy, Russia, Germany, France, Austria, and the U.S. during the Great War
Feel the full force of the propaganda that surrounded the British public during the First World War in this full-colour book exploring the art, themes and psychology of over 200 authentic posters from the period.
The riveting, untold story of George Creel and the Committee on Public Information -- the first and only propaganda initiative sanctioned by the U.S. government. When the people of the United States were reluctant to enter World War I, maverick journalist George Creel created a committee at President Woodrow Wilson's request to sway the tide of public opinion. The Committee on Public Information monopolized every medium and avenue of communication with the goal of creating a nation of enthusiastic warriors for democracy. Forging a path that would later be studied and retread by such characters as Adolf Hitler, the Committee revolutionized the techniques of governmental persuasion, changing the course of history. Selling the War is the story of George Creel and the epoch-making agency he built and led. It will tell how he came to build the and how he ran it, using the emerging industries of mass advertising and public relations to convince isolationist Americans to go to war. It was a force whose effects were felt throughout the twentieth century and continue to be felt, perhaps even more strongly, today. In this compelling and original account, Alan Axelrod offers a fascinating portrait of America on the cusp of becoming a world power and how its first and most extensive propaganda machine attained unprecedented results.
This book is a visual survey of posters printed by the United States, the Allies, and the Axis, and offers an overview of the various categories of propaganda posters created in support of the war effort: recruiting, conservation, careless talk/anti-espionage, bond/fundraising, morale, and more. With posters from all combatants, here is a look at propaganda used as a tool used by all parties in the conflict and how similar themes crossed national borders.
Until the arrival of radio and television, and despite the influence of newspapers, posters were the major medium for mass communication. During the Great War all the belligerent nations produced an extraordinary variety of them - and they did so on a massive scale. As the 200 wartime and immediate post-war posters selected for this book reveal, they were one of the most potent, and memorable, ways of conveying news, information and propaganda. In the most graphic and colourful fashion they promoted values such as patriotism and sacrifice. By using rallying symbols such as flags as well as historical and mythical models, they sought to maintain morale and draw people together by stirring up anger against the enemy. Today their remarkable variety of styles give us an instant insight into the themes and messages the military and civilian authorities wished to publicize.The sheer inventiveness of the poster artists is demonstrated as they focused on key aspects of the propaganda campaign in Britain, France, Germany, America and Russia. The diversity of their work is displayed here in chapters that cover recruitment, money raising, the soldier, the enemy, the family and the home front, films and the post-war world. A century ago, when these images were first viewed, they must have been even more striking in contrast to the poor-quality newspaper photographs and postcards that were available at the time. The Great War was to change that forever. It introduced a means of propaganda that was novel, persuasive and above all, powerful. It was the first media war, and the poster played a key role in it.