Download Free First Trip To Leipzig Book in PDF and EPUB Free Download. You can read online First Trip To Leipzig and write the review.

National Races explores how politics interacted with transnational science in the nineteenth and early twentieth centuries. This interaction produced powerful, racialized national identity discourses whose influence continues to resonate in today's culture and politics. Ethnologists, anthropologists, and raciologists compared modern physical types with ancient skeletal finds to unearth the deep prehistoric past and true nature of nations. These scientists understood certain physical types to be what Richard McMahon calls "national races," or the ageless biological essences of nations. Contributors to this volume address a central tension in anthropological race classification. On one hand, classifiers were nationalists who explicitly or implicitly used race narratives to promote political agendas. Their accounts of prehistoric geopolitics treated "national races" as the proxies of nations in order to legitimize present-day geopolitical positions. On the other hand, the transnational community of race scholars resisted the centrifugal forces of nationalism. Their interdisciplinary project was a vital episode in the development of the social sciences, using biological race classification to explain the history, geography, relationships, and psychologies of nations. National Races goes to the heart of tensions between nationalism and transnationalism, politics and science, by examining transnational science from the perspective of its peripheries. Contributors to the book supplement the traditional focus of historians on France, Britain, and Germany, with myriad case studies and examples of nineteenth- and early twentieth-century racial and national identities in countries such as Russia, Italy, Poland, Greece, and Yugoslavia, and among Jewish anthropologists.
Two influential families are embroiled in a web of deceit, leading to espionage and murder. The thriller begins in 1961 during the Cold War and centers on the newly constructed Berlin Wall, ruthlessly controlled by the ministry of state security, otherwise known as Stasi. John Groves, aided by Hans Von Klaus, seeks to rescue Hanss elder brother Dieter from the East German city of Leipzig and return him to the safety of the West. Suspected of being a dissident by Stasi, torture and imprisonment await the hapless former West German. Can Dieter be saved from the clutches of this highly effective secret police organization, or will it end in disaster?
Fanny Mendelssohn Hensel (1805-47), pianist and composer, maintained a prolific and witty correspondence with her younger brother Felix over the course of approximately 25 years, which is here presented in English translation, with the original German for reference. As the leader of a vibrant salon, Hensel deploys her critical prowess to describe Berlin musical life, including its conservative institutions and personalities, as well as to evaluate Felix's works-in-progress in detail. We also learn about Hensel's own compositions, her attitudes toward herself as a composer, and the significance of Felix's views on the formation of those attitudes. Hensel's letters provide a fascinating glimpse into the problems and challenges facing gifted women musicians in the nineteenth century. The 150 letters are drawn from the Green Books collection of letters addressed to Felix Mendelssohn, in the Bodleian Library, Oxford. Reviews-These letters reveal Fanny Mendelssohn to be a thoroughly fascinating individual, one whose special relationship to Felix would be enough to guarantee the interest of the documents. But we soon become engrossed with Fanny herself, as composer, as critic, as musical commentator and figure in the musical life of Berlin. To watch this world through her eyes is to watch it come alive through the wisdom, wit, and grace of a remarkable person. Citron has a gift for rendering the substance and spirit of these letters into charming and effective English prose that preserves something of the formality of nineteenth-century discourse together with the passion and spirit of Fanny Mendelssohn. Philip Gossett ...reading this volume is a pleasure, not just a musicological duty. Clifford Bartlettthe volume contains penetrating and highly scholarly critical commentaries and is a valuable addition to mendelssohniana. J.R. Belanger, Choice, April 1988
In Bach's Legacy: The Music as Heard by Later Masters, renowned Bach scholar Russell Stinson examines how four of the greatest composers of the nineteenth and twentieth centuries - Mendelssohn, Schumann, Wagner, and Elgar - engaged with the musical legacy of Johann Sebastian Bach.
Anthropologist Daphne Berdahl was one of the leading scholars of the transition from state socialism to capitalism in central and eastern Europe. From her pathbreaking ethnography of a former East German border village in the aftermath of German reunification, to her insightful analyses of consumption, nostalgia, and citizenship in the early 21st century, Berdahl's writings probe the contradictions, paradoxes, and ambiguities of postsocialism as few observers have done. This volume brings together her essays, from an early study of memory at the Vietnam War memorial in Washington, D.C., to research on consumption and citizenship undertaken in Leipzig in the years before her untimely death. It serves as a superb introduction to the development of the field of postsocialist cultural studies.
Published in its first edition in 1983, Boyds treatment of this canonical composer is essential reading for students, scholars, and everyone interested in Baroque music. In this third edition, biographical chapters alternate with commentary on the works, to demonstrate how the circumstances of Bachs life helped to shape the music he wrote at various periods. We follow Bach as he travels from Arnstadt and Muhlhausen to Weimar, Cothen, and finally Leipzig, these journeys alternating with insightful discussions of the great composers organ and orchestral compositions. As well as presenting a rounded picture of Bach, his music, and his posthumous reputation and influence, Malcolm Boyd considers the sometimes controversial topics of parody and arrangement, number symbolism, and the style and meaning of Bachs late works. Recent theories on the constitution of Bachs performing forces at Leipzig are also present. The text and the appendixes (which include a chronology, personalia, bibliography, and a complete catalogue of Bachs works) were thoroughly revised in this edition to take account of more recent research undertaken by Bach scholars, including the gold mine of new information uncovered in the former USSR.
Hans Christian Andersen is indisputably the best known of all Scandinavian writers, his tales and stories having been translated probably into more languages than any other work except the Bible. He is also one of the greatest travelers of nineteenth-century belles lettres and few were the major European cities, capitals, and countries he did not visit, many of them several times: Vienna, Berlin, Dresden, Leipzig, Weimar, Paris, and London. He met and became friends with some of the most outstanding representatives of the European artistic community: Charles Dickens, Victor Hugo, Alexandre Dumas père, Franz Grillparzer, Heinrich Heine, the Brothers Grimm, Wilhelm von Kaulbach, Franz Liszt, Felix Mendelssohn-Bartholdy, Clara and Robert Schumann, to mention a few. Andersen was the first notable Danish writer of proletarian origin, and even though he was never able to overcome his personal traumas, he became extremely successful in climbing the social ladder receiving invitations wherever he went from nobility and royalty and being showered with recognition and decorations. He read aloud to and was feted by Maximilian II of Bavaria, Friedrich Wilhelm IV of Prussia, Grand Duchess Sophia of Austria, and Friedrich August II of Saxony. Even though he also was a frequent visitor at the Danish court Andersen always felt more appreciated abroad. In spite of Andersen's status as a world-renowned writer, no critical treatment has thus far discussed him as a key figure in European contemporary culture and a cosmopolitan personality. The contributors to the present volume -- all of whom are acclaimed Andersen scholars -- have made extensive use of the vast material available in Andersen's diaries, almanacs, autobiographies, and letters. Most of this material, now made available in English for the first time, allows a new Andersen to emerge, different from the traditional portrayal of him as a content and happy storyteller -- a myth indeed! To the contrary, all contributors of this volume discuss his complexity, the traumas and disillusionments of a professional artist constantly struggling to maintain his position and incessantly worried about running out of inspiration. This volume -- besides presenting biographical information in an international perspective -- focuses on Andersen's fascinating psychological make-up, his taste in music, literature, and the pictorial arts, the contemporary critical reception of his work, and explores his creative universe in a more general sense including his poetry, novels, plays, and travelogues. Andersen's overall artistic achievements are viewed in the context of world literature.